This work presents recent advances in the development of infra-red sensitive photorefractive polymers, and updateable near real-time holographic 3D displays based on photorefractive polymers. Theoretical and experimental techniques used for design, fabrication and characterization of photorefractive polymers are outlined. Materials development and technical advances that made possible the use of photorefractive polymers for infra-red free-space optical communications, and 3D holographic displays are presented.Photorefractive polymers are dynamic holographic materials that allow recording of highly efficient reversible holograms. The longest operation wavelength for a photorefractive polymer before this study has been 950nm, far shorter than 1550nm, the wavelength of choice for optical communications and medical imaging. The polymers shown here were sensitized using two-photon absorption, a third order nonlinear effect, beyond the linear absorption spectrum of organic dyes, and reach 40% diffraction efficiency with a 35ms response time at this wavelength. As a consequence of two-photon absorption sensitization they exhibit non-destructive readout, which is an important advantage for applications that require high signal-to-noise ratios.Holographic 3D displays provide highly realistic images without the need for special eyewear, making them valuable tools for applications that require "situational awareness" such as medical, industrial and military imaging. Current commercially available holographic 3D displays employ photopolymers that lack image updating capability, resulting in their restricted use and high cost per 3D image. The holographic 3D display shown here employs photorefractive polymers with nearly 100% diffraction efficiency and fast writing time, hours of image persistence, rapid erasure and large area, a combination of properties that has not been shown before. The 3D display is based on stereography and utilizes world's largest photorefractive devices (4x4 inch in size). It can be recorded within a few minutes, viewed for several hours without the need for refreshing and can be completely erased and updated with new images when desired, thusly comprising the first updateable holographic 3D display with memory, suitable for practical use.

Kūnas įvairių mokslo šakų tyrinėjimo objektas, sunku apsiriboti ties viena sritimi ar pripaţinti tik vieną sritį kaip teisingiausią kūno suvokimui. Bet kokiu atveju ţmogus savo kūną paţysta bei formuoja per aplinka. Fotografiją taip pat yra įvaizdţio formavimo priemonė. Pati fotografija ne tik formuoja įvaizdį, bet ir formuoją patį ţmogaus poreikį vaizdiniui ir kitokį ţvilgsnį į aplinką. Diplominiame darbe nagrinėju vojerizmą, jo ryšį su fotografija. Stengiuosi surasti momentą kada paprastas ţvilgsnis tampa vojeristiniu ţiūrėjimu, ar tiesiog vojerizmas yra netskiriamas dalykas nuo fotografijos. Analizuoju vojerizmo teoriją, kaip vojerizmas atsiskleidţia fotografijoje. Nagrinėju kūno samprata, nuogą kūną fotografijoje, erotinę fotografiją, akto fotografiją Lietuvoje. Atlikdama savo uţdavinius, analizuodama literatūrą ir prototipus, siekiu uţsibrėţto tikslo, sukurti stereografijų ciklą, kuriame atsispindėtų diplominiame darbe nagrinėjami aspektai. Diplominiame darbe taip nagrinėju stereografijos sąvoka, kuri siejasi su vojerizmo ištakomis fotografijoje ir mano stereografijų ciklu. Stereografija- diplominio darbo, praktinės dalies pateikimo forma. / The body is exploration object in the vorius science discipline, it would be difficult to confine by one discipline or recognize only one discipline as the farest for body knowing. In any case human knows his body and formed whitin the enviroment. The photography as a discipline is also body formating tool. Photography itself is not only shaped the image, but also formating a requirement for the image and different gaze to enviroment. I‘m analyzed voyeur in photography, it‘s connection whit photography. Trying to find a moment when a simple looking bicome voyeuristic gaze or maby voyeurism is the main part in photography. I analyzed voyeur theory, how voyeurism reveals in photography. Describing body as a concept, naked body in photography, erotic photography, nude photography in Lithuania. Doing my tasks, analyzing literature and prototipes, try to achiev the main target, to create a stereography cycle in which reflected dealing aspects. I‘m Analyzed steregraphy concept, which pertain whit voyeurism orgins in photography and my stereography cycle. Stereography is submission form of the practical part.

The Enigma of Appearances is an examination into the medium of three-dimensional photography, with particular focus on the technique of stereoscopy. Invented in the mid-Victorian era, stereoscopy was an attempt to simulate natural three-dimensional perception via a combination of optics, neurology, and a pair of dissimilar images. Whilst successful in producing a powerful illusion of spatial depth and tangibility, the illusion produced by stereoscopy is anything but ??natural??, when compared to three-dimensional perception observed with the naked eye. Rather, stereoscopic photography creates a strange and unnatural interpretation of three-dimensional reality, devoid of atmosphere, movement and sound, where figures appear frozen in mid-motion, like waxwork models, or embalmed creatures in a museum. However, it is precisely stereoscopic photography??s unique and enigmatic interpretation of three-dimensional reality, which gives it its strength, separating it from being a mere ??realistic?? recording of the natural world. This thesis examines the unique cultural position that stereoscopy has occupied since its invention in 1838, from its early role as a tool for the study of binocular vision, to its phenomenal popularity as a form of mass entertainment in the second half of the 19th century, to its emergence in contemporary fine art practice in the late 20th and 21stt centuries. Additionally, The Enigma of Appearances gives a detailed analysis of the theory of spatial depth perception; it discusses the dichotomy between naturalia versus artificialia in relation to stereoscopic vision; and finally, traces the development of experimental studio practice and research into stereoscopic photography, undertaken for this MFA between 2005 and 2007. The resulting work, Camera Mortuaria (Italian for ??Mortuary Room??), is a powerful and innovative series of anaglyptic portraits, based upon an experimental stereoscopic technique that enables the production of extreme close-up three-dimensional photography. Applying this technique to the reproduction of the human face in three-dimensional form, Camera Mortuaria presents a series of ??photo sculptures??, which hover between reality and illusion, pushing the boundaries of stills photography to the limit, and beyond.

The Enigma of Appearances is an examination into the medium of three-dimensional photography, with particular focus on the technique of stereoscopy. Invented in the mid-Victorian era, stereoscopy was an attempt to simulate natural three-dimensional perception via a combination of optics, neurology, and a pair of dissimilar images. Whilst successful in producing a powerful illusion of spatial depth and tangibility, the illusion produced by stereoscopy is anything but ??natural??, when compared to three-dimensional perception observed with the naked eye. Rather, stereoscopic photography creates a strange and unnatural interpretation of three-dimensional reality, devoid of atmosphere, movement and sound, where figures appear frozen in mid-motion, like waxwork models, or embalmed creatures in a museum. However, it is precisely stereoscopic photography??s unique and enigmatic interpretation of three-dimensional reality, which gives it its strength, separating it from being a mere ??realistic?? recording of the natural world. This thesis examines the unique cultural position that stereoscopy has occupied since its invention in 1838, from its early role as a tool for the study of binocular vision, to its phenomenal popularity as a form of mass entertainment in the second half of the 19th century, to its emergence in contemporary fine art practice in the late 20th and 21stt centuries. Additionally, The Enigma of Appearances gives a detailed analysis of the theory of spatial depth perception; it discusses the dichotomy between naturalia versus artificialia in relation to stereoscopic vision; and finally, traces the development of experimental studio practice and research into stereoscopic photography, undertaken for this MFA between 2005 and 2007. The resulting work, Camera Mortuaria (Italian for ??Mortuary Room??), is a powerful and innovative series of anaglyptic portraits, based upon an experimental stereoscopic technique that enables the production of extreme close-up three-dimensional photography. Applying this technique to the reproduction of the human face in three-dimensional form, Camera Mortuaria presents a series of ??photo sculptures??, which hover between reality and illusion, pushing the boundaries of stills photography to the limit, and beyond.

Early detection of unilateral muscle fatigue and muscular imbalances is important to prevent injury. This study aimed to evaluate the potential of near-infrared thermography (IRT) and raster-stereography (RS) in detecting asymmetries. After unilateral trunk muscle fatigue, IRT detected changes in the skin surface temperature only immediately after exercise, while RS data showed no statistically significant changes. / Die frühzeitige Erkennung von einseitiger Muskelermüdung und muskulären Ungleichgewichten ist wichtig, um Verletzungen vorzubeugen. Ziel dieser Studie war es, das Potenzial der Nahinfrarot-Thermografie (IRT) und der Rasterstereografie (RS) bei der Erkennung von Asymmetrien zu bewerten. Nach einseitiger Ermüdung der Rumpfmuskulatur wurden mit der IRT Veränderungen der Hautoberflächentemperatur nur unmittelbar nach der Belastung festgestellt, während die RS-Daten keine statistisch signifikanten Veränderungen zeigten.