Práce se zabývá analýzou uplatňování nákladů na reprezentaci, reklamu, propagaci a sponzoring v základu daně z příjmu. Hlavní části práce jsou věnovány analýze systému uvedených nákladů v České republice a ve Velké Británii s cílem jejich vzájemné komparace. V práci jsou uvedeny přístupy evropských států k uplatňování nákladů na reprezentaci jako daňově uznatelných. Autor se zaměřuje zejména na analýzu rozdílů spočívajících především v odlišném pojetí samotného pojmu nákladů na reprezentaci. Za významnou výhodu Velké Británie považuje autor detailní rozpracování přístupu k uvedené skupině nákladů, neboť tím dochází k odstraňování nejasností a minimalizaci pochybností týkající se výkladu samotné legislativy.

By a representation of a C*-algebra A on a Hilbert space H we mean a morphism : A → L(H). After summing up neccessary knowledge from the theory of Banach and Hilbert spaces and C*-al- gebras we show that for every C*-algebra a representation exists. We describe its structure detiledly and we focus on examining cyclic representations. We find out that cyclic representations relate to the state space. Because every state can be expressed as an integral with respect to an appropriate measure on the states, in is possible to assign a measure on the state space to each cyclic represen- tation. Therefore, we investigate connexion of a representation with this measure as same as with the corresponding state. This leads us to the definition of an orthogonal measure. We find out that its properties relate with certain subalgebras of L(H). At the end we show that for a separable C*-algebra it is possible to express a representation fulfilling suitable assumptions in the form of a direct integral. 1

Vít Neznal's MA thesis called The Image and the Word deals with images and words as the two primary means of representation and elaborates on Neznal's bachelor thesis, in which he examined their articulation through the medium of theatre. The author first interprets the nature ? identity of image and representation with regards to general esthetic categories (mimesis, intentional object, simulacrum), and goes on to focus on their specific manifestations within individual artistic domains (painting, photography, film, theatre), basing his analysis on the framework of numerous theoretical concepts (structural-semiotic discourse, the "esthetics of the performative," the "ontological principle," etc.). The author then reflects on the word, while keeping his previous conclusions in mind, mainly within the context of theatre. His central theme is the identity of the image, or representation. This influenced his choice of examples. The analyzed works are mainly connected through an exploration of the limits of representation and through the thematization of their artistic language.

The thesis titled Zbynek Hřivnáč and Interior Design of the 1950s to the 1970s attempts to map all the most important aspects of this discipline in the former Czechoslovakia and specifically to bring important design, interior, artistic and architectural projects in which it appears still lesser known name of architect and designer Zbynek Hřivnáč. On the evolution of exceptionally prolific architect and interior designer Zbynek Hřivnáč we demonstrate basic tendencies and historical facts that played in the design of interiors its essential role. Zbynek Hřivnáč here, however, does not act as a true art solitaire, but rather as a link of individual described projects that are mostly, with a few exceptions, has been involved in a large team of professionals including architects, engineers, designers, craftsmen and ultimately especially artists. Zbynek Hřivnáč here as a very important figure in the background of the great names of history of Czech architecture such as Karel Filsak, Jan Šrámek or Jan Bočan and some more. On each project, we will be able to know the different roles of this creator ranging from implementation through equal cooperation with their colleagues to studio work in large architectural ateliers. All this takes place against the background of stylish and historical development of...

The diploma thesis concerns with issues of the hunt as a part of the nobleman representation and its image in facilities of the Czech hunting chateaus. The introductory chapters of this these describe the phenomena of hunt, its evolution and its image in fine art. These chapters are subsequently filled in iconographical drafts, which helped to form the shape of the decoration of chateaus. The core of the thesis are chapters concern with theme of the hunting architecture and artistic evaluation of the group nobleman hunting residences. Specifically, these are chateaus Svaty Hubert, Humprecht, Diana, Ohrada and Kozel. In the final chapters the author introduces an issue of nobleman representation. Into its context he situates the theme of hunt and pieces of fine arts connected with it. These chapters also contain a few examples of the aristocrats who knew how to use the hunt for their personal representation. For illustration is this thesis amended by picture attachment.

This diploma thesis focuses on Marie Kudeříková (1921-1943), an almost forgotten figure of the Czech resistance to Nazi occupation, but previously a significant heroine of the Czech state socialist era. It observes her representations in various stages since 1946 to the present and scrutinizes the vitality of her myth and her personal life experience. The thesis tries to show how her life experience was connected to the officially constructed socialist myth, while this fact had determined her following representations and reading of the figure. Hence it shows how the myth of Marie Kudeříková was given by the changes of the official discourse, cultural policy and contemporary ideologies. The mythical constructions of the state socialism are then compared with post-communist representations of her person.

The subject matter of this dissertation is the ways of representing the everydayness of life in poetic texts authored by members of Group 42. Of special interest is the category of time, as the transformation of understanding of this category is one of the cornerstone aspects of modern literature in the first half of the 20th century. Time as a category is reflected in Group 42 poetry through three principles used by the Group 42 authors to grasp and work with the time-space continuum and the place of humans in it. The fundamental principle of Group 42 poetry, which will be discussed in this thesis, is the fragmentarization principle. Using a fragment, the poet grasps the present, multi-layered moment and represents temporal discontinuity. Another principle of representation of everydayness the thesis will concentrate on is the principle of variations, which represents heading towards a unifying grasp of discontinuous everydayness. As opposed to the previous ways, notation in the form of diary entries then allows for the ability to better formulate the dynamics of successive temporal flow of everyday reality. The possibility of formulating the temporal mode on the field of a lyrical work is yet another topic discussed here. The temporal mode is then reflected in relation to the "myth of the modern humus", the proclamation of which was on the agenda of Group 42 in its time.

This diploma thesis tries to reflect and clarify the technical images produced by the polygraphic industry with specific methods of production and try find relationship between printer as an apparatus and printer house as an institucion. The technical image is understood as an elementary imaging model, which serves as a means of visual representation and communication tool. The printer can also be the essence of creative work that has the ability to clarify or determine readings and finally has the power to change the meaning and context of information.

The thesis deals with a design of adaptive testing in educational systems, the aim of the designed adaptive test is to simulate an oral examination by a teacher. Tes-ted knowledge are represented in two new structures - study map and proposition map that also drive the test. The goal of the test is to create a connected graph depicting knowledge of the examinee that represents its non-scalar result. Methodology for creation the maps, design of a complex software solution and proposal for incorporation of the adaptive testing to existing LMS were created. The economic benefits of the solution are discussed in case of its utilisation at FBE MENDELU. The adaptive testing can be used on different levels of education, e.g. corporate education as is shown on a practical application. The main contribution of the thesis is complexity of the solution - the thesis deals all aspects of adaptive testing starting with creation of educational materials up final feedback after the test.

Title: Algebraic, Structural and Complexity Aspects of Geometric Representations of Graphs Author: Peter Zeman Department: Computer Science Institute Supervisor: RNDr. Pavel Klavík Supervisor's e-mail: klavik@iuuk.mff.cuni.cz Keywords: automorphism groups, interval graphs, circle graphs, comparability graphs, H-graphs, recognition, dominating set, graph isomorphism, maximum clique, coloring Abstract: We study symmetries of geometrically represented graphs. We describe a tech- nique to determine the automorphism group of a geometrically represented graph, by understanding the structure of the induced action on all geometric representations. We prove that interval graphs have the same automorphism groups as trees, and for a given interval graph, we construct a tree with the same automorphism group which answers a question of Hanlon [Trans. Amer. Math. Soc 272(2), 1982]. For permutation and circle graphs, we give an inductive characterization by semidirect and wreath prod- ucts. We also prove that every abstract group can be realized by the automorphism group of a comparability graph/poset of the dimension at most four. We also study H-graphs, introduced by Biró, Hujter, and Tuza in 1992. Those are intersection graphs of connected subgraphs of a subdivision of a graph H. This thesis is the first comprehensive...