<p>The study of Zamyatin's Weltanschauung and its presentation in his works.</p> <p>The thesis contains a preface, five chapters and a conclusion. Chapter I attempts to define Zamyatin's concept of man as presentated in his novel Mbd. Chapter II deals with the two forces energy and entropy. Chapter III discusses the effect of entropy on man and as presented in Zamyatin' s creative writings. Chapter IV presents Zamyatin's view of literature and its role. Chapter V portrays some of Zamyatin's literary techniques which he employed to procure reader participation. The Conclusion summarizes Zamyatin's world outlook and evaluates his philosophy.</p> / Master of Arts (MA)

Master of Arts (MA)

<p>This study attempts to investigate the position, working and activity of ' the Senate as revealed in Cassius Dio's account of the Principate of Augustus. I have selected what seem to me to be the principal passages on this theme in Books 52 to 56 for comment (the list is provided in the Table of Contents), and have freely referred to many others not so chosen.</p> <p>Although the work is in no way a treatment of the constitutional position of the Princeps, this topic must intrude often on a discussion of the Senate's relation to its new master: and so must other, at first glance unrelated, subjects such as provincial governorships and financial administration--so central to the government of the State was the Senate. Frequent references also must be made to Republican usages, and to developments between the age of Augustus and Dio's own time.</p> / Master of Arts (MA)

<p>This thesis presents an attempt to classify the various types of fictional material commonly found in ancient Greek biographies, and to suggest to what extent the recognition of the recurrence of certain types of anecdote may provide a useful guideline for determining the historicity of biographical statements. After a discussion of the sources available to the biographers and the dangers inherent in the careless use of them, several types of recurring biographical motifs are isolated and particular instances of them are treated in detail. Among the factors seen to cause recurrence are: folk motifs underlying the material derived from popular tradition, topoi of invective present in the biographer's comic and rhetorical sources, the transference of general-purpose witty anecdotes, and recurring patterns of thought in the biographers' own minds due to their popularizing aims, preconceptions about history, and philosophical outlook.</p> / Master of Arts (MA)

<p>This work studies historically the preposition de, tracing the development of three important constructions with de from Latin to Old French. It also attempts to draw conclusions from the historical facts in accordance with modern synchronic linguistics, the aim being to promote the integration of synchronic and diachronic linguistics, particularly in the field of syntax.</p> / Master of Arts (MA)

<p>I wish to state here briefly something of the limits and aims of my study. Most importantly, it has not been possible to include within its scope any discussion concerning the origin and development of sympotic procedure. Nor have I examined social organizations, such as clubs or schools of philosophy, which regularly held symposia for their members. As a result, I have not attempted any evaluation of the institution in cultural or historical terms. Its social significance for the Greeks must therefore necessarily remain implicit, though in one or two places I have indicated the widespread nature of its appeal.</p> <p>Instead, my main center of interest is with the functioning of the symposium, and the question which I have been chiefly concerned to answer in the first three chapters is simply, "What exactly happened when a symposium took place?" The bulk of the evidence is drawn from Greek rather than Roman sources, and it is to be understood that what I have to say is primarily with reference to Greek procedure. On the other hand, two of my principal sources, Athenaeus and Plutarch, are Roman antiquarians seeking to recover a lost tradition, with the result that it is not always wise to insist upon a firm dividing line between the two.</p> <p>The final chapter, however, which forms a kind of appendix to the work as a whole, views the symposium in purely literary terms, as a setting for various poetic topoi, and draws from Greek and Roman verse without discrimination. It includes references from epic, tragic and comic sources, as well as lyric and elegiac.</p> <p>All abbreviations have been taken from the Oxford Classical Dictionary.</p> / Master of Arts (MA)

<p>The purpose of this dissertation is to study Voltaire's portrayal of the Reformation in his Essai sur les moeurs. The p articular aim is to determine the degree of understanding that Voltaire shows in dealing not only with the nature of the theological reforms themselves, but also with the many and varied influences these theological reforms exerted upon society in sixteenth-century Europe. A few general observations will be made on Voltaire's concept of history and of historiography as it is revealed in his account of the Reformation.</p> / Master of Arts (MA)

<p>Genesis and background of L'Assommoir and a study of various techniques employed by Zola in the novel. Particular emphasis on his evocation of the physical environment (including people) and its relationship to, and effects upon, the character of Gervaise.</p> / Master of Arts (MA)

<p>A study of Gide's theoretical ideas concerning the nature and writing of fiction, and his application of these in his fictional works.</p> / Master of Arts (MA)

<p>Etude du thème du père dans trois des oeuvres romanesques de Claude Jasmins: Et puis tout est silence (1959), La Corde au cou (1960) et Pleure pas, Germaine (1965).</p> / Master of Arts (MA)