This dissertation examines the idea that ethnographically reported relationships between artifact classes and faunal food resource remains can be detected in an archaeological context. A detailed site report is presented for Deep Bay (DiSe 7), including analyses of the artifact and faunal assemblages, and quantitative techniques are employed to search for associations between faunal and artifact variables in this site. The results of four analyses are compared, and the recurring associations of variable pairs are interpreted in the light of ethnographic and ecological data. The various lines of evidence relevant to the most likely season of site occupation are also examined. It is concluded that some of the ethnographically reported food resource procurement patterns can successfully be detected in the archaeological record. Evidence is presented that suggests the existence of food resource procurement systems centered around herring, deer, sea mammal, and migratory waterfowl. The site was most likely occupied during the late winter and early spring, primarily for deer hunting and herring fishing, and secondarily for sea mammal and waterfowl hunting. The acquisition of molluscs is considered to be a given. This subsistence pattern appears to have varied little over the past 2000 years. It is also concluded that the same techniques could be used profitably for similar studies in the future. / Arts, Faculty of / Anthropology, Department of / Graduate

Digitized by Kansas State University Libraries

This thesis provides a model for understanding how social classes arose in the Gulf of Georgia area. This model distinguishes how social status in rank and a class societies are manifested and maintained in non-state, kin-based societies, drawing mainly from ethnographic descriptions. The relationship between the living and the dead for making status claims in both rank and class societies makes the archaeological study of mortuary ritual important for investigating these relationships. I propose that burial mounds and cairns, which were prominent in the region from 1500 to 1000 years ago, reflect a time when status differentiation was defined mainly through social rank. Following this period, when all forms of below-ground burials cease and above-ground graves become the dominant form of mortuary practice, I propose that the historically recorded pattern of social class emerged. Archaeological investigations of the burial mounds and cairns at the Scowlitz site have provided the first fully reported instances of mound and cairn burials in this region. Using less well reported data from over 150 additional burial mounds and cairns reported from other sites in the region, evidence for the nature of status differentiation sought out. Patterns in the burial record are investigated through discussing variation within classes of burials, demography and deposition, spatial patterning, grave goods, and temporal variation. These patterns and changes are then discussed within the context of the larger culture history of the region, suggesting that the late Marpole or Garrison sub-phase may be defined as ending around 1000 BP with the cessation of below-ground burial practices. The general patterns observed in mound and cairn burials and the changes in mortuary ritual subsequent to their being built generally support the idea of a shift from a rank to a class society. The thesis provides a basis for further investigation of questions of social status and inequality in the Gulf of Georgia region.

Coast Salish coiled basketry has been a much-neglected area of research. Previous investigations into this topic have been primarily concerned with geo-cultural distributions, and discussions pertaining to stylistic attributes. In recent years several scholars have turned their attention to the topic of Salish weavings, but they have focused their efforts quite narrowly on textiles made from wool and other similar fibres to the exclusion of weaving techniques such as basketry which utilise local roots and barks. This thesis will focus exclusively on one type of Salish basketry - coiled basketry. In this thesis I explore different ways of identifying, or "knowing", Coast Salish coiled cedar root basketry. I specifically focus on Sto:lo basketry and identify three ways in which Sto:lo basket makers "know" these objects. First I discuss the Halkomelem terminology and what insights it provides to indigenous classification systems. Secondly, I situate coiled basketry in a broader Coast Salish weaving complex in order to discuss how basketry is influenced by other textile arts. This also enables me to explore how Sto:lo weavers identify a well-made object. In the final section I discuss ownership of designs by individuals and their families. This research draws primarily from interviews conducted with Sto:lo basket makers between May and September 2000 in their communities and at the Museum of Anthropology at UBC. It is supplemented by interviews with basket makers from other Salish communities and by the ethnographic literature on this topic.

This thesis focuses on the production and display of weavings made by a small number of Musqueam women, who in the 1980s began weaving in the tradition of their ancestors. It addresses the way in which these weavings, positioned throughout Vancouver and worn in public settings, build a visual presence to counter the exclusion of Coast Salish cultural representations from the public construction of history in Vancouver and the discourse of Northwest Coast art. The Vancouver International Airport and the Museum of Anthropology at the University o f British Columbia both share with Musqueam a history of place. A distinct relationship fostered between Museum staff and members of the Musqueam community has yielded several exhibits since the first, Hands of Our Ancestors: The Revival of Weaving at Musqueam, opened in 1986. The presence of Musqueam material at the Museum is part of an extensive history of interaction and negotiation between Canadian museums and the cultural communities whose histories, traditions and material culture are represented - a history which encompasses issues of representation, authorship and authority. The Vancouver International Airport is also situated on Musqueam traditional territory. Designed by representatives from the Musqueam Cultural Committee and the Airport project team, the international arrivals area features works of contemporary Musqueam artists which are intended to create a sense of place with an emphasis on the distinctiveness of its location. Travelers cross several thresholds in the terminal - the sequence o f these crossings carefully choreographed so that deplaning passengers pass from the non-space of international transience to a culturally specific space marked by Musqueam's cultural representations, and then past Customs into Canada. Certain incidents at these sites indicate that visibility and self-representation do not in themselves answer the problems of power and history. When the Museum of Anthropology hosted a meeting for leaders of the Asia Pacific Economic Community in 1997, a newly implemented protocol agreement between Musqueam and the Museum was broken; and in a number of instances, achievements at the Airport have also been impaired. Despite these limits, weavings are not examples of token native inclusion as some critics argue. Rather, they are cultural representations strategically deployed by the Musqueam community. Enlarged from traditional blankets to monumental hangings, these weavings participate with other more recognized monumental Northwest Coast forms. They are visual, public signifiers of Musqueam identity which, without violating boundaries between public and private knowledge, carry messages from the community to a broader audience - messages intended to mark Musqueam's precedence in Vancouver's past as well as to claim visibility in the present.

The concern of this thesis is the position of people of alternative genders in Coast Salish culture, not only in the past, but in the present. How were individuals with such a difference treated? What forces constrained them? What factors afforded them opportunity? Were such genders even recognized? With these questions in mind, field work was conducted with the permission of the Std: Id Nation throughout the summer of 1998. This paper is based on interviews conducted then and subsequent interviews with people from other Coast Salish groups. In addition, local ethnographic materials—with reference to field notes whenever possible—and traditional stories were analyzed from the perspective of Coast Salish epistemology. Alternative genders need to be understood foremost in the cultural contexts in which they occur, only then can comparisons proceed from a secure foundation. Research revealed a paradoxical situation. Oral traditions in which the alternately gendered are despised, occur side-by-side with traditions in which such people were honoured for the special powers they possessed. Individuals and families operated in the space generated by this paradox, playing the "serious games" to which Ortner alludes (1996:12-13). The absence of a "master narrative" in Coast Salish culture accounts for some, but not all of these contradictions. Equally relevant are persistent patterns of secrecy, personal autonomy, kin solidarity, differential status, and differential gender flexibility that both restrict the social field and offer stress points that were, and are, manipulated in individual and collective strategies. Given a world view in which transformation was the norm, and in which the disadvantaged could become powerful overnight by revealing the power they had hidden, some alternatively gendered people were able to maximize their potential and become significant forces. No formal roles offered sanction, instead an ad hoc approach marked the response to alternative genders and the outcome rested on the position of the individual and her/his family, and their ability to maneuver within multiple constraints. It was this potential to transform a stigmatized status into an honoured role that made the position of the alternatively gendered paradoxical.

This study addresses the question of the nature of indigenous people's connection to the land, and the implications of this for articulating these connections in legal arenas where questions of Aboriginal title and land claims are at issue. The idea of 'place' is developed, based in a phenomenology of dwelling which takes profound attachments to home places as shaping and being shaped by ontological orientation and social organization. In this theory of the 'senses of place', the author emphasizes the relationships between meaning and power experienced and embodied in place, and the social systems of property and territory that forms indigenous land tenure systems. To explore this theoretical notion of senses of place, the study develops a detailed ethnography of a Coast Salish Aboriginal community on southeast Vancouver Island, British Columbia, Canada. Through this ethnography of dwelling, the ways in which places become richly imbued with meanings and how they shape social organization and generate social action are examined. Narratives with Coast Salish community members, set in a broad context of discussing land claims, provide context for understanding senses of place imbued with ancestors, myth, spirit, power, language, history, property, territory and boundaries. The author concludes in arguing that by attending to a theorized understanding of highly local senses of place, nuanced conceptions of indigenous relationships to land which appreciate indigenous relations to land in their own terms can be articulated.

Thesis (M Nursing)--Montana State University--Bozeman, 2008. / Typescript. Chairperson, Graduate Committee: Karen Zulkowski. Includes bibliographical references (leaves 48-50).

This thesis provides a model for understanding how social classes arose in the Gulf of Georgia area. This model distinguishes how social status in rank and a class societies are manifested and maintained in non-state, kin-based societies, drawing mainly from ethnographic descriptions. The relationship between the living and the dead for making status claims in both rank and class societies makes the archaeological study of mortuary ritual important for investigating these relationships. I propose that burial mounds and cairns, which were prominent in the region from 1500 to 1000 years ago, reflect a time when status differentiation was defined mainly through social rank. Following this period, when all forms of below-ground burials cease and above-ground graves become the dominant form of mortuary practice, I propose that the historically recorded pattern of social class emerged. Archaeological investigations of the burial mounds and cairns at the Scowlitz site have provided the first fully reported instances of mound and cairn burials in this region. Using less well reported data from over 150 additional burial mounds and cairns reported from other sites in the region, evidence for the nature of status differentiation sought out. Patterns in the burial record are investigated through discussing variation within classes of burials, demography and deposition, spatial patterning, grave goods, and temporal variation. These patterns and changes are then discussed within the context of the larger culture history of the region, suggesting that the late Marpole or Garrison sub-phase may be defined as ending around 1000 BP with the cessation of below-ground burial practices. The general patterns observed in mound and cairn burials and the changes in mortuary ritual subsequent to their being built generally support the idea of a shift from a rank to a class society. The thesis provides a basis for further investigation of questions of social status and inequality in the Gulf of Georgia region. / Arts, Faculty of / Anthropology, Department of / Graduate

This thesis focuses on the production and display of weavings made by a small number of Musqueam women, who in the 1980s began weaving in the tradition of their ancestors. It addresses the way in which these weavings, positioned throughout Vancouver and worn in public settings, build a visual presence to counter the exclusion of Coast Salish cultural representations from the public construction of history in Vancouver and the discourse of Northwest Coast art. The Vancouver International Airport and the Museum of Anthropology at the University o f British Columbia both share with Musqueam a history of place. A distinct relationship fostered between Museum staff and members of the Musqueam community has yielded several exhibits since the first, Hands of Our Ancestors: The Revival of Weaving at Musqueam, opened in 1986. The presence of Musqueam material at the Museum is part of an extensive history of interaction and negotiation between Canadian museums and the cultural communities whose histories, traditions and material culture are represented - a history which encompasses issues of representation, authorship and authority. The Vancouver International Airport is also situated on Musqueam traditional territory. Designed by representatives from the Musqueam Cultural Committee and the Airport project team, the international arrivals area features works of contemporary Musqueam artists which are intended to create a sense of place with an emphasis on the distinctiveness of its location. Travelers cross several thresholds in the terminal - the sequence o f these crossings carefully choreographed so that deplaning passengers pass from the non-space of international transience to a culturally specific space marked by Musqueam's cultural representations, and then past Customs into Canada. Certain incidents at these sites indicate that visibility and self-representation do not in themselves answer the problems of power and history. When the Museum of Anthropology hosted a meeting for leaders of the Asia Pacific Economic Community in 1997, a newly implemented protocol agreement between Musqueam and the Museum was broken; and in a number of instances, achievements at the Airport have also been impaired. Despite these limits, weavings are not examples of token native inclusion as some critics argue. Rather, they are cultural representations strategically deployed by the Musqueam community. Enlarged from traditional blankets to monumental hangings, these weavings participate with other more recognized monumental Northwest Coast forms. They are visual, public signifiers of Musqueam identity which, without violating boundaries between public and private knowledge, carry messages from the community to a broader audience - messages intended to mark Musqueam's precedence in Vancouver's past as well as to claim visibility in the present. / Arts, Faculty of / Art History, Visual Art and Theory, Department of / Graduate