191 |
Boule de Suif de Maupassant: Structures et SignificationsDvorak, Marta January 1974 (has links)
<p>A structural analysis of Maupassant's nouvelle, with a view to establishing objective meaning and ideological imprint.</p> / Master of Arts (MA)
|
192 |
The Function of Sea References in Certain Plays of RacineLynch, Karen J. 10 1900 (has links)
<p>This study is an investigation of the function of sea references in certain plays of Racine, particularly as these sea references relate to the three classical unities of time, place and action.</p> / Master of Arts (MA)
|
193 |
The Application of Programmed Instruction to a French Language CourseGough, Jane Marcia 05 1900 (has links)
<p>The purpose of this paper is to study various problems which arise in applying programming principles to a French language course. While developmental reports of various programmes will he considered, this is essentially an investigation of internal aspects of programmes. Linguistic pedagogical and programming prohlems will be discussed in relation to specific French programmes.</p> / Master of Arts (MA)
|
194 |
Narrative Voice in Anne Hébert's KamouraskaWilliams, Marie-Christine 09 1900 (has links)
Master of Arts (MA)
|
195 |
Word Play in Georges BrassensHodgson, John William January 1977 (has links)
<p>A discussion of the techniques used by Georges Brassens in his songs to make plays on words and phrases.</p> / Master of Arts (MA)
|
196 |
Guy de Maupassant and the World of the Norman PeasantHeap, Alan 11 1900 (has links)
<p>The thesis examines in detail the nature of the contes paysans written by Maupassant and the literary techniques which made this section the most successful in his work. The paper indicates and explains Maupassant's particular affection for the Norman peasant, then examines the different aspects of the peasant's character and the role he plays in the stories. An analysis is also made of other features of the peasant tales, such as the language, the decor, and the social events, while illustrating throughout the literary function of these elements. In the Conclusion, a comparison with other writers serves to demonstrate the reasons for the particular success of the contes paysans.</p> / Master of Arts (MA)
|
197 |
The Concept of Bad Faith as Defined in L'Etre et le Néant and Illustrated in Sartre's Early Plays.Trevelyan, Margot 10 1900 (has links)
<p>The purpose of this paper is to define Sartre's concept of bad faith in L'Etre et le Néant and to apply this definition to Sartre's early plays. It is also hoped that the study will show the relevance of the theory of bad faith to our daily practice. Les Séquestrés d'Altona has been omitted both because of its complexity and because it would entail an examination of the Critique de la Raison Dialectique which is not possible in the scope of this thesis. The point of view in this thesis is considered by some to be biased but it is the opinion of the author that objectivity is not possible and that Marxism, which is the outlook of Sartre himself, is the correct one.</p> / Master of Arts (MA)
|
198 |
An Analysis Les Séquestrés D'AltonaGrilli, Anthony Rocco 10 1900 (has links)
<p>The aim of this study has been to analyse the play Les Séquestrés d'Altona and to situate it in the context of Sartre's though with specific reference to Critique de la Raison Dialectique.</p> / Master of Arts (MA)
|
199 |
Le Vocabulaire argotique dans l'oeuvre d'Albertine SarrazinHearder, Patricia Wendy 05 1900 (has links)
<p>A quantitative and descriptive study of the slang vocabulapy used by Albertine Sarrazin in her three novels, L'Astragale, La Caval and La Traversière, with a discussion of the over-all effects of the use of "argot" in these works.</p> / Master of Arts (MA)
|
200 |
Une Analyse Structurale de Trois Pièces d'Eugène IonescoLeousis, T. January 1974 (has links)
<p>The purpose of this paper will be to make a careful analysis of the various structural techniques which Eugène Ionesco uses in the three long plays: Amédée ou Comment S'en Débarrasser?, Rhinocéros, and Jeux de Massacre. Great attention will-be paid by the author to the creation of scenic atmosphere and to the originality of Ionesco's use of the elements of suspense and tempo. The author will also discuss in depth the importance of certain aspects of the stage decorations and the rôles of the most unusual jeux de scène of the three plays. In the Conclusion, there will be a final discussion of the basic similarities and differences between these plays.</p> / Master of Arts (MA)
|
Page generated in 0.0432 seconds