The present study describes the results of a 2 week perturbation experiment where speaker's vocal tract shape was modified due to the presence of an artificial palate. The aim of the work is to investigate whether speakers adapt towards acoustic or articulatory targets. Speakers were recorded regularly over the adaptation time via electromagnetic articulography and acoustics. Immediately after perturbation onset speaker's auditory feedback was masked with white noise in order to investigate speakers' compensatory behavior when auditory feedback was absent.<br />The results of acoustic measurements show that in vowel production speakers compensate very soon. The compensation in fricatives takes longer and is in some cases not completed within the two weeks. Within a session and for each speaker the sounds can be distinguished solely by acoustic parameters. The differences between the session when no auditory feedback was available and the session when auditory feedback was available was greater for vowels with les palatal contact than for vowel with much palatal contact. In consonant production auditory feedback is primarily used in order to adapt sibilant productions. In general, adaptation tries to keep or enlarge the articulatory and acoustic space between the sounds. Over sessions speakers show motor equivalent strategies (lip protrusion vs. tongue back raising) in the production of /u/. Measurements of tangential jerk suggest that after perturbation onset there is an increase in articulatory effort which is followed by a decrease towards the end of the adaptation time.<br />The compensatory abilities of speakers when no auditory feedback is available suggest that speakers dispose of an articulatory representation. The fact that motor equivalent strategies are used by the speakers, however, supports acoustic representations of speech. It is therefore concluded that articulatory representations belong to the speech production tasks. However since they are modified as soon as the acoustic output is not the desired one any more, they rather function in the domain of movement organization and the acoustic representations dominate.

Die Studie befasst sich mit der Adaption der Artikulation als Folge einer insgesamt zweiwöchigen Veränderung der Vokaltraktgeometrie durch einen künstlichen Gaumen. Ziel der Arbeit ist zu untersuchen, ob die Adaption auf artikulatorische oder akustische Ziele hin erfolgt. Die Produktionen der Sprecher wurden während der Adaptionszeit regelmäßig akustisch und per elektromagnetischer Artikulographie aufgenommen. Akustische Analysen haben gezeigt, dass die Vokalproduktion sofort nach Perturbationsbeginn adaptiert wird. Für die Adaption der Frikative benötigen die Sprecher mehr Zeit, in einigen Fällen ist die zweiwöchige Adaptionszeit nicht ausreichend. Wenn die Daten nach Sprecher und Aufnahme getrennt betrachtet werden, nehmen die Produktionen einzelner Phoneme abgrenzbare Regionen im akustischen Raum ein. Der Einfluss der auditiven Rückmeldung ist stärker bei Vokalen mit weniger linguo-palatalem Kontakt als bei Vokalen mit viel Kontakt. Bei den Frikativen scheint die auditive Rückmeldung vor allem für die Sibilantenproduktion von Bedeutung zu sein. Generall hat die Adaption zum Ziel, die Abstände zwischen den Lauten beizubehalten oder zu vergrößern. Untersuchungen zur Artikulation des /u/ zeigen, dass die Sprecher über die Sitzungen hinweg motorisch äquivalente Strategien benutzen (Lippenvorstülpung versus Hebung des Zungenrückens). Messungen des Rucks für artikulatorische Gesten deuten darauf hin, dass der artikulatorische Aufwand nach Perturbationsbeginn steigt und zum Ende der Perturbation hin wieder fällt. Die Fähigkeit der Sprecher zu kompensieren wenn keine auditive Rückmeldung vorhanden ist, zeigt, dass Sprecher über artikulatorische Repräsentationen verfügen. Die Tatsache, dass motorisch äquivalente Strategien von den Sprechern genutzt werden, unterstützt jedoch akustische Repräsentationen der Phoneme. Die Schlussfolgerung, die aus der Untersuchung gezogen wird, ist daher, dass artikulatorische Repräsentationen beim Sprecher existieren, dass sie aber vor allem der Bewegungsorganisation dienen. Sobald das akustische Resultat nicht mehr das gewünschte ist, beginnen die Sprecher, die Artikulation zu verändern. / The present study describes the results of a 2 week perturbation experiment where speakers'' vocal tract shape was modified due to the presence of an artificial palate. The aim of the work is to investigate whether speakers adapt towards acoustic or articulatory targets. Speakers were recorded regularly over the adaptation time via electromagnetic articulography and acoustics. Immediately after perturbation onset speakers'' auditory feedback was masked with white noise in order to investigate speakers'' compensatory behaviour when auditory feedback was absent. The results of acoustic measurements show that in vowel production speakers compensate very soon. The compensation in fricatives takes longer and is in some cases not completed within the two weeks. Within a session and for each speaker the sounds can be distinguished solely by acoustic parameters. The difference between the session when no auditory feedback was available and the session when auditory feedback was available was greater for vowels with less palatal contact than for vowels with much palatal contact. In consonant production auditory feedback is primarily used in order to adapt sibilant productions. In general, adaptation tries to keep or enlarge the articulatory and acoustic space between the sounds. Over sessions speakers show motor equivalent strategies (lip protrusion vs. tongue back raising) in the production of /u/. Measurements of tangential jerk suggest that after perturbation onset there is an increase in articulatory effort which is followed by a decrease towards the end of the adaptation time. The compensatory abilities of speakers when no auditory feedback is available suggest that speakers dispose of an articulatory representation. The fact that motor equivalent strategies are used by the speakers, however, supports acoustic representations of speech. It is therefore concluded that articulatory representations belong to the speech production tasks. However, since they are modified as soon as the acoustic output is not the desired one any more, they rather function in the domain of movement organisation and the acoustic representations dominate.