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Researchers explore various aspects related to art and urban life using terms such as cultural economy, the 'creative class', cultural clustering; and there are many more. Public art is one strategy, employed for any number of broader agendas spanning from economic aims to community identity. This study examines public art at the intersection of cultural planning strategy and community participation. A midsize New England city Pittsfield, Massachusetts, with a significant industrial mill heritage, provides a location from which to study public art within a specific context over a period of time spanning from 1970 to the present. Qualitative methods such as interviews, document review and survey of specific public art initiatives, both temporary and permanent, will help to uncover motivations and expectations that drive the development of public art projects. More knowledge about these purposes can lead to informative lines of questioning that may help planners and designers better understand the best application of public art in the landscape within a given community

Thesis (D. Min.)--Trinity Evangelical Divinity School, 1997. / Abstract. Includes bibliographical references (leaves 107-111).

Thesis (D. Min.)--Mid-America Baptist Theological Seminary, 2004. / Includes bibliographical references (leaves 130-137).

Thesis (D. Min.)--Mid-America Baptist Theological Seminary, 2004. / Includes bibliographical references (leaves 130-137).

Thesis (D. Min.)--Mid-America Baptist Theological Seminary, 2004. / Includes bibliographical references (leaves 130-137).

Comparative approaches in historic preservation usually involve two or more different buildings. The old Berkshire Athenaeum in Pittsfield, Massachusetts allows for a comparative approach with the same building, but in two different eras: one where the clamor to replace the library building came close to resulting in its destruction (1960s); the other, 35 years later, where the question of the building’s survival was never in doubt, never even raised (2000s). From its earliest days, serious design and workmanship flaws have plagued the structural integrity of the monumental Victorian Gothic building that stands in the center of Pittsfield. Its grand space proved inadequate for the functioning of a public library. Yet it continues to survive, and in 2014, another major preservation project is underway to address the bulging of the masonry on the front façade. A narrative of the history of this building reveals broader trends in public attitudes towards the preservation of our cultural heritage, and insights into the contributing elements that provide justification for preservation as well as into the role of the public historian in connecting preservation with the community.

As the greatest considerations in health-care design have traditionally been functional —hygiene, efficiency, and flexibility for changing technology— hospitals have evolved to become dehumanizing spaces. In this thesis two specific groups of chronically ill children who have among the longest inpatient stays are studied: cancer and organ transplant patients. Being under immunosuppressive drugs, these children are physically vulnerable thus are kept completely isolated. These long stays and isolation can be very depressing for them. This thesis undertakes the challenge of designing a fully isolated space that doesn’t feel like one or in other words “a micro-town within a bubble”. The author intends to achieve this goal through strong visual connections, natural lighting, and creative space planning.