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Práce se zabývá analýzou občanských válek v současné subsaharské Africe. Zaměřuje se na definování jejich příčin a následků, popis vybraných válek a v závěru shrnuje možná východiska a překážky demokratizace Afriky.

The thesis The Part of the Teacher in the Present Society is trying to give account to the readers how the part of the teacher has changed in the last years and what all up has involved this change. The thesis is divided into seven parts. The first capture should introduce the reader philosophical and sociological context of the upbringing. In the following capture the reader is familiarized with the teacher's profession and with everything what it yields. In the next capture the parts that the present teacher can perform are outlined. It is not their detailed recitation, but the roundup of the expectancy that are placed on the present teacher. In the fourth capture there is a brief list of law documents where the teacher's profession is defined. The fifth capture describes the form and the principles of the educational revision and the following capture acquaints the readers with the changes of the teacher's profession after the educational revision. The seventh capture attends to the new form of the state maturita exam and the related difference for teachers. This thesis should not describe only the changes which the educational revision has brought, but above all it should contribute to understand the formidable and difficult part of the teachers in the present society.

The aim of this study is to compare characters in classical and contemporary japanese storytelling rakugo. Classical rakugo presents cultural tastes of merchant class in the Edo period (1600-1867) while the pattern of storytellers attending lords turned to performance in public and brought several amusing characters to idealize the medieval or rather premodern world. Contemporary rakugo carries on this popular tradition spontaneously with great expectations for its future appearance. As society phenomenons effect the appearance of rakugo characters, it is possible to observe the difference between this representation of life in community in past and nowadays. To compare classical and contemporary rakugo characters I analyzed them first according to their or storyteller's utterances and defined them as literary types.

The aim of my thesis is to approach the specifics of current Dutch drama. First part of my paper is based on the theoretical work of Hans-Thies Lehmann, Hugo Brems and Anja Krans describing the development of drama in Netherland covering the year 1969 to the turn of the millennium. Moreover, I am focusing on the major events, trends and characteristics following this period as well as explaining the term "post-dramatic theatre ", which I closely characterize. I've been following the change of the cooperation between dramatists and theatre groups regarding contemporary drama. In the second, practical part of my work I investigate whether or not the thoughts of the above mentioned theatre scientists and theorists are valid (and if so to what extend). I have examined this on a few pieces of work of four selected Dutch dramatists (Esther Gerritsen, Rob de Graaf, Maria Goos, Gerardjan Rijnders). I shortly describe the content and identify the most significant ideas of their work. I use information obtained from studying the theoretical work, newspaper articles, reviews, interviews with the artists and even their dramas. In the conclusion of my thesis, I then gather all the knowledge obtained by readings and analysis in the practical part. Moreover, I am describing the position of the Dutch dramatists in...

Práce pojednává o česko-německých vztazích v letech 1997-2006 v kontextu sudetoněmecké otázky. V práci je rozebíráno Sudetoněmecké krajanské sdružení jakožto zosobňovatel sudetoněmecké otázky ve Spolkové republice Německo. Samostatné kapitoly jsou věnovány Sudetoněmecké kanceláři Praha a reflexi sudetoněmecké otázky spolu s obrazem Sudetoněmeckého krajanského sdružení ve vybraných českých denících.

This master's thesis deals with a drama character as a component of theatre and literature system. On grounds of analysis of the drama character in contemporary Czech drama is trying to assume how drama character works in general and what is special about it in the 20. and 21. century.

Currently there is a great emphasis on energy savings in the building industry. Constructional opening fillings, such as windows and doors, are of a great importance for saving energy in buildings. Constructional opening fillings are one of the most challenging construction elements, because high demands are put on them. The first part of this diploma thesis is devoted to research of the literature focusing on the issue of constructional opening fillings. Additionally, this diploma thesis introduces the basic terminology of constructional opening fillings, and also provides information about existing materials - including basic requirements for lighting, ventilation, mechanical resistance, and protection against noise and safety. It also deals with mechanical and physical properties, such as thermal and technical characteristics, crevice integrity, sound insulation properties, thermal insulation properties of glass, thermal insulating properties of frames, waterproof, airproof, fire-technical characteristics and protection against undesirable permeability. The main part of the thesis is devoted to the respective measurement of construction opening fillings in six selected objects. Based on the measured results, a thermal-computational diagnostics is carried out for each object. The conclusion sums up the results, the data obtained are analyzed and evaluated. On the basis of the evaluation, appropriate recommendations are provided.

The thesis consists of theoretical and practical parts. The practical part represents a series of paintings in which the author is engaged in transcription of personal experiences and impressions of the world marked by a human phenomenon. The theoretical part discusses the quest for the ultimate artistic output and initiatives, which led the author to comment on this topic. In the context of finding appropriate means of expression for the final artistic output, the author reflects on the diversity of artistic approaches and methods used in the presentation of issues of civilization in the world of art.