Thesis (Ph. D.)--University of Wisconsin--Madison, 1945. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [377]-392).

Thesis (Ph. D.)--University of Wisconsin--Madison, 1965. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliography.

Thesis (M.A.)--Trinity Evangelical Divinity School, 1995. / Abstract. Includes bibliographical references (leaves 171-180).

Inaug.-dissertation--Heidelberg. / Lebenslauf. "Literaturverzeichnis": p. 64.

Thesis (Ph. D.)--Johns Hopkins University, 1931. / Vita. "Reprinted, with a few additions, from the Hebrew union college annual, 1935. Vol. X." "Life of Rabbi David Ḳimḥi": [3] p. at end.

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Thesis (Ph. D.)--University of Oregon, 1999. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 249-257). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9947976.

This dissertation examines some of the Catholic ideas and people found in the life and writings of Philip Sidney. Due to Sidney’s aggressive advocacy of a pro-Protestant English foreign policy during the 1570s and 1580s, and to the anti-Catholic biases of many British and American academics in the nineteenth and twentieth centuries, previous studies have almost unanimously approached Sidney from an exclusively Protestant angle. This Sidney is the hero of English Protestant nationalism, the perfect poet-knight. The Sidney that emerges from the present study is much less unified: thoroughly anti-papal and anti-Spanish in his politics but warmly Catholic in his apparent metaphysical convictions. Catholic theology and devotional traditions were far from dead in Sidney’s England, and he was far from hostile toward them. By recovering Sidney’s engagement with Catholicism, from his consistent generosity to individual Catholics to the numerous sympathetic allusions to Catholic tradition in all his major works, this dissertation provides a new yet historically grounded way of reading Sidney. It also encourages a broader understanding of confessional diversity in the Elizabethan period. / text

"The choice of Sidney Howard as the subject of this paper was frankly determined by the fact that this writer has, over the past several years, developed a considerable interest in twentieth century American drama. Howard presents a particularly interesting case, for his more serious and well thought-out plays rank with the better realistic dramas of his time, while the less conscientious efforts show a relationship to the immature playwriting of the previous generation. Whether or not Howard alone would be considered a cardinal figure in the development of the American drama might be open to question. Nevertheless, it may be safely said that he played a part of considerable importance in the maturing process through which our drama went during the third and fourth decades of the twentieth century"--Introduction. / Typescript. / "August, 1952." / "Submitted to the Graduate Council of Florida State University in partial fulfillment of the requirements for the degree of Master of Arts." / Advisor: Robert G. Clapp, Professor Directing Paper. / Includes bibliographical references (leaves 63-65).

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