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The aim of this C-essay is to discuss the translation of some of the names in J.K. Rowling’s immensely popular Harry Potter books and look at how the translation agrees with and/or deviates from the original. Special focus is put on features such as alliterations, allusions and imaginative inventions, which are characteristic of J.K Rowling’s style and may be particularly tricky and challenging when translating.A comparison is made between the names in the original texts and the translated texts. The names are divided into different categories, such as names of characters, places etc. I argue that the translator uses different strategies when translating different types of names. Focus is on the Swedish translation, but Norwegian examples are included too.

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Thesis (Ph. D.)--Miami University, Dept. of Educational Leadership, 2003. / Title from first page of PDF document. Document formatted into pages; contains vii, 147 p. Includes bibliographical references (p. 125-141).

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Contributing to scholarship that explores human suffering within mediated culture has provided the impetus for this PhD thesis. I propose that suffering in mediated modernity be considered in social, cultural, and theological terms; and specifically in the context of privation, a term applied by Saint Augustine to the integrated problems of suffering and evil. Privation, to Augustine, meant negation: a vacuum of human existence understood as the absence of positive, sustaining life forces. I attempt to update this concept by arguing that a modern definition of privation can be conceived of as variable states of human deprivation such as loss, dislocation, isolation, and hunger. Privation encompasses these states of deprivation, expressing the kind of suffering that occurs in mediated culture. To narrow the mediated-culture aspect of the study, I explore the topic of fandom, which I define as “the intentional socialization of textual consumption,” and I attempt to show how privation exists in several well-defined forms within a wide variety of fan cultures (groups of fans). In short, fans use their fandom to satisfy their privation in four ways: through connectivity, release, identification, and empowerment. The corresponding deprivations include dislocation, animus, isolation, and hunger. I bring these concepts together in the form of deprivations requiring satisfactions described as dislocation/connectivity, animus/release, isolation/identification, and hunger/empowerment. In each case I attempt to provide analysis and discussion of relevant findings based on empirical research, and in a final discussion I integrate supportive ideas from theories of attachment, catharsis, identification, and empowerment. My methods of research include a combination of secondary source analysis; two distinct phases of questionnaire-based research among 256 fans from various fan cultures; and a case study approach to the online fan culture of the Harry Potter books by Edinburgh author J.K. Rowling.

The relationship between fandoms and religion has become an increasingly popular topic to study within the field of the sociology of religion. In previous studies, there have been different views concerning whether or not fandoms should be regarded as religious from a functional perspective. This issue is especially interesting considering the decreasing popularity of traditional religion in some aspects.   The aim of this essay is to study how Harry Potter fandoms are described in previous studies. The study aims at discerning both the empirical data and how the data is interpreted. The material in this study consists of three previous studies about the communities centered around Harry Potter fandoms. These studies were analyzed in relation to Meredith B. McGuire´s (2002) concept “cultic stance” and Matt Hills (2002) concept “neoreligiosity”.  The studies were analyzed through a hermeneutical text analysis. According to the results, the Harry Potter fandoms examined in the previous studies somewhat relate to both abovementioned theories. The cultic stance was applicable when the fans described a desire for some kind of god or supernatural power. The neoreligiosity was applicable when the fans described their fandom with religious language. The previous studies in my material describe fandoms from different perspectives. The analyses of the previous studies which resulted in that the concepts fit differently on the different previous studies.