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Nature et élaboration de la fiction dans l'oeuvre de Raymond RousselDouvier Gromer, Bernadette. January 2002 (has links)
Thesis (doctoral)--Université de Paris X Nanterre, 1998. / Includes bibliographical references (p. 473-480).
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Nature et élaboration de la fiction dans l'oeuvre de Raymond RousselDouvier Gromer, Bernadette. January 2002 (has links)
Thesis (doctoral)--Université de Paris X Nanterre, 1998. / Includes bibliographical references (p. 473-480).
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L' improbable théâtre de Raymond Roussel étude de l'adaptation théâtrale d'Impressions d'Afrique /Nagata, Michihiro Besnier, Patrick. January 2007 (has links) (PDF)
Reproduction de : Thèse de doctorat : Littérature française : Le Mans : 2007. / Titre provenant de l'écran-titre. Bibliogr. p. 359-374.
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Locus Solus de Raymond Roussel : L’Aventure du LangagePhilie, Denyse January 1979 (has links)
Note:
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Le procédé dans les Impressions d'Afrique de Raymond Roussel.Thibault-Turgeon, Michèle January 1972 (has links)
No description available.
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Der subjektive Raum /Finter, Helga, January 1900 (has links)
Habilitationsschrift--Sprach- und Literaturwissenschaft--Mannheim--Universität, 1986.
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A psicanálise nos limites da literatura : um estudo sobre a obra de Raymond Roussel / The psychoanalysis on the limits of literature: a study of Raymond Roussel’s workSouza, Ana Janaina Alves de January 2007 (has links)
Dissertação (mestrado)—Universidade de Brasília, Instituto de Psicologia, 2007. / Submitted by Érika Rayanne Carvalho (carvalho.erika@ymail.com) on 2010-09-09T14:51:39Z
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2007_Ana Janaina Alves de Souza.pdf: 1617345 bytes, checksum: d55a9e63399c920e52c5cfa58b6898de (MD5) / Esta dissertação analisa a obra do escritor francês Raymond Roussel, tendo como ponto de partida a proposição de Michel Foucault de que a literatura seria um locus de transgressão, onde os limites da linguagem são postos em xeque. No livro póstumo Comment j'ai écrit certains de mes livres (1935), Raymond Roussel apresentou seu procedimento de escritura, que deu origem aos romances Impressions d'Afrique (1910) e Locus Solus (1914). O procedimento envolve o uso da sinonímia e da homofonia, a decomposição de termos e a suspensão do significado, tendo como resultado uma literatura que busca especificamente tornar as palavras "desenhos de rébus". O método de escrita de Roussel nos dá ensejo a pensar as relações traçadas pela psicanálise entre palavra e coisa, de um lado, e linguagem, inconsciente e memória, de outro. Sua frase, "em mim, a imaginação é tudo", se contrapõe à chamada "psicobiografia", possibilitando uma reflexão sobre o encontro entre arte e psicanálise. Ao final deste trabalho, percebe-se que a obra de Raymond Roussel permanece enigmática tal como o umbigo do sonho resiste à interpretação. Seu procedimento de criação insiste na quebra e destruição do sentido, na impossibilidade de ligação. Confrontada com o tal texto, a psicanálise não procura um sentido fixo, que desvende a obra, mas a produção de novas palavras que venham estranhar o texto - e a própria psicanálise. ______________________________________________________________________________________________________ ABSTRACT / This dissertation analyses the work of the French writer Raymond Roussel, starting from the proposal of Michel Foucault that literature is a locus of transgression, where the limits of language are questioned. In Comment j’ai écrit certains de mes livres (1935), published after his death, Raymond Roussel presented his writing method, which has originated his others books Impressions d’Afrique (1910) and Locus Solus (1914). This procedure involves the use of synonymy and homophony, the decomposition of terms and the suspension of meaning, creating a literature that seeks specifically to transform words in “pictures of rébus”. Roussel´s writing method invites us to think about the relations brought by psychoanalysis, first, between word and things, and second, between language, memory and the unconscious. His statement “in me imagination is all” opposes to the so called “psychobiography”, which enables a reflection about the encounter of art and psychoanalysis. At the end of this study, we realized that the work of Raymond Roussel remains as enigmatic as the navel of dream resists to interpretation. His creation procedure insists in the breaking and destruction of meaning, in the impossibility of connection. Faced with such text, psychoanalysis does not seek a single meaning, which unravels the whole work, but the production of new words that questions not only the text but the psychoanalysis itself.
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Le procédé dans les Impressions d'Afrique de Raymond Roussel.Thibault-Turgeon, Michèle January 1972 (has links)
No description available.
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L'humour objectif : Roussel, Duchamp, "sous le capot : l'objectivation du surréalisme /Colombet, Marie J. A., January 2008 (has links)
Texte remanié de: Thèse de doctorat--Histoire de l'art contemporain--Paris 10, 2006. / Bibliogr. p. 499-540.
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