Global ETD Search

1	Nontraditional Six-Four Chords and Their Impact on Middleground Structures in Schumann, Brahms, and Saint-Säens Gao, Yiyi 12 1900 (has links) This dissertation explores middleground functionality of six-four chords by combining a voice-leading approach with hypermetrical analysis. By acknowledging the functional ambiguity of certain six-four chords that do not fit into traditional classifications (Aldwell and Schachter's cadential, consonant, passing, and neighboring six-four), or that can be seen as fitting in more than one category, I show that our interpretation of deeper-level structures is contingent upon how we choose to hear the functionality of these harmonies. Three types of six-four chords are introduced: cadential/consonant, passing/cadential, and neighboring/consonant six-four, illustrated by works by Robert Schumann, Brahms, and Saint-Säens. Each pair refers to an ambiguity—the same chord invites two alternative harmonic interpretations. I call these chords nontraditional in the sense that they shed more light on the musical structure with their ambiguity, rather than when being wedged into a single type of a six-four chord. This approach renews the ways of hearing the malleability of nonconventional Romantic structures and permits us to trace the path of each work as a unique tonal trajectory from a listener's perspective. nontraditional six-four chord six-four chord 6/4 chord middleground structure Schumann Brahms Saint-Säens hypermetrical analysis hypermeter voice-leading harmonic analysis music analysis Music theory. Chords (Music) Musical analysis. Academic theses
2	Expanded tonality in three early piano works of Béla Bartók (1881-1945) Brukman, Jeffrey James 11 1900 (has links) Bart6k's own expanded tonal ("supradiatonic") pronouncements reveal that his music, notwithstanding tonally camouflaging surface details, clearly had a tonal foundation which in many respects is a reaction to the emerging atonalism of Schonberg. Analysis of three piano works (1908 - 1916) reveal that Bart6k's tonal language embraced intuitively the expanded tonal idiom. The harmonic resources Bart6k employed to obscure tonicisation embrace double-degree constructions, quartal formations, chords of addition and omission and other irregular constructions. Diatonic tonal pillars are evident in pedal points, tonic triads and dominant to tonic root movement. Through an application of the Riemann function theory expanded by Hartmann's supposition of fully-chromaticised scales tonal syntax (especially secondphase Strauss cadences or closes) becomes apparent within an expanded tonal product. The analyses conclude that Bart6k's inimitable "sound-world" is a twentieth-century manifestation of traditional tonality's primary tenets. / Musicology / M.Mus. Expanded tonality Fully-chromaticised scales Bitonal process Bitonal product Double-degree chords Strauss cadences Pedal points Key-introductory six-four chord Chord of addition Chord of omission Quartal constructions Chord streaming 786.21258092 Tonality Chords (Music)
3	Expanded tonality in three early piano works of Béla Bartók (1881-1945) Brukman, Jeffrey James 11 1900 (has links) Bart6k's own expanded tonal ("supradiatonic") pronouncements reveal that his music, notwithstanding tonally camouflaging surface details, clearly had a tonal foundation which in many respects is a reaction to the emerging atonalism of Schonberg. Analysis of three piano works (1908 - 1916) reveal that Bart6k's tonal language embraced intuitively the expanded tonal idiom. The harmonic resources Bart6k employed to obscure tonicisation embrace double-degree constructions, quartal formations, chords of addition and omission and other irregular constructions. Diatonic tonal pillars are evident in pedal points, tonic triads and dominant to tonic root movement. Through an application of the Riemann function theory expanded by Hartmann's supposition of fully-chromaticised scales tonal syntax (especially secondphase Strauss cadences or closes) becomes apparent within an expanded tonal product. The analyses conclude that Bart6k's inimitable "sound-world" is a twentieth-century manifestation of traditional tonality's primary tenets. / Musicology / M.Mus. Expanded tonality Fully-chromaticised scales Bitonal process Bitonal product Double-degree chords Strauss cadences Pedal points Key-introductory six-four chord Chord of addition Chord of omission Quartal constructions Chord streaming 786.21258092 Tonality Chords (Music)

1

Page generated in 0.0562 seconds