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Pit House Revival: An Exercise in CompositionCarricaburu, Paul Gaston 15 June 2022 (has links)
Composition is an approach to "art through structure" (Dow, 1997). Following Arthur Wesley Dow's work, Composition 1997, this thesis consists of a series of photographic and architectural exercises, demonstrating each of Dow's elements and principles of composition. Though Dow does not define his work as theory nor go to any length to establish one, he strongly advocates for training in the fundamentals of composition. Oneness in art is the study of synthetically related spaces across an array of disciplines. This is the main idea behind what this work has come to call Dow's Theory of Oneness. That composition as a structural approach to the space-arts can act as a Rosetta stone, giving artists a broad spectrum of discipline, being "at once architects, sculptors, decorators and picture-painters" (Dow, 1997). / Master of Architecture / Composition in the most general sense is the study of what something is made of. In what Dow refers to as the space-arts, painting, sculpting, drawing, architecture and even music are all arts in which space is the primary medium being influenced to form a composition. Dow's ways of creating harmony consist of three elements and five principles that greatly influence how a work of art is built up. Study of these ways of creating harmony leads to an appreciation for art, beauty, and the splendor of nature. It is only through this act of appreciation that a composer finds harmony (Dow, 1997). In a sense, composition of fine art is seeded in appreciation and flowers with a oneness.
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Using remote sensing and aerial archaeology to detect pit house features in Worldview-2 satellite imagery. : A case study for the Bridge River archaeological pit house village in south-central British Columbia, Canada.Cooke, Sarah January 2017 (has links)
It is well known that archaeological sites are important sources for understanding past human activity. However, those sites yet to be identified and further investigated are under a great risk of being lost or damaged before their archaeological significance is fully recognized. The aim of this research was to analyze the potential use of remote sensing and aerial archaeology techniques integrated within a geographic information system (GIS) for the purpose of remotely studying pit house archaeology. As pit house archaeological sites in North America have rarely been studied with a focus in remote sensing, this study intended to identify these features by processing very high resolution satellite imagery and assessing how accurately the identified features could be automatically mapped with the use of a GIS. A Worldview-2 satellite image of the Bridge River pit house village in Lillooet, south-central British Columbia, was processed within ArcGIS 10.1 (ESRI), ERDAS Imagine 2011 (Intergraph) and eCognition Developer 8 (Trimble) to identify spatial and spectral queues representing the pit house features. The study outlined three different feature extraction methods (GIS-based, pixel-based and object-based) and evaluated which method presented the best results. Though all three methods produced similar results, the potential for performing object-based feature extraction for research in aerial archaeology proved to be more advantageous than the other two extraction methods tested.
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