v anglickém jazyce: The fundamental theme of this diploma paper is the phenomenology of the body which is related to the investigation of the act of the appearing itself in the works of the French philosopher Michel Henry. The phenomenological approach of this thinker is going to be defined primarily by the confrontation with intentional phenomenology of Edmund Husserl, which in the matter of the appearance keeps itself within the bounds of the relation to the world. This classical version of the phenomenology will be compared with Henrys phenomenology of the life. The life which is understood in such a manner is invisible or unapparent because it is radically immanent and never appears in the exteriority of the world. Anyhow, the redefinition of the classical conception of the appearance should make possible access to the most important and the most interesting thing for us that is to say to subjective or transcendental body, which appears and experiences itself directly in its affective self- experience of the invisible interiority. Therefore, the subjective body is going to be described upon these grounds together with Henry as immanent being that is at the same time appearance. Thus we are going to present philosophy of Michel Henry, which is called radical phenomenology of interiority that is...

Ve své diplomové práci se snažím si objasnit, čemu se věnuji a proč. Měla jsem ohromné štěstí, že jsem mohla v životě začít znova. V jedné básni se podařilo zachytit, co jsem v této fázi cítila. Věděla jsem, že chci plně a do hloubky zkoumat to, co jsem studovala na DAMU. Potřebovala jsem se naučit, jak být v klidu a čekat. Uvědomila jsem si, že dech je zcela zásadně spjat s myslí a tělem a přišla jsem na to, jaké trápení může působit ego. Nemyslím tím ego v psychoanalytickém pojetí. Mám na mysli, jak je důležité se oprostit od kritiky, ať už pozitivní nebo negativní, druhých či mé vlastní. Bez tohoto kroku nelze kultivovat vlastní projev. Při psaní jsem vycházela ze sebe a skrze proces psaní jsem byla otevřenější vůči všemu, co jsem se učila na seminářích každý den. Tajemství tkví v tom, nestarat se o to, jestli jsem dobrá nebo ne. Není důležité být dobrá. Ale být sama sebou. Jak řekl jeden pedagog, „Je to těžké a velmi jednoduché.“ Nakonec jsem dospěla do bodu, kdy jsem o sobě napsala dost. Nyní je čas přemístit ohnisko pozornosti směrem do světa, k divákům.

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The object of the paper is a theoretical analysis of the human body phenomenon as a distinctive cultural construction. Particular attention will be payed to forces by which, in a concrete cultural context, the body is transformed into symbolic and semiotic category, shared by members of a given culture. The paper aims to utilize the scientific potential of anthropology, which studies the human being as a unique unity of both superorganic and somatic components, verifying the hypothesis that the human body is not only a biological organism, but in the enculturation process becomes a symbolic object- a "somatized culture". Key Words body; symbol; culture; system

The Master's thesis includes drawing up the issue of the body and space in dance. The introductory part contains the definition of the body as a living organism. The body of the thesis is devided in chapters dealing with the body layers, gravity, balance and imagination. The final part of the thesis connects all phenomenons mentioned in previous chapters. This part results in a description of the images and sensations during the classical ballet training.

Necrophagous insects plays an important role, especially in forensic practice, especially in determining the time of death. This work was aimed to monitor necrophagous species of the Diptera order in selected localities of South Moravian Region - Rakvice and Sokolnice. Furthermore, these necrophagous species were identified with anatomical-morphological and molecular genetic methods, which have been compared to each other. For this purpose it was necessary to isolate a DNA segment and amplify cytochrome oxidase I (COI) gene by the PCR method and with further processing to obtain the sequence of selected individuals from the mitochondrial genome. The results of the experiment more coincided with morphological identification database BOLD outputs than with outputs from the BLAST database. Anatomical and morphological identification cannot always accurately determine the genus and species necrophags, the assesment is not dependent not only on the development stage of the insect and its condition, but also on the expertise of the determinator. Most accurater results are achieved with use the combination of anatomical and morphological and molecular-genetic methods of determination, which is confirmed by the results of this thesis.

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