Thesis advisor: William Stanwood / The textual analysis of season four, episode one of Mad Men entitled “Public Relations” study the productions values in terms of feminist motifs. By using social codes developed by Leed-Hurwitz and Barthes’ five systems of meaning in semiotics, observations are made about the elements of the mise-en-scène in relation to the gender roles present in the narrative. If certain codes persist, it is assumed that these repetitive observations reflect the deliberate composition of the mise-en-scènce in order to reinforce feminist motifs. The results reveal that the production values in the mise-en-scène indeed reinforce feminist motifs in Mad Men, the most comprehensive motif being the male gender as the norm. The messages communicated by this motif include the idea that masculinity is defined by sex and that a women’s worth is defined by masculinity. / Thesis (BA) — Boston College, 2011. / Submitted to: Boston College. College of Arts and Sciences. / Discipline: Communication Honors Program. / Discipline: Communication.

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