Inaug.-dis.-Heidelberg. / Lebenslauf. Bibliography: p. [91]-93.

Thesis (doctoral)--Université de la Sorbonne Nouvelle Paris III, 1992. / Includes bibliographical references.

Thesis (M.A.)--Montana State University--Bozeman, 2004. / Typescript. Chairperson, Graduate Committee: Greg Keeler. Includes bibliographical references (leaves 58-59).

Thesis (M. Phil.)--University of Hong Kong, 1999. / Includes bibliographical references (leaves 117-124).

Thesis (M.A.)--Acadia University, 1997. / Includes bibliographical references (leaves [93]-97). Also available on the Internet via the World Wide Web.

Thesis (M.A.)--Acadia University, 1997. / Includes bibliographical references (leaves [93]-97). Also available on the Internet via the World Wide Web.

Thesis (Ph. D.)--Indiana University of Pennsylvania. / Includes bibliographical references.

Thesis (doctoral)--Universität zu München, 1908. / Includes bibliographical references.

<p> The author argues that ecocriticism has overlooked important works of mid-20th-century American literature because of their unorthodox approaches to writing about nature. These unorthodox approaches revolve around the use of humor and play to formulate arguments about nature. The author argues that because ecocriticism as a political critique emphasizes ecological catastrophe, humor and ludic writing tend to get ignored in the critical discussion. The author expresses the desire to expand the conversation on ludic texts. The author argues that two texts with relatively little ecocritical attention, Thomas Pynchon&rsquo;s <i>Gravity&rsquo;s Rainbow</i> and Vladimir Nabokov&rsquo;s <i>Pale Fire,</i> use the aesthetic theories of Friedrich Nietzsche to explain the role of the non-human in human civilization. </p><p> In the first chapter, Vladimir Nabokov&rsquo;s <i>Pale Fire</i> is argued to be a novel that is about the natural source of human aesthetic production. The author synthesizes studies of the novel and argues that Nabokov&rsquo;s novel, both in its language and form, valorizes mimesis as the source of all aesthetic production. Nabokov&rsquo;s belief in some form of design is examined through mimicry, and is found to permeate the novel through structural and descriptive references to games and nature. Nabokov is found to be influenced by the theories of Friedrich Nietzsche, Johan Huizinga, and Walter Benjamin. Nabokov ultimately finds that the justification for the world is aesthetic, that nature is important to humans as the origin of all artistic impulses. </p><p> The second chapter reads Thomas Pynchon&rsquo;s <i>Gravity&rsquo;s Rainbow</i> through the many references to Nietzsche&rsquo;s <i> Birth of Tragedy,</i> finding that the novel sets nature against civilization according to Nietzsche&rsquo;s distinction between the Dionysian and the Apollonian. The author finds that the novel holds up the natural world as a counter-force to the capitalist impulse to control and exploit the natural and human worlds. The author examines how Pynchon uses Dionysian tropes like drunkenness, absurdity, music, and feelings of oneness in the novel in moments of resistance to the dominant order. </p><p> The conclusion suggests that the work of Friedrich Nietzsche ought to be examined as an influential source for modern views on the value of nature. </p>

This dissertation pinpoints imaginative patterns that people within the diaspora have used and now use to navigate highly untenable domestic circumstances. In focusing on this aspect of psychological survival, we can trace domestic behaviors back to existential questions that trouble individuals in the New World African Diaspora: questions of self-knowledge amidst internalized racism, questions that seek to realign one's history and future after migration, questions about the colonial and personal mother. These types of questions which frame my examination of Toni Morrison's The Bluest Eye, Loida Maritza Pérez's Geographies of Home and Andrea Levy's Small Island, direct us toward psychic and physical tensions that preoccupy Black Women writers and their characters. In the second chapter of this dissertation, my textual analysis of The Bluest Eye engages with how Morrison orders an existential logic of a young girl's development through her experience with private violation and public racial violence. In the third chapter, I argue that Loida Maritza Pérez's Geographies of Home is an examination of the psychologies of a mother and her daughters, as revealed by the omniscient narrator, which discloses the complex interplay of illusion/reality, inward turn/outward turn, belief/unbelief which characterizes the immigrant's uncertain survival. In my fourth chapter, Andrea Levy's Small Island, two Jamaicans, Hortense and Gilbert grow up in early twentieth century, colonial Jamaica and later immigrate to WWII England. Through these two characters, Levy demonstrates how the dynamic of the existential uncertainty inherent in the colonial relationship consistently holds in tension two important concepts: help and humiliation. Ultimately, I assert that recognizing existential uncertainty in the New World African Diaspora not only highlights the acute sense of unpredictability that plagues African American, Caribbean and Black British individuals, but points to a genealogy of psychic oppression that persists for these people groups. This dissertation calls for a witnessing of a family's traumatic history in a way that envisions the future healing and reconciliation of psychic wounds. This project expands scholarship on the harrowing psychic genealogies that link African-American, Caribbean and Black British domestic environments and establishes a relevant existential vocabulary for diasporic experiences of violence, wounding and self-questioning.