Global ETD Search

1	Υπερβολικές άλγεβρες και κοσμολογία Λυμπέρης, Ανδρέας 04 August 2009 (has links) Τα δυναμικά βαρυτικών συστημάτων μπορούν να περιγραφούν ασυμπτωτικά στη γειτονιά μιας χωρικής ανωμαλίας σαν μια κίνηση μπιλιάρδου στον υπερβολικό χώρο.Η περιγραφή αυτή μπορεί να πραγματοποιηθεί με άλγεβρες Kac-Moody λαμβάνοντας σαν σύστημα ένα σ-μοντέλο. / The dynamics of some models in Gravity can be described as a billiard motion in the vicinity of a spacelike singularity in hyperbolic space. This description is equivalent in terms of a sigma model and can be described by some hyperbolic Kac-Moody algebras 530.15 Hyperbolic Kac-Moody algebras Dominant and subdominant walls
2	“Transforming Chaos”: Modes of Ambiguity in Tchaikovsky’s Symphony No. 5 in E Minor BROWN, BREIGHAN MOIRA 09 October 2007 (has links) No description available. Music ambiguity Tchaikovsky thresholdism Schenkerian Analysis Rhythm and Meter motivic parallelism markedness plagal ambiguity subdominant semiotics
3	History and Application of Dualism and Inverse Harmony Downing, Ross M. 24 June 2020 (has links) No description available. Music Acoustics Fine Arts History Negative harmony inverse harmony harmonic dualism dualism Brahms Strauss Schubert harmony Jacob Collier Ernst Levy Riemann Rameau von Oettingen Zarlino contextual inversion mode mixture Hauptmann Levarie minor subdominant, borrowed chord
4	The First Movements of Sergei Bortkiewicz's Two Piano Sonatas, Op. 9 and Op. 60: A Comparison including Schenkerian Analysis and an Examination of Classical and Romantic Influences Chen, Yi Jing 08 1900 (has links) The purpose of this study is to analyze the first movements of Sergei Bortkiewicz's two piano sonatas and compare them with works by other composers that may have served as compositional models. More specifically, the intention is to examine the role of the subdominant key in the recapitulation and trace possible inspirations and influences from the Classical and Romantic styles, including Mozart, Beethoven, and Schubert. The dissertation employs Schenkerian analysis to elucidate the structure of Bortkiewicz's movements. In addition, the first movement of Mozart's Piano Sonata K. 545, Beethoven's Coriolan Overture, and the first movement of Schubert's "Trout" Quintet in A, D. 667, are examined in order to illuminate the similarities and differences between the use of the subdominant recapitulation by these composers and Bortkiewicz. Sergei Bortkiewicz Bortkiewicz piano sonata sonata recapitulation Schenkerian analysis subdominant Academic theses

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