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The culture and environmental ethic of the Pokot people of Laikipia, Kenya.Du Plessis, Lizanne 12 1900 (has links)
Thesis (MA (Philosophy))--University of Stellenbosch, 2005. / This study sets out to document the culture and environmental ethic of the Pokot tribe
of Laikipia, Kenya. This is done in order to find the wisdom this culture contains and
to seek alternative ways for conservation and development in Africa.
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Perspective vol. 40 no. 3 (Dec 2006)Voorberg, Lorraine, Suk, John D. 31 December 2006 (has links)
No description available.
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Perspective vol. 40 no. 2 (Aug 2006)Hiemstra, Janna 31 August 2006 (has links)
No description available.
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Perspective vol. 39 no. 3 (Jul 2005)Sweetman, Robert, Fernhout, Harry, Rudie, Carol Veldman, Chaplin, Jonathan, Alcentera, Maria Teresa Carrero 31 July 2005 (has links)
No description available.
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Perspective vol. 40 no. 3 (Dec 2006) / Perspective (Institute for Christian Studies)Voorberg, Lorraine, Suk, John D. 26 March 2013 (has links)
No description available.
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Perspective vol. 40 no. 2 (Aug 2006) / Perspective (Institute for Christian Studies)Hiemstra, Janna 26 March 2013 (has links)
No description available.
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Perspective vol. 39 no. 3 (Jul 2005) / Perspective (Institute for Christian Studies)Sweetman, Robert, Fernhout, Harry, Rudie, Carol Veldman, Chaplin, Jonathan, Alcentera, Maria Teresa Carrero 26 March 2013 (has links)
No description available.
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Ein Baukastensystem zum universellen Aufbau kleiner rigidifizierter Peptidomimetika und spirocyclopropanierter Wirkstoffanaloga / A toolbox-system for the formation of small rigid peptidomimetics and spirocyclopropanated drug-analoguesLimbach, Michael 02 November 2004 (has links)
No description available.
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Klavírní trio v kontextu jeho historického, hudebního a interpretačního vývoje / Piano trio in the context of its historical, musical and interpretational developmentPichlíková, Markéta January 2016 (has links)
This diploma work aims to map to some depth the history of piano trio, to introduce the reader to individual pieces for this arrangement, to present the origins and fortunes of the leading Czech and international ensembles, and to compare their way of interpretation. In the first part of this document we will take a look at the absolute beginnings of chamber music and later development of this musical segment. We will concentrate on the history of the trio, developed from trio sonata that become the principal chamber type during baroque. At the turn of 18th and 19th century we can see its present form. It became one of the most popular musical forms, taking an important place in the work of all four "Viennese classics". We can find some occasional piano trios from Haydn and Mozart, composed primarily for the purpose of private conduction of music. Piano trios of L. v. Beethoven and F. Schubert however present a decisive step in the direction of artistic originality. Mature work of these authors represents zenith of the genre, successfully maintained later on by Schumann, Brahms, Dvořák, Smetana and other romantic representatives, who were using the form as ideal means to convey the most internal of their feelings. Meeting of three completely different instruments allows the composers to merge...
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Perspective vol. 39 no. 4 (Dec 2005)Dziedzic, Allyson Ann, Greidanus, Morris N., Hiemstra, Janna 31 December 2005 (has links)
No description available.
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