Global ETD Search

1	Gestão de operações numa empresa de transportes público de passageiros Marinho, Fernando Pedro Ferreira January 2010 (has links) Tese de mestrado integrado. Engenharia Civil. Faculdade de Engenharia. Universidade do Porto. 2010 Transportes rodoviários coletivos Transportes públicos de passageiros Stagecoach South West Gestão e planeamento Software Castor
2	Native Americans on Screen in 1939 and 2015 : A Postcolonial Study on the Portrayal of the Indigenous People of America in Films and How to Adapt it into the EFL Classroom Pettersson, Emil January 2017 (has links) The essay originates from the idea that the United States has a history of racism evidenced in the displacement and discrimination of Native Americans and that the representation of Native Americans in films reflects the changing views of the indigenous population in the surrounding society. The purpose of this essay is to investigate how the Native American characters are portrayed in western films. Two films are going to be analysed; Stagecoach from 1939 and The Revenant from 2015. The theoretical framework that is used for the analysis is Postcolonialism. The findings reveals that Native American characters are portrayed more humanely in The Revenant than in Stagecoach. By applying the findings into the classroom the students can be given the opportunity to discuss human rights, equal value and solidarity between people, which can lead to reflections about the fundamental values of the curriculum. Western films Postcolonialism Stagecoach The Revenant representation portrayal description Upper Secondary students EFL Specific Literatures Litteraturstudier
3	Frontier, Displacement, and Mobility in Joss Whedon's <em>Firefly</em> Nelson, Emma Leigh Boone 03 May 2012 (has links) Firefly, a television series created, written, and directed by Joss Whedon, premiered on the Fox network in 2002 and aired only eleven episodes before it was cancelled halfway through its first season. While it gained some on-air popularity, it was not until fans convinced Fox via online chatrooms to release the series on DVD that it gained posthumous acclaim. Whedon credits westerns as the inspiration for Firefly because frontier characters tend to be natural, flawed, complex human beings who question universal truths through widely recognized motifs of classic westerns. In a February 17, 2011 Entertainment Weekly interview, Firefly actor Nathan Fillion stated that if he won the lottery, he would buy the rights to Firefly, inadvertently rallying fans to bring back the series that was cancelled almost a decade before, mirroring the cowboy culture that Firefly emulates of marginalized individuals fighting for a cause. Despite its science fiction and space motifs, Firefly is no different from classic westerns in blending legend and reality, reinforcing the mixture of myth and fact that constitutes frontier ideology. Firefly, like the cowboy culture it represents, has become a cultural icon, romanticized because of its brief and nostalgic nature. This paper will look at the enduring appeal of Firefly through western motifs of frontier, displacement, and mobility, considering why westerns lend themselves to continued nostalgia and reinvention in contemporary popular culture. Firefly Joss Whedon Stagecoach western film popular culture English Language and Literature
4	Sex Workers with Hearts of Gold: An Ancient Trope of Sex and Class in Popular Culture Bowles, Taylor 19 May 2023 (has links) No description available. Film Studies Gender Gender Studies Womens Studies Mass Media sex work sex workers prostitution heart of gold feminism popular culture Pretty Woman Moulin Rouge Firefly Joss Whedon representation Stagecoach Once Upon a Time in the West representation television film westerns romance popular culture studies postmodernism postfeminism hooker with a heart of gold

1

Page generated in 0.0348 seconds