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"A Marvelously Big Stone": Geological Objects and Mythological Experience in the Writing of Charles OlsonCarpenter, Brian L. January 2005 (has links) (PDF)
No description available.
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Re-imagining an ethic of place : Terry Tempest Williams's new language for nature and community /Beebee, Fay. January 2005 (has links)
Thesis (M.A.)--University of Nevada, Reno, 2005. / "May, 2005." Includes bibliographical references (leaves 109-113). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2005]. 1 microfilm reel ; 35 mm.
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Global storm : Theodor Adorno's Negative dialectics /Redmond, Dennis Robert, January 2000 (has links)
Thesis (Ph. D.)--University of Oregon, 2000. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 377-380). Also available for download via the World Wide Web; free to University of Oregon users.
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The last of the true the kid's place in Cormac Mccarthy's Blood Meridian /Clement, William Dean. January 2009 (has links)
Thesis (MA)--University of Montana, 2009. / Contents viewed on November 29, 2009. Title from author supplied metadata. Includes bibliographical references.
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Absurd America in the novels of Vonnegut, Pynchon, and Boyle /Hardin, Miriam. January 2001 (has links)
Thesis (Ph. D.)--Lehigh University, 2001. / Includes vita. Includes bibliographical references (leaves 129-137).
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Purity, translation and dialectical rhetoric in Spenser's "Well of English Undefyled" /Major, Julia. January 2002 (has links)
Thesis (Ph. D.)--University of Oregon, 2002. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 480-510). Also available for download via the World Wide Web; free to University of Oregon users.
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Shakespeare on the verge : rhetoric, tragedy, and the paradox of placeEskew, Douglas Wayne, 1976- 11 October 2012 (has links)
"Shakespeare on the Verge: Rhetoric, Tragedy, and the Paradox of Place" describes the ideological geographies of Renaissance England and reads the ways "place" was rhetorically constructed in two of Shakespeare's late tragedies. By ideological geographies I mean the way in which Renaissance men and women understood spatially the constitution of their world--their spatialized "habits of thought." These habits were then undergoing a change from seeing the world as a vertical hierarchy of interrelated and dependent places to seeing it as a horizontal array of discrete places related to one another in a linear manner. Working from the theories of Agamben, Burke, Foucault, and Ong, I argue that Shakespeare constructs a paradox of place in which hierarchically elevated places subsume inferior ones and thereby double them. The paradigmatic example of this phenomenon is the king's mobile court, known at the time as the "Verge," which subsumed the places, the actual palaces and castles, of the king's subjects as it progressed across the kingdom. This phenomenon is paradoxical because, although the king's superior place subsumed those below it, it was always dependent on those inferior places, both logically (there can be no king without his subjects) and materially (as the king traveled, his household relied on the provisions supplied by subjects along the way). This paradox leads Shakespeare to double certain dramatic characters and their environments. It also leads him to set up oppositions between places constructed through violent means and places constructed through the "violence" of rhetoric. In my chapter on King Lear (1605), I argue that Edmund should be read as Lear's double, a doubling made manifest especially in the characters' stage movements as they effectively change places with one another. In Coriolanus (1608), I argue that its hero rejects his double, the Plebeian class of Rome, but that he eventually attempts to reconcile with them in large measure by changing his use of rhetoric. In my reading of these plays, as in my description of Renaissance ideological geographies, I aim to revise the way people look at place on the Shakespearean stage and at the complex interplay in them between physical violence and rhetorical action. / text
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Reader response and the dynamics of plot方慧娜, Fong, Wai-na, Wendy. January 1998 (has links)
published_or_final_version / English / Master / Master of Philosophy
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BEYOND ALIENATION IN FOUR CONTEMPORARY AMERICAN NOVELSFoltz, David Allen, 1937- January 1974 (has links)
No description available.
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L'absurde comme élément comique dans les contes d'Alphonse AllaisDaunais, Isabelle January 1988 (has links)
No description available.
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