Over the last few decades, yoga has become a multi-billion-dollar industry in the West. This industry is typically represented by glossy photographs of thin white women in physical postures. Given its religious origins in South Asia, this mass marketing of yoga has raised important questions about Western commodification and cultural appropriation. As a result, counter-movements have emerged to “Take Back Yoga” and “Honor the Cultural Roots of Yoga.” This thesis analyzes a range of critical-constructive responses to the commodification and colonization of yoga. It focuses on two case studies: Susanna Barkataki, an American yoga teacher of Indian descent, and Kallie Schut, a British yoga teacher of Indian descent, both of whom combine yoga within wider decolonial and social justice contexts. It argues that Barkataki and Schut are best framed within a decolonial framework distinct from both modern colonial and contemporary postcolonial approaches to yoga.