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The genesis of Shakespeare idolatry, 1766-1799 a study in English criticism of the late eighteenth century,Babcock, Robert Witbeck, January 1931 (has links)
"This book is a regenerated doctoral thesis ... (originally presented) at the University of Chicago (1929) "--Pref. / Bibliography: p. [245]-295.
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Der dramatische Rhythmus in Shakespeares "Antonius und Cleopatra."Binder, Rudolf, January 1939 (has links)
Inaug.-Diss.--Tübingen. / Vita. Bibliography: p. [171]-173.
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The genesis of Shakespeare idolatry, 1766-1799 a study in English criticism of the late eighteenth century,Babcock, Robert Witbeck, January 1931 (has links)
"This book is a regenerated doctoral thesis ... (originally presented) at the University of Chicago (1929) "--Pref. / Bibliography: p. [245]-295.
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Hamlet and the Elizabethan common lawRappold, Lee Anne. January 1900 (has links)
Thesis (Ph. D.)--University of California, Santa Cruz, 1992. / Typescript. Includes bibliographical references (leaves 241-279).
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Shakespeare re-visions : representations of female characters in appropriations and radical performance adaptations of Shakespeare's plays /Suprenant, Susann E., January 2000 (has links)
Thesis (Ph. D.)--University of Oregon, 2000. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 180-197). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9978601.
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Central women characters and their influence in Shakespeare, with particular reference to the Merchant of Venice, Macbeth, Julius Caesar and Antony and CleopatraMngomezulu, Thulisile Fortunate January 2009 (has links)
A dissertation submitted to the Faculty of Arts in partial fulfilment of the requirements for the degree of Master of Arts in the Department of English at the University of Zululand, South Africa, 2009. / Shakespeare portrayed women in his plays as people who should be valued. This is an opinion I held in the past, and one I still hold after intense reading of his works and that of authors such as Marlowe, Webster, Thomas Kyd and others. Shakespeare created his female characters out of a mixture of good and evil. When they interact with others, either the best or the worst in them is brought out: extreme evil in some cases and perfect goodness in others.
I hope the reader will enjoy this study as much as I did, and that it will enhance their reading of Shakespeare‟s works and cultivate their interest in him. This study is intended to motivate other people to change their view that Shakespeare‟s works are inaccessible. Those who hold this view will come to know that anyone anywhere can read, understand and appreciate the works of this the greatest writer of all times.
In his study Shakespeare’s World, Johanyak says, “I wrote [it] to help students appreciate the depth and breadth of Shakespeare‟s global awareness. Shakespeare was not only a London playwright, but a man of the world who dramatized his perceptions to create a lasting legacy of his times” (2004: ix).
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Queering the queer(ed) pomosexual "readings" of Shakespeare's adaptation of Romeo and Juliet /Ailles, Jennifer L. January 2000 (has links) (PDF)
Thesis (M.A.)--University of Guelph, 2000. / Includes bibliographical references (leaves 148-189).
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La vision tragi-comique de William Shakespeare et ses précédents dans le théâtre TudorRuberry-Blanc, Pauline. Guinle, Francis. January 2000 (has links)
Thèse de doctorat : Anglais : Lyon 2 : 2000. / Titre provenant de l'écran-titre. Bibliogr.. Index.
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Images of regeneration : a study of Shakespeare's "The Tempest" and its cultural background /Srigley, Michael. January 1985 (has links)
Thesis (doctoral)--Uppsala University, 1985. / Bibliogr. p. 167-174. Index. -
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Bene dicendi scientia, "The power of speech/To stir men's blood"? Quintilian's Institutio Oratoria and Shakespeare's Julius Caesar /Baratz, Katharine. January 2007 (has links)
Thesis (B.A.)--Haverford College. Dept. of Classics, 2007. / Includes bibliographical references.
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