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A comparison of achievement measured by “ Teachers’_ Marks” and standardized test scores for seventh gradersO'Kelly, Grace C. 01 August 1967 (has links)
No description available.
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「社会志向性」と「社会的コンピテンス」を教育する (2)OGAWA, Kazumi, 坂本, 剛, 吉田, 俊和, YOSHIDA, Toshikazu, 小川, 一美, SAKAMOTO, Go, 出口, 拓彦, DEGUCHI, Takuhiko, 斎藤, 和志, SAITO, Kazushi, 廣岡, 秀一, HIROOKA, Shuichi, 石田, 靖彦, ISHIDA, Yasuhiko, 小池, はるか, KOIKE, Haruka 27 December 2001 (has links)
国立情報学研究所で電子化したコンテンツを使用している。
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Parental Attitudes Toward Human Sexuality Education in the Home and in the SchoolMeeuwsen, Kimberly J. M. 12 1900 (has links)
To examine parental attitudes toward sexuality education in the home and school, sealed packets were distributed to fifth and seventh graders (N = 609) for each to deliver home to a parent. Parents were asked to express level of agreement with a series of attitude statements and to indicate the content and timing considered appropriate for sexuality instruction in the home and school. Analysis of 246 returned surveys (40% response rate) indicated that most parents trust the school to address human sexuality, though a sizeable minority of parents hold very conservative attitudes toward sexuality instruction in this setting. Results suggested that the majority of parents view school-based instruction as supplemental to instruction in the home.
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A Comparison of Aural and Visual Instructional Methodologies Designed to Improve the Intonation Accuracy of Seventh Grade Violin and Viola Instrumentalists.Núñez, Mario Leoncio 05 1900 (has links)
The purpose of the study was to compare two instructional methodologies designed to improve the intonation accuracy of seventh grade violin and viola instrumentalists. The collection of data was in regard to (1) instructional methodology: aural and aural/visual, (2) performance tasks: A, B, and C; (3) individual pitches (seven from each of the music tasks), and (4) differences between instrument groups: violin and viola. Sixty-eight seventh grade string students from three string classes of two middle schools were randomly assigned to two experimental groups: (a) aural and (b) aural/visual. The instructional period was implemented daily in ten-minute sessions during twenty days by the orchestra instructors of each school. A pretest-posttest format was used to determine if there were any changes in the subjects' intonation accuracy from prior to after the instructional phase was implemented, and if these changes could be attributed to any of the methodologies. The testing material used on both testing sessions included three performance tasks composed of seven notes each. Subjects were recorded on both testing occasions. The data were the scores of absolute pitch deviation, measured in cents from equal temperament, from the pre- and postest; these were treated with analysis of variance. The ANOVA on the posttest scores indicated a non-significant difference between the instructional methodologies in their effectiveness to improve the subjects' ability to play in tune.
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