Michel Houellebecq is since the 1990s one of the most controversial French authors and today one of the most read, in particular after the publication of his work Submission in 2015 where the action takes place in a future France where an Islamist party has been elected to power. Houellebecq has acquired notoriety and popularity far beyond France, including Sweden. He deals with subjects such as religion, morality, globalization, consumerism, liberalism, sexuality, to name a few. The research perspectives linked to Houellebecq's literature are numerous, notably from an ideological/political point of view. Given the complexity of Houellebecq’s image, the question arises of whether there is a link between this image and the mediators that have introduced Houellebecq in Sweden? Based on this, the objective of this essay is to study the type of mediation which Houellebecq has been subjected to in Sweden. More specifically, we will be interested in knowing what are the types of mediators that introduce and present Houellebecq in Sweden and what are the characteristics of the discourse that they produce? In order to achieve this, we have chosen a corpus consisting of 89 newspaper articles published between 1998 and 2018 and selected three mediators that have written three or more articles. As method for analyzing these, we have used the theories of Gisele Sapiro and Pascale Casanova.  The application of these theories has enabled us to discern two distinct types of mediators, and one with a slightly less distinct characteristic.