Made available in DSpace on 2014-12-17T14:20:21Z (GMT). No. of bitstreams: 1 LucianaCC_TESE.pdf: 4454358 bytes, checksum: acd9ca889a0f174c8d5f49b94bbd79be (MD5) Previous issue date: 2011-04-01 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / This research looks at the collective imagination in which it keeps alive the issue of heroin wise. Two wise women appear in the narratives of popular history and the History of Donzela Theodora and History Imperatriz Porcina, collated by Lu?s da C?mara Cascudo in his Five Books of the People. The universality, mobility and circularity of these narratives are discussed by authors such as Bakhtin and Guinzburg. The research is developed from three key categories: Knowledge Magic as the knowledge of tradition (Almeida), sensitive knowledge (Levi-Strauss), thought mythical / magical / symbolic (Morin); Wise Women as carriers of this knowledge, which merge and overlap with the imagery of witches and healers; and Mythical Elements which corresponds to the archetypal images (Jung and Silveira), symbols and other images that relate to the magic universe, the magical beliefs and practices considered, ie belonging to the imaginary magic (Bethencourt). Porcina and Theodora are understood as bearers of knowledge of M?tis (Detienne and Vernant), or the cunning intelligence, the manipulation of ph?rmakon (Derrida), the healing potion, which may be the word or ointment of the herb. The route takes us to meet the great archetype of the Wise Woman as psychic power of the feminine, the anima. Narratives are medicinal balms (Estes) and is the clash between the anima and its embodiments by wise women, and animus, his opponents, which gives the transmutation of the psyche, a work comparable to that of alchemyThe Knowledge Magic, operating through the female, myth and nature can recover from its essential value to the emerging paradigm that suggests a more complete human science and a more plural / A presente pesquisa se volta para o imagin?rio coletivo no qual se mant?m viva a tem?tica da hero?na s?bia. Duas mulheres s?bias aparecem nas narrativas populares Hist?ria da Donzela Teodora e a Hist?ria da Imperatriz Porcina, cotejadas por Lu?s C?mara Cascudo em sua obra Cinco Livros do Povo. A universalidade, a mobilidade e a circularidade dessas narrativas s?o discutidas a partir de autores como Bakhtin e Guinzburg. A pesquisa se desenvolve a partir de tr?s categorias chaves: o Saber M?gico como saberes da tradi??o (Almeida), saberes sens?veis (L?vi-Strauss), pensamento m?tico/m?gico/simb?lico (Morin); Mulheres S?bias como as operadoras desse saber, que se confundem e se imbricam com o imagin?rio das bruxas e curandeiras; e Elementos M?ticos que corresponde ?s imagens arquet?picas (Jung e Silveira), s?mbolos e demais imagens que remetam ao universo m?gico, ?s cren?as e pr?ticas consideradas m?gicas, ou seja, pertencentes ao imagin?rio da magia (Bethencourt). Teodora e Porcina s?o compreendidas como portadoras do saber da m?tis (Detienne e Vernant), ou seja, da intelig?ncia astuta, da manipula??o do ph?rmakon (Derrida), a po??o de cura, que pode ser a palavra ou o ung?ento de erva. O percurso nos leva ao encontro do grande arqu?tipo da Mulher S?bia enquanto pot?ncia ps?quica do feminino, a anima. As narrativas s?o b?lsamos medicinais (Est?s) e ? no embate entre a anima e suas personifica??es atrav?s de mulheres s?bias, e o animus, seus oponentes, que se d? a transmuta??o da psique, um trabalho compar?vel ao da alquimia. O Saber M?gico, operando atrav?s do feminino, do mito e da natureza pode recuperar seu valor indispens?vel junto ao paradigma emergente que aponta um humano mais completo e uma ci?ncia mais plural