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Pepparkaksform eller avantgarde? : Provokationen hos Joanna RytelMalmström, Caroline January 2006 (has links)
<p>This study critically reviews four works of the artist Joanna Rytel with the intention to find out if and how she is provocative. In order to do that I have studied the reactions on these works, mainly through press material, which differs from letters to the editors and comments posted on discussion forums that's also been used. My conclusion is that Rytel provokes not just because of her choice of subject, but because of her concept of 'art' doesn't agree with the general public's, i.e. 'art' is supposed to be something merely beautiful. The journalists sometimes seems provoked by Rytel's ability to draw attention and have claimed that to be her main aim.</p>
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Pepparkaksform eller avantgarde? : Provokationen hos Joanna RytelMalmström, Caroline January 2006 (has links)
This study critically reviews four works of the artist Joanna Rytel with the intention to find out if and how she is provocative. In order to do that I have studied the reactions on these works, mainly through press material, which differs from letters to the editors and comments posted on discussion forums that's also been used. My conclusion is that Rytel provokes not just because of her choice of subject, but because of her concept of 'art' doesn't agree with the general public's, i.e. 'art' is supposed to be something merely beautiful. The journalists sometimes seems provoked by Rytel's ability to draw attention and have claimed that to be her main aim.
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Den provocerande kroppen : En diskursanalytisk studie av konstkritiska texter som behandlar utställningarna Paul McCarthy Head Shop/Shop Head och Nationalmuseums Lust & Last / The provocative body : A discourse analytical study of the art criticism concerning the exhibitions Paul McCarthy Head Shop/Shop Head and the Nationalmuseum’s Lust & LastSvensson, Stefanie January 2013 (has links)
Syftet med denna studie är att utföra en kritisk diskursanalys av ett urval konstkritiska texter som behandlar utställningarna Paul McCarthy: Head Shop/Shop Head från 2006 och Nationalmuseums Lust & Last från 2011. Utställningarna exemplifierar det jag kallar för den provokativa konstens diskurs. Genom analyserna vill jag se hur ett urval kritiker mottagit utställningarna samt ge en bild av den provokativa konstens diskurs med dessa två utställningar som exempel. / The exhibitions, Paul McCarthy’s Head Shop/Shop Head shown in 2006 and the Nationalmuseum’s Lust & Last shown in 2011, are in centre of this essay. The aim of the essay is to perform a discourse analytical study of a selection of art critical texts concerning these two exhibitions. The exhibitions exemplify what I have chosen to call “The provocative discourse of art”. I want to examine how a selection of art critics received the exhibitions, and also to present a view of “the provocative discourse of art”.
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