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41	Iconología del Monte de Perfección. Para una teoría de la imagen en San Juan de la Cruz Serra Zamora, Anna 14 December 2010 (has links) Este trabajo pretende establecer una teoría de la imagen en San Juan de la Cruz a partir de los textos del autor y de la interpretación del dibujo del Monte de perfección o Monte Carmelo (ca.1580). Nuestro estudio parte de la comprensión de los hechos vitales fundamentales que llevaron a este religioso a la creación literaria y de ésta, a la creación plástica. Se analizarán las características de dicha imagen, como diagrama espiritual vinculado a técnicas de memorización, como ejemplo de poesía visual, como plasmación del mundo interior e invisible y como icono que responde a lo que podríamos llamar una estética de la negatividad, antiidolátrica, abstracta. El estudio se basa en una recopilación iconográfica que muestra la evolución de la imagen original a través de distintas ediciones de las obras de San Juan. / This dissertation aims to establish a theory of image in Saint John of the Cross through his texts and an interpretation of the drawing of the Mount of Perfection or Mount Carmel (ca. 1580). Our investigation starts with an explanation of the facts that brought this religious man to the literary creation, and from it, up to the graphical creation. We carry out an analysis of the features of this image, understood as a spiritual diagram related to mnemonic techniques, as an example of visual poetry, as an expression of the inner and invisible world and as an icon in response to what we could call aesthetics of negativity, antiidolatry and abstraction. This work is based on an iconographical recopilation that shows the evolution of the primitive image through different editions of Saint John's works. Arts of Memory Diagrammatology Night image visibility icon Idolocastic Dinamical Aesthetics apophatic aesthetics aesthetics of religion Mystical Iconology Mount of Perfection Saint John of the Cross arte de la memoria diagramatología imagen nocturna visibilidad icono idoloclastia estética del tránsito estética apofàtica estética de la religión iconología mística Monte de Perfección San Juan de la Cruz 82
42	Dějiny spásy v symbolice byzantské liturgie sv. Jana Zlatoústého / The history of salvation in the symbology of the Byzantic liturgy of Saint John Chrysostom FOGL, Jaroslav January 2007 (has links) The thesis deals with the questions, how the Christians in the Liturgy of Saint John Chrysostom remind themselves the history of salvation and how they make the history of salvation present (i. e. anamnesis of the history of salvation) trough the symbols followed by the word. In the first part the author deals with the Christians symbolic acts in the liturgy as the symbolic acts express their relation to God. In the next part he pays attention to the process of the celebration of the liturgy of Saint John Chrisostom. These themes that describe symbolic acts of celebration are followed by the chapter that deals with the spiritual aspects of the liturgy. For a better orientation in the next text he closes the introductory part with the theological conception of the selected authors of the liturgical commentaries. In the main part of the thesis the author focuses on the history of the liturgy and on the liturgical commentaries of the selected authors of the Orthodox Christianity, who influenced the development of the Byzantine liturgy. Further, he focuses on the analysis of the present text of the liturgy of Saint John Chrysostom, where he searches for the ways the anamnesis of the history of salvation is reached. In the final part of the work he presents the results of the analysis and concludes that the Jesus life is really reminded and made present in the particular parts of the Byzantine liturgy.

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Iconología del Monte de Perfección. Para una teoría de la imagen en San Juan de la Cruz

Dějiny spásy v symbolice byzantské liturgie sv. Jana Zlatoústého / The history of salvation in the symbology of the Byzantic liturgy of Saint John Chrysostom