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The materials of this thesis are concerned with the stencil method of silk screen printing. They are intended for use by high school teachers. The research examines both the creative and technical aspects of printing designs and compositions on a large scale. Paper stencil variations are examined as applied to silk screen reproductions. These methods are discussed in relation to the art classroom. The descriptions of classroom processes are based on the application of the stencil method in Sunset High School, Beaverton, Oregon.

Thesis (M.F.A.)--Kent State University, 2008. / Title from PDF t.p. (viewed July 15, 2009). Advisor: J. Noel Reifel. Keywords: screen printing, printmaking.

There is no abstract available for this thesis.

Thesis (M.F.A.)--University of Missouri-Columbia, 2008. / The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on September 2, 2008) Vita. Includes bibliographical references.

Thesis (M.F.A.)--Kent State University, 2010. / Title from PDF t.p. (viewed May 26, 2010). Advisor: Loderstedt Michael. Keywords: printmaking; screen printing; photography; installation Includes bibliographical references (p. 21).

Thesis (Ph. D.)--University of Wisconsin--Madison, 1976. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 84-86).

The dissection of sexuality (Lat. dissectio – dissection) – the collection of twelve graphics works, in which are depicted two different plastic interpretations of destructivized people‘s bodies on sheet graphics. The attention is focused towards the man‘s inner, spiritual, sexual spaces, which in the contemporary world are killed, the first place is taken by the factor of outer sexuality. The inner person’s sexuality – the desire to belong to somebody, to merge with somebody, to experience the relationship. This is the desire to create and to be seminiferous. The longing for intimacy and tenderness, sensitivity and sympathy, perfection – everything is depicted in the collection of serigraphy works. The main aim is to make the boundary by means of art works between the moral and pornographic sexuality, as we live in the society which encourages the sexual function. The theoretical works on person’s loves by Antanas Poškus, Kama Sutra compiled by Lans Dein, in which the erotic love is investigated, the works by Zdzislaw Bekinski are the basics of the present work. The graphical collection is created by traditional stencil technique – serigraphy. For the sketching not only the pencil is used, but also two graphical editors – CorelDROW and Adobe Photoshop are used. In the present Master’s work the sexuality is investigated not only by historical and psychological aspect, but also by the plastic expression. The image of visual sexuality and inner sexuality is shaped.

Everybody of us forming our life by minds and words. If your view to some possibility is limited, so this bound becoming reality for you. L. Hay By the cycle of pictures „A visit in old manor“, with surrealism and minimalism stylistics, photography, solarization effect and serigraphy. I tried to convey my view to human‘s communication problem, in which final a person is stuffing to the frame of loneliness. The rhythm of our life everyday becoming more crazy, more fast, sometimes you can‘t to catch then you are comming alone and not necessary to anybody. I tried to see difference between loneliness and wish to be alone. The problem, which i analyse, put to the cycle of eleven works „A visit in old manor“. With the my view to surrealism, i putted a human inside to an old, deserted manor, locked him in a walls of building. Minimalism helped with minimal implements: upstarting and disappearing text, fragments of map, birds, colors – to give a chanse for loner to communicate. All works have his name - numeration ASD1, ASD2, ...ASD10, ASD11, letters reflect a cycle‘s name, the number – the succession of works and my view to starting and progressing problem and the way to solve it. In the description i have acquainted reader with techniques, which i used in this work, their performance ways, authors, who had influenc to my indidual artistical touch and style. I am acquainting not only with verbal form, but also with visual. With this work you will know a part of me. That i... [to full text]

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