The study should be seen as an attempt to examine how a group of selected muslims from seven different cities in Sweden relate to Lars Vilks’s drawings of the prophet Muhammed (also called the roundabout dog) and if they feel that their attitude towards the drawings has changed during the seven years that have passed since the first drawing was published in the newspaper Närkes Allehanda in 2007. To understand these selected muslims’ approach, experiences and feelings in regards to the drawings I examine in what aspect they find the drawings provocative. I also examine what consequences Vilks’s roundabout dog-project might have had  for individual muslims in Sweden. The result portrays their individual reactions, experiences, feelings, views and thoughts on Vilks’s roundabout dog-project. The answers from the informants have been analyzed and discussed based on hermeneutic research theory. The informants own recount and the following analysis the study contributes to the understanding of the facts behind the perceived provocation of the images of the prophet Muhammad.