Esta dissertação investiga o comportamento do acento nos compostos do idioma japonês. Os compostos do japonês falado em Tóquio apresentam apenas um acento, ou queda tonal H*L, por frase fonológica. Isso faz com que não se possa manter os acentos que estariam originalmente nas palavras simples. Apenas um acento sobrevive e seu local é de difícil determinação, porque, na maioria das vezes, não coincide com o local do acento anterior. Muitos linguistas já se debruçaram sobre esse tópico (McCAWLEY, 1965; SAITOU, 1997; KUBOZONO, 2001; TANAKA, 2001; LABRUNE, 2012) e com o auxílio dessas diferentes pesquisas, conseguimos estabelecer que diversos fatores influenciam no processo de acentuação dos compostos, especialmente aspectos morfológicos e fonológicos, como a fronteira de palavra e o pé fonológico. Assim, a acentuação do japonês não é determinada por cada membro do composto, mas pela distância em que a fronteira entre os membros está da margem direita da palavra. / This dissertation investigates the behavior of the accent of Japanese compounds. Compounds in Tokyo Japanese only have one accent, or pitch drop H*L, in a phonological phrase. Therefore, it cannot maintain the accent of the simple words which make it up. Only one accent survives and its location is hard to determine, because, most of the time, it does not coincide with the location of the previous accents. Many linguists have tackled this topic (McCAWLEY, 1965; SAITOU, 1997; KUBOZONO, 2001; TANAKA, 2001; LABRUNE, 2012) and with the help of these different analyses, we established that several factors influence the accentuation of a compound, especially morphological and phonological aspects, such as word boundary and phonological feet. Thus, the accentuation of Japanese compounds is not determined by each member of the compound in particular, but from the distance that the boundary between the compound \'s member is from the right margin of the word.

Esta dissertação investiga o comportamento do acento nos compostos do idioma japonês. Os compostos do japonês falado em Tóquio apresentam apenas um acento, ou queda tonal H*L, por frase fonológica. Isso faz com que não se possa manter os acentos que estariam originalmente nas palavras simples. Apenas um acento sobrevive e seu local é de difícil determinação, porque, na maioria das vezes, não coincide com o local do acento anterior. Muitos linguistas já se debruçaram sobre esse tópico (McCAWLEY, 1965; SAITOU, 1997; KUBOZONO, 2001; TANAKA, 2001; LABRUNE, 2012) e com o auxílio dessas diferentes pesquisas, conseguimos estabelecer que diversos fatores influenciam no processo de acentuação dos compostos, especialmente aspectos morfológicos e fonológicos, como a fronteira de palavra e o pé fonológico. Assim, a acentuação do japonês não é determinada por cada membro do composto, mas pela distância em que a fronteira entre os membros está da margem direita da palavra. / This dissertation investigates the behavior of the accent of Japanese compounds. Compounds in Tokyo Japanese only have one accent, or pitch drop H*L, in a phonological phrase. Therefore, it cannot maintain the accent of the simple words which make it up. Only one accent survives and its location is hard to determine, because, most of the time, it does not coincide with the location of the previous accents. Many linguists have tackled this topic (McCAWLEY, 1965; SAITOU, 1997; KUBOZONO, 2001; TANAKA, 2001; LABRUNE, 2012) and with the help of these different analyses, we established that several factors influence the accentuation of a compound, especially morphological and phonological aspects, such as word boundary and phonological feet. Thus, the accentuation of Japanese compounds is not determined by each member of the compound in particular, but from the distance that the boundary between the compound \'s member is from the right margin of the word.

This thesis is a detailed investigation of the phonology and phonetics of the intonation of Persian carried out in the framework of the AM theory of intonational phonology. Based on 2112 utterances read by a total of 8 native speakers, the work, on the one hand, presents a phonological account of the prosodic structure of this language, a structure that consists of the level Accentual Phrase with the pitch accent (L+)H* immediately dominated by the level Intonational Phrase, each level being marked by a low or high boundary tone. On the other hand, it scrutinizes the phonetic implementation of tones with regard to segments and shows how the phonology of Persian intonation is phonetically realized in the speech string. This research also studies the intonational patterns of simplex sentences, compound sentences coordinated with different types of conjunctions, subordinate structures, and vocative constructions. The sentence types include copular verb declaratives, sentences with unaccusative and unergative verbs, (S)(O)V sentences with and without adjuncts, null subject sentences, scrambled sentences, yes/no questions, leading yes/no questions, alternative questions, tag questions, single and multiple WH-questions, echo questions, imperatives, and single, double, and phrase focus constructions. / February 2008

This thesis is a detailed investigation of the phonology and phonetics of the intonation of Persian carried out in the framework of the AM theory of intonational phonology. Based on 2112 utterances read by a total of 8 native speakers, the work, on the one hand, presents a phonological account of the prosodic structure of this language, a structure that consists of the level Accentual Phrase with the pitch accent (L+)H* immediately dominated by the level Intonational Phrase, each level being marked by a low or high boundary tone. On the other hand, it scrutinizes the phonetic implementation of tones with regard to segments and shows how the phonology of Persian intonation is phonetically realized in the speech string. This research also studies the intonational patterns of simplex sentences, compound sentences coordinated with different types of conjunctions, subordinate structures, and vocative constructions. The sentence types include copular verb declaratives, sentences with unaccusative and unergative verbs, (S)(O)V sentences with and without adjuncts, null subject sentences, scrambled sentences, yes/no questions, leading yes/no questions, alternative questions, tag questions, single and multiple WH-questions, echo questions, imperatives, and single, double, and phrase focus constructions.

This thesis is a detailed investigation of the phonology and phonetics of the intonation of Persian carried out in the framework of the AM theory of intonational phonology. Based on 2112 utterances read by a total of 8 native speakers, the work, on the one hand, presents a phonological account of the prosodic structure of this language, a structure that consists of the level Accentual Phrase with the pitch accent (L+)H* immediately dominated by the level Intonational Phrase, each level being marked by a low or high boundary tone. On the other hand, it scrutinizes the phonetic implementation of tones with regard to segments and shows how the phonology of Persian intonation is phonetically realized in the speech string. This research also studies the intonational patterns of simplex sentences, compound sentences coordinated with different types of conjunctions, subordinate structures, and vocative constructions. The sentence types include copular verb declaratives, sentences with unaccusative and unergative verbs, (S)(O)V sentences with and without adjuncts, null subject sentences, scrambled sentences, yes/no questions, leading yes/no questions, alternative questions, tag questions, single and multiple WH-questions, echo questions, imperatives, and single, double, and phrase focus constructions.

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xviii, 216 p. : ill. (some col.) / The focus of this dissertation is on how language experience shapes perception of a non-native prosodic contrast. In Tokyo Japanese, fundamental frequency (F0) peak and fall are acoustic cues to lexically contrastive pitch patterns, in which a word may be accented on a particular syllable or unaccented (e.g., tsúru 'a crane', tsurú 'a vine', tsuru 'to fish'). In English, lexical stress is obligatory, and it may be reinforced by F0 in higher-level prosodic groupings. Here I investigate whether English listeners can attend to F0 peaks as well as falls in contrastive pitch patterns and whether training can facilitate the learning of prosodic categories. In a series of categorization and discrimination experiments, where F0 peak and fall were manipulated in one-word utterances, the judgments of prominence by naïve English listeners and native Japanese listeners were compared. The results indicated that while English listeners had phonetic sensitivity to F0 fall in a same-different discrimination task, they could not consistently use the F0 fall to categorize F0 patterns. The effects of F0 peak location and F0 fall on prominence judgments were always larger for Japanese listeners than for English listeners. Furthermore, the interaction between these acoustic cues affected perception of the contrast by Japanese, but not English, listeners. This result suggests that native, but not non-native, listeners have complex and integrated processing of these cues. The training experiment assessed improvement in categorization of Japanese pitch patterns with exposure and feedback. The results suggested that training improved identification of the accented patterns, which also generalized to new words and new contexts. Identification of the unaccented pattern, on the other hand, showed no improvement. Error analysis indicated that native English listeners did not learn to attend specifically to the lack of the F0 fall. To conclude, language experience influences perception of prosodic categories. Although there is some sensitivity to F0 fall in non-native listeners, they rely mostly on F0 peak location in language-like tasks such as categorization of pitch patterns. Learning of new prosodic categories is possible. However, not all categories are learned equally well, which suggests that first language attentional biases affect second language acquisition in the prosodic domain. / Committee in charge: Susan Guion Anderson, Chairperson; Melissa A. Redford, Member; Vsevolod Kapatsinki, Member; Kaori Idemaru, Outside Member

Tone is a distinctive feature of the lexemes in tone languages. The information-structural category focus is usually marked by syntactic and morphological means in these languages, but sometimes also by intonation strategies. In intonation languages, focus is marked by pitch movements, which are also perceived as tone. The present article discusses prosodic focus marking in these two language types.

In a production experiment and two follow-up perception experiments on read German we investigated the (de-)coding of discourse-new, inferentially and textually accessible and given discourse referents by prosodic means. Results reveal that a decrease in the referent’s level of givenness is reflected by an increase in its prosodic prominence (expressed by differences in the status and type of accent used) providing evidence for the relevance of different intermediate types of information status between the poles given and new. Furthermore, perception data indicate that the degree of prosodic prominence can serve as the decisive cue for decoding a referent’s level of givenness.

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