Esta tese de doutorado, intitulada “Edgar Allan Poe e Charles Baudelaire:trajetórias e maturidade estética e poética", teve por objetivo analisar e interpretar, dentro de uma perspectiva comparativa, o percurso feito por Poe e Baudelaire desde suas obras iniciais, até atingirem uma maturidade estética e poética. Tomando por base a visão de Antoine Compagnon em seu Le Démon de la Théorie (1998) obra que retoma algumas teorias críticas, como a do círculo hermenêutico proposto por Schleiermacher (2001) e Gadamer (1999), a dos polissistemas e, dentro dela, a da tradução como transcriação e ferramenta ideológica, a da intertextualidade proposta por Kristeva (apud ALLEN, 2000) a partir de suas leituras de Freud e Bakhtin, a da morte do autor único e conseqüente criação de pluralidade de autores-leitores de Barthes (apud ALLEN, 2000) e a de sincronia e diacronia de Saussure, esta tese procurou mostrar, ao longo da análise detalhada de poemas, contos, poemas em prosa, ensaios, resenhas, artigos, anotações, peças teatrais de Poe e Baudelaire, como os mesmos foram elaborando e re-elaborando suas teorias estéticas e poéticas. A comparação entre as obras de ambos permitiu estabelecer trajetórias, teorias críticas, temas, opções formais, posicionamentos semelhantes, portanto, um diálogo entre ambos e dentro da produção individual dos autores aqui estudados.Além disso, um olhar mais detalhado em termos diacrônicos e sincrônicos pôde demonstrar uma preocupação com uma liberação formal, com gradativa busca por um discurso fragmentário ( busca essa presente em Marginalia, A Chapter of Suggestions, Fifty Suggestions e Mon Coeur Mis à Nu, obras que constituem o corpus desta tese), que pudesse captar um pensamento igualmente fragmentário, precursor, talvez, da estética pós-moderna, em pleno século XIX. / This doctoral dissertation, entitled “Edgar Allan Poe e Charles Baudelaire: trajetórias e maturidade estética e poética", aimed at both analysing and interpreting, from a comparative point of view, the literary path taken by Poe and Baudelaire, a path initiated in their early works and pursued toward their aesthetic and poetic late works. This dissertation based itself on the view of Antoine Compagnon in his Le Démon de la Théorie (1998), a book reviewing some recent critical theories on literature, linguistics and art: Schleiermacher´s and Gadamer´s hermeneutic circle (2001 and 1999 respectively), the theory of polisystems, and within it, that of translation as transcriation and an ideological tool, Kristeva´s theory of intertextuality as a reinterpretation of Freud and Bakhtin (apud ALLEN, 2000), Barthes´ theory of the death of a unique author and consequent generation of a plurality of author-readers (apud ALLEN, 2000), and, finally, Saussure´s diachronic and synchronic readings of language. Therefore, this dissertation attempted at showing, through a detailed analysis of Poe´s and Baudelaire´s poems, tales, prose poems, essays, reviews, articles, notes, and theater plays, how these authors underwent the process of developing their aesthetic and poetic theories, never missing out on the perspective offered by all the theories above mentioned. The comparison of the works of both writers allowed for the perception of a similarity of paths, critical theories, themes, formal options, and perspectives; therefore, it permitted the understanding of the existence of a dialogue built among the works of both authors as well as another one found within the individual collected works of the authors studied in this dissertation. Furthermore, a deeper look into their works, both synchronically and diachronically, demonstrated a preoccupation with a formal liberation, with a progressive search for a fragmentary discourse (this search may be traced both in Marginalia, A Chapter of Suggestions, Fifty Suggestions and Mon Coeur Mis à Nu, works forming the corpus of this dissertation), capable of apprehending and expressing thoughts equally fragmentary; thus, this discourse may be regarded, perhaps, as the forerunner of the post-modern aesthetics, in the 19th century.

Magistrinio darbo tema – ,,Mirties traktuotė Edgaro Allano Poe ir Charles’o Baudelaire’o kūryboje“. Pagrindiniai keliami klausimai – kaip mirtis yra vaizuojama (panašumai ir skirtumai) bei ar autorių požiūris į mirtį, jų filosofinis mirties supratimas pakeitė požiūrį į literatūrą. Mirties traktuotė Poe ir Baudelaire’o kūryboje bus aptariama dviejuose skyriuose. Pirmame skyriuje jų kūryba lyginama pagal šiuos aspektus: mirtis ir meilė, gyvenimo iliuziškumas, gyvenimas – kelionė į mirtį, laikinumas, makabriškumas. Gyvųjų ir mirusiųjų pasauliai, įasmeninta mirtis, mirties gamtovaizdžiai. Pirmame skyriuje analizuojami mirties vaizdavimo panašumai, o antrame skyriuje – motyvai ryškesni, išskirtiniai vieno ar kito poeto kūryboje. Poe – mirtis ir baimė, o Baudelaire’o – nuobodulys, narciziška mirtis, mirtis ir kūryba. Poe ir Baudelaire’o kūryboje ironija ar sarkazmas dažniausiai slepia skaudžiai išgyvenamą pasaulio netobulumą. Jis netobulas jiems atrodė jau vien todėl, kad laikinas, yrantis. Negalėdami su tuo susitaikyti jie kūrė utopinę tikrovę anapus mirties, o kaip pakaitalą šiame pasaulyje tobulumo atspindžiu laikė vaizduotę ir jos padarinį – kūrybą. Tai jiems buvo pasaulis, kur dingsta netobulumas. Tikrovės perkūrimas ir tobulinimas buvo jų svarbiausias tikslas. Menas – tikrovė, ir tik tokioje perkurtoje erdvėje įmanoma gyventi. Šie poetai, pabrėždami pasaulio iliuziškumą, sustiprino kuriamosios tikrovės lygiateisiškumą tikram gyvenimui. Gyvenimas – nuolatinis artėjimas... [toliau žr. visą tekstą] / The theme of master’s work – ,,The treatment of death in Poe’s and Baudelaire’s creation“. The main raising questions – how death is reflected (the main similarities and differences) and does the view to the death, philosophical death understanding of this writers, changed view to entire literature? There are two parts of work. The analysis of main similarities of the death are reflectioning in the first one, differences are considering in the second part of work. First part is about main similar motives as: death and love, illusory of life, life – travel to death, temporality, macabre. The worlds of alives and deads, personified death, landscapes of the death. The fear of death description is the main difference of death reflection in Poe’s creation. Spleene, narcisstic death, death and creation – in Baudelaire’s. Imperfection of this world is the course of irony and sarcasm in Poe’s and Baudelaire’s creation. It seemed imperfect, because of its temporality and transience. They couldn’t face it and created utopic reality beyond the death. It was the place, where all imperfection fades away. The main purpose of these writers was recreation and making perfect the reality. The art is perfect reality, and in this recreated space it is possible to live. Poe and Baudelaire treated life the same illusory as dreams, illusions. Because of this, the world of art was the same important, true as life. They criticizes, and ironicies the order of the world, but art and beauty worships... [to full text]

Diss.--Regensburg--Universität, 1990.

Thesis (M.A.)--University of North Carolina Wilmington, 2009. / Title from PDF title page (January 14, 2010) Includes bibliographical references (p. 41-44)

Esta tese de doutorado, intitulada “Edgar Allan Poe e Charles Baudelaire:trajetórias e maturidade estética e poética”, teve por objetivo analisar e interpretar, dentro de uma perspectiva comparativa, o percurso feito por Poe e Baudelaire desde suas obras iniciais, até atingirem uma maturidade estética e poética. Tomando por base a visão de Antoine Compagnon em seu Le Démon de la Théorie (1998) obra que retoma algumas teorias críticas, como a do círculo hermenêutico proposto por Schleiermacher (2001) e Gadamer (1999), a dos polissistemas e, dentro dela, a da tradução como transcriação e ferramenta ideológica, a da intertextualidade proposta por Kristeva (apud ALLEN, 2000) a partir de suas leituras de Freud e Bakhtin, a da morte do autor único e conseqüente criação de pluralidade de autores-leitores de Barthes (apud ALLEN, 2000) e a de sincronia e diacronia de Saussure, esta tese procurou mostrar, ao longo da análise detalhada de poemas, contos, poemas em prosa, ensaios, resenhas, artigos, anotações, peças teatrais de Poe e Baudelaire, como os mesmos foram elaborando e re-elaborando suas teorias estéticas e poéticas. A comparação entre as obras de ambos permitiu estabelecer trajetórias, teorias críticas, temas, opções formais, posicionamentos semelhantes, portanto, um diálogo entre ambos e dentro da produção individual dos autores aqui estudados.Além disso, um olhar mais detalhado em termos diacrônicos e sincrônicos pôde demonstrar uma preocupação com uma liberação formal, com gradativa busca por um discurso fragmentário ( busca essa presente em Marginalia, A Chapter of Suggestions, Fifty Suggestions e Mon Coeur Mis à Nu, obras que constituem o corpus desta tese), que pudesse captar um pensamento igualmente fragmentário, precursor, talvez, da estética pós-moderna, em pleno século XIX. / This doctoral dissertation, entitled “Edgar Allan Poe e Charles Baudelaire: trajetórias e maturidade estética e poética”, aimed at both analysing and interpreting, from a comparative point of view, the literary path taken by Poe and Baudelaire, a path initiated in their early works and pursued toward their aesthetic and poetic late works. This dissertation based itself on the view of Antoine Compagnon in his Le Démon de la Théorie (1998), a book reviewing some recent critical theories on literature, linguistics and art: Schleiermacher´s and Gadamer´s hermeneutic circle (2001 and 1999 respectively), the theory of polisystems, and within it, that of translation as transcriation and an ideological tool, Kristeva´s theory of intertextuality as a reinterpretation of Freud and Bakhtin (apud ALLEN, 2000), Barthes´ theory of the death of a unique author and consequent generation of a plurality of author-readers (apud ALLEN, 2000), and, finally, Saussure´s diachronic and synchronic readings of language. Therefore, this dissertation attempted at showing, through a detailed analysis of Poe´s and Baudelaire´s poems, tales, prose poems, essays, reviews, articles, notes, and theater plays, how these authors underwent the process of developing their aesthetic and poetic theories, never missing out on the perspective offered by all the theories above mentioned. The comparison of the works of both writers allowed for the perception of a similarity of paths, critical theories, themes, formal options, and perspectives; therefore, it permitted the understanding of the existence of a dialogue built among the works of both authors as well as another one found within the individual collected works of the authors studied in this dissertation. Furthermore, a deeper look into their works, both synchronically and diachronically, demonstrated a preoccupation with a formal liberation, with a progressive search for a fragmentary discourse (this search may be traced both in Marginalia, A Chapter of Suggestions, Fifty Suggestions and Mon Coeur Mis à Nu, works forming the corpus of this dissertation), capable of apprehending and expressing thoughts equally fragmentary; thus, this discourse may be regarded, perhaps, as the forerunner of the post-modern aesthetics, in the 19th century.

No description available.

No description available.

No description available.

Zugl.: Würzburg, Univ., Diss., 2006

Thesis (Ph. D.)--Columbia University, 1908. / Vita. Bibliography: p. [vii]-viii.