Thesis (Ph. D.)--University of Washington, 1996. / Vita. Includes bibliographical references (leaves [283]-301).

Thesis (Ph.D.)--University of Alberta, 2009. / Title from pdf file main screen (viewed on September 16, 2009). " A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English, Department of English and Film Studies." At head of pdf title screen: University of Alberta. Includes bibliographical references.

Thesis (M.A.)--York University, 2005. Graduate Programme in Francaises. / Typescript. Includes bibliographical references (leaves 125-132). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR19692

Thesis (Ph. D.)--University of Oregon, 2005. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 219-230). Also available for download via the World Wide Web; free to University of Oregon users.

Thesis (Ph. D.)--Illinois State University, 2000. / Title from title page screen, viewed July 31, 2006. Dissertation Committee: Charles B. Harris (chair), William W. Morgan, Douglas D. Hesse. Includes bibliographical references (leaves 206-212) and abstract. Also available in print.

by Li Tsui-yan. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1999. / Includes bibliographical references (leaves 100-105). / Abstracts in English and Chinese. / Chapter Chapter One --- The Dilemma of Liberation and Confinement: Female Subjectivity in Comparative Perspectives --- p.1 / Chapter Chapter Two --- Deconstructing Patriarchal Discourse: Female Subjectivity in Doris Lessing's The Golden Notebook and The Summer Before the Dark --- p.18 / Chapter Chapter Three --- "Resistance to the Stereotypes of Femininity: Female Subjectivity in Zhang Jie's “Love Must Not be Forgotten"" and “The Ark´ح" --- p.50 / Chapter Chapter Four --- The Multiple and the Dynamic: Doris Lessing and Zhang Jie's Strategies in the Construction of Female Subjectivity --- p.73 / Notes --- p.86 / Works Cited --- p.99

A love ethic is the ground of agency and subjectivity for both men and women, and mutuality is the heart of love. Many feminist scholars are working to articulate and understand love by examining women's identity and language. In this thesis, I explore a language used for love and desire through theoretical examination and poetic expression. Using a dialectical relationship between the text and the reader, this project demonstrates that mutual love depends on access to language that can express love and sexuality. Three central texts are used: 'All About Love: New Visions' by bell hooks, 'I Love to You: Sketch of a Possible Felicity in History' by Luce Irigaray and 'Love Lyrics from the Bible: The Song of Songs, a New Translation' by Marcia Falk. In six sections of theoretic analysis and poetry, I show that female subjectivity and agency are conditions for mutuality in both love and sexuality.

Yuen Siu Fung. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2006. / Includes bibliographical references (leaves 157-162). / Abstracts in English and Chinese. / Chapter Chapter One: --- Re-imagining Female Subjectivity beyond Bodily Inscriptions --- p.1 / Chapter Chapter Two: --- Cultural Body and Female Agency: The Transformation of Identity in Jasmine --- p.21 / Chapter Chapter Three: --- Woman and Unwoman: Reconstructing Subjectivity in The Handmaids Tale --- p.64 / Chapter Chapter Four: --- Beyond Bodily Defined Identity: Per/Re-forming Man/Woman Relationship in Nights at the Circus --- p.114 / Chapter Chapter Five: --- "In Search of Fulfilment, Satisfaction and Development" --- p.150 / Bibliography --- p.157

Ng, Chak Kwan. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. / Includes bibliographical references (leaves 132-136). / Abstract also in Chinese. / INTRODUCTION / The Necessity of Being Performative: / the Cases of William Wordsworth and T. S. Eliot --- p.1 / Chapter CHAPTER ONE --- "Context, Literary Events and the Institution of Literature" --- p.12 / Chapter CHAPTER TWO --- Individualism: the Invention of Romantic Subjectivity in William Wordsworth --- p.50 / Chapter CHAPTER THREE --- Subjectivity in Crisis: the Invention of Modern Subjectivity in T. S. Eliot --- p.90 / "Conclusion ""Change More Than Language"": The Acts of Poetry" --- p.127 / WORKS CITED AND BIBLIOGRAPHY --- p.132

Habilitationsschrift--Mainz. / Includes bibliographical references (p. [243]-246).