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The ethic of love and marriage in Shakespeare's early comediesGreer, Germaine January 1968 (has links)
No description available.
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Making English eloquence: Tottel's miscellany and the English RenaissanceBlosser, Carol Dawn 28 August 2008 (has links)
Not available / text
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Toward Early Modern ComicsThomas, Evan Benjamin January 2017 (has links)
No description available.
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Reforming Ritual: Protestantism, Women, and Ritual on the Renaissance StageReynolds, Paige Martin 12 1900 (has links)
My dissertation focuses on representations of women and ritual on the Renaissance stage, situating such examples within the context of the Protestant Reformation. The renegotiation of the value, place, and power of ritual is a central characteristic of the Protestant Reformation in early modern England. The effort to eliminate or redirect ritual was a crucial point of interest for reformers, for most of whom the corruption of religion seemed bound to its ostentatious and idolatrous outer trappings. Despite the opinions of theologians, however, receptivity toward the structure, routine, and familiarity of traditional Catholicism did not disappear with the advent of Protestantism. Reformers worked to modify those rituals that were especially difficult to eradicate, maintaining some sense of meaning without portraying confidence in ceremony itself. I am interested in how early Protestantism dealt with the presence of elements (in worship, daily practice, literary or dramatic representation) that it derogatorily dubbed popish, and how women had a particular place of importance in this dialogue. Through the drama of Shakespeare, Webster, and Middleton, along with contemporary religious and popular sources, I explore how theatrical representations of ritual involving women create specific sites of cultural and theological negotiation. These representations both reflect and resist emerging attitudes toward women and ritual fashioned by Reformation thought, granting women a particular authority in the spiritual realm.
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Clothes make the wo/man: cross-dressing and gender on the English renaissance stage and in the late Imperial Chinese theatre. / CUHK electronic theses & dissertations collection / Digital dissertation consortiumJanuary 2004 (has links)
Liao Weichun. / "August 2004." / Thesis (Ph.D.)--Chinese University of Hong Kong, 2004. / Includes bibliographical references (p. 249-268). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Abstracts in English and Chinese.
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