The dissection of sexuality (Lat. dissectio – dissection) – the collection of twelve graphics works, in which are depicted two different plastic interpretations of destructivized people‘s bodies on sheet graphics. The attention is focused towards the man‘s inner, spiritual, sexual spaces, which in the contemporary world are killed, the first place is taken by the factor of outer sexuality. The inner person’s sexuality – the desire to belong to somebody, to merge with somebody, to experience the relationship. This is the desire to create and to be seminiferous. The longing for intimacy and tenderness, sensitivity and sympathy, perfection – everything is depicted in the collection of serigraphy works. The main aim is to make the boundary by means of art works between the moral and pornographic sexuality, as we live in the society which encourages the sexual function. The theoretical works on person’s loves by Antanas Poškus, Kama Sutra compiled by Lans Dein, in which the erotic love is investigated, the works by Zdzislaw Bekinski are the basics of the present work. The graphical collection is created by traditional stencil technique – serigraphy. For the sketching not only the pencil is used, but also two graphical editors – CorelDROW and Adobe Photoshop are used. In the present Master’s work the sexuality is investigated not only by historical and psychological aspect, but also by the plastic expression. The image of visual sexuality and inner sexuality is shaped.

Paveikslų ciklą – „Iš tamsos“ – galima būtu apibūdinti kaip savotišką pasakojimą – atskleidžiantį mano pasąmonės klodus, manyje vyraujantį pasaulį, mano jausmus ir išgyvenimus, darbai yra kupini simbolių, perkeltinių prasmių, metaforų ... Tai tarsi filosofinė pasaka, koncentruojanti dėmesį į pateikiamus personažus, judesį, kompoziciją nuotaiką, koloritą, tekstūras, toninius perejimus, verčianti gilintis į šių faktorių reikšmę bendrai darbo visumai. Savo darbų atlikimui pasirinkau šilkografijos techniką. Esminis darbų atlikimo procesas – per specialiai paruoštas klišes (šilkografiniai tinklai padengti specialia šviesai jautruma turinti emulsija),ant popieriaus dengiamas tam tikrų dažų sluoksnis. Tai ilgas ir labai kruopštus darbas, reikalaujantis daug pastangų laiko ir kantrybes, bet tuo pačiu metu suteikiantis labai turtingą meninį, grafinį vaizdą, kuris manau būtinas, kuriant išskirtinius darbus. / Main purpose of my work was to create twelve images, transpierced with symbols, codes and magic realism. In my pictures I tried to hit a creatures of my imagination ore my dreams. I hope that my imagery will turn in to a creative dialogue between me and viewer…All twelve pictures done in silkscreen technology. I think that this technology gives picture unusual feeling and unexpectedness... All my pictures done using CMYK colour palette. CMYK short for cyan, magenta, yellow, and black, and often referred to as process color or four color is a subtractive color model, used in color printing, also used to describe the printing process itself. The CMYK model works by partially or entirely masking certain colors on the typically white background (that is, absorbing particular wavelengths of light). Such a model is called subtractive because inks “subtract” brightness from white.

Aš pristatau šilkografijos technika atliktą darbų kolekciją „Laiko ženklai“.Ji sudaryta iš vienuolikos savarankiškų darbų, kurių pavadinimai: 1.Ženklas I. 2.Ženklas II. 3.Ženklas III. 4.Ženklas IV. 5.Ženklas V. 6.Ženklas VI. 7.Ženklas VII. 8.Ženklas VIII. 9.Ženklas IX. 10.Ženklas X. 11.Ženklas XI. Žmogaus būtis, egzistencija jau šimtmečius jaudina ne vieną filosofą, dramaturgą, poetą ir kiekvieną iš mūsų,todėl ši tema nekintamai aktuali ir neišsemiama bet kuriuo laikmečiu. Laiko ženklai, tai tarsi kiekvieno žmogaus palikti pėdsakai laike ir erdvėje, tai lyg jo būties įprasmintas pavidalas -laiko ženklas, tai lyg įrėžta žymė erdvėlaikyje, kuri prasidėjo žmogui užgimus ir baigėsi jam mirus. Visi vaizdiniai, aplinkybės, duotybės , akimirkos, epizodai išgyventi žmogaus ir sudaro - JO KODĄ, JO LAIKO ŽENKLĄ paliktą erdvėje ir laike. “Kas lieka žmogui nugyvenus gyvenimą? Ar egzistuoja išliekamieji laiko ženklai laike ir erdvėje? Ar tik prasmingai nugyventas gyvenimas turi išliekamąją vertę? O koks gyvenimas yra prasmingas( juk kiekvieno žmogaus, kaip individo prasmės suvokimas yra skirtingas)?“. / I am representing my collection, wich was done in silkscreen technique colled “Signs of time”. It composed of eleven individual works: 1. Sign I 2. Sign II 3. Sign III 4. Sign IV 5. Sign V 6. Sign VI 7. Sign VII 8. Sign VIII 9. Sign IX 10. Sign X 11. Sign XI Human beeing, egsistentialism it is most concerning themes in every century.The meaning of life constitutes a philosophical question concerning the purpose and significanse of human existence. The concept can be expressed through a variety of related questions, such as Why are we here?, What's life all about? and What is the meaning of it all?.Is there anything left after we are passing away? Maybe we are leaving some signs in a thime and in a space, some ours SIGNS OF TIME?

Holy circle whereat invoke waried in symbol and forms, people superimpose their understanding of life, therein lies phenomenon, secret force. Mandala – wayfaring to centre of a periphery, from emotions and minds topsyturvy to unseen poise, pivot, self. A symbol of mandala – eternal thought, fence in everlasting. Formation, transformation. Conceive symbol, to see him inly sight. They quasi to create the inne link power, the thank to event ones own interior reality. Aburden of my graphic collection ,,Internal composition” l created meditations space. Major only purposeis graphic creation whiteness, sublime.

Everybody of us forming our life by minds and words. If your view to some possibility is limited, so this bound becoming reality for you. L. Hay By the cycle of pictures „A visit in old manor“, with surrealism and minimalism stylistics, photography, solarization effect and serigraphy. I tried to convey my view to human‘s communication problem, in which final a person is stuffing to the frame of loneliness. The rhythm of our life everyday becoming more crazy, more fast, sometimes you can‘t to catch then you are comming alone and not necessary to anybody. I tried to see difference between loneliness and wish to be alone. The problem, which i analyse, put to the cycle of eleven works „A visit in old manor“. With the my view to surrealism, i putted a human inside to an old, deserted manor, locked him in a walls of building. Minimalism helped with minimal implements: upstarting and disappearing text, fragments of map, birds, colors – to give a chanse for loner to communicate. All works have his name - numeration ASD1, ASD2, ...ASD10, ASD11, letters reflect a cycle‘s name, the number – the succession of works and my view to starting and progressing problem and the way to solve it. In the description i have acquainted reader with techniques, which i used in this work, their performance ways, authors, who had influenc to my indidual artistical touch and style. I am acquainting not only with verbal form, but also with visual. With this work you will know a part of me. That i... [to full text]

Iš tiesų, menas žmonijos raidai padarė neginčijamai teigiamą įtaką ir mano gyvenime jis ir užima vieną iš svarbiausių vietų. Juk žmogus yra ir kūrėjas, ir menininkas, ir konstruktorius, ir meistras, ir darbininkas. Kuriant kažką svarbaus, mano nuomone, reikalinga idėja, o paskui jos įgyvendinimas. Kaip kiti pasakytų, gera pradžia - pusė darbo. Nesvarbu ar vaizduojamas mažas, ar didelis daiktas, svarbu, kad jis pasakytų tai, ką nori pasakyti. Kiekvienas eksponatas turi atskleisti žiūrovui tam tikrą informaciją. Toks kūrinys gali būti laikomas tikru meno kūriniu. Šiais laikais meno kūrinys yra istorijos ir kultūros dalis. Svarbu jam turėti išorinę ir vidinę formą. Išorinė būna susijusi su reikšme - gamtos ir žmogaus gyvenimo pokyčiais, o vidinė – su spalvų santykiais. Menininkas gal tik per formą įtvirtina harmoniją ir pusiausvyrą mene bei gyvenime. Mano kaip menininkės noras pateikti sustojusį laiką planetoje, kuris tarsi užhipnotizuoja savyje praeitu laiku. Mes atsiduriame kitoje planetoje, kitame laike, kitokio kraštovaizdžio mieste. Susiduriame su ženklais, kurie yra tarsi tos planetos kodai. Mes klajojame…žvilgsniu, mintimis, ieškome atsakymo, bet tai liks mums tik didžiulė paslaptis Tikiuosi, kad mano kolekcija jus nunešė, į mikro ir makro planetą... / In fact, the art has made undeniable positive impact on human development, and it is one of the most important positions in my life. After all, the man is the creator and artist, and the constructor, and the master, and the worker. In my view, the creation of something important first demands the idea and then the implementation. As others say, a good start for half the work. Whether displaying a small or large object, it is important that it tells what you want to tell. Each exhibit must reveal certain information to the spectator. Such creation can be a real piece of art. Nowadays a piece of art is a part of history and culture. It must have outward and inward form. Outside is related to the value - with the nature and evolution of human life, and the inner - the relationship of colors. The artist can only through form establish the harmony and a balance between art and life. My desire as an artist is to express stopped time of the planet, which hypnotize in itself in the past. We appear on another planet in other time with different city landscape. We face signs of that planet as if codes. We stroll around sighting, thinking, looking for the answer, but everything remains a black secret for us.I hope that my collection will take you to the micro and macro planet...