Western educational policies and practices have impacted Taiwanese early childhood programs. The concept of developmentally appropriate practice has become part of the educational program for young children in Taiwan. This research study was completed to: (a) describe Taiwanese parents' beliefs about developmentally appropriate practice (DAP) in early childhood programs; (b) examine group differences between fathers' and mothers' beliefs about DAP; (c) investigate group differences between parents of different socioeconomic statuses beliefs about DAP; (d) explore group differences between parents' beliefs about DAP when their children attend different types of schools (public and private); and (e) identify salient factors related to the variability of developmentally appropriate beliefs of Taiwanese parents. Three hundred seventy-nine matched Taiwanese parent pairs (mothers and fathers) participated in this survey research study. All parents had at least one child between the ages of 3 and 6 years. Four hundred forty-eight children attended public schools, and 415 attended private schools. The Teacher Beliefs Questionnaire was modified and used to collect data in this study. Findings showed: (a) fathers' and mothers' beliefs about DAP are significantly correlated; (b) fathers' and mothers' socioeconomic statuses are significantly correlated with their developmentally inappropriate practice beliefs; and (c) parents' socioeconomic status was a significant predictor of their DAP belief scores and family, culture, and inclusion belief scores. Future studies are needed to determine the effectiveness and appropriateness of the Teacher Beliefs Questionnaire with Taiwanese parents. Including parent's age, child's gender, child's birth order, residential region, and number of children as variables in future research studies may explain variations in parents' DAP beliefs. Employing qualitative methods, such as classroom observations, case studies, and interviews may be used to verify these findings. The Taiwanese Ministries of Education and Interior may find this study's results useful in creating policies and best practices related to the education of young children. Teachers may use these results to guide their work with parents.

Until 1949, when Generalissimo Chiang Kai-shek fled from Mainland China to the Island of Formosa, few people throughout the world knew about that island of the China coast. Once Formosa became the seat of the Nationalist Government of China that little island has been much in headlines everywhere. Indeed, Formosa is of major importance in world politics and international affairs these days. So much for a very brief sketch of the island itself. The story of its importance, its history and its development will be the purpose of the balance of this study. It is not to be the purpose of this treatise to present an exhaustive study of all the various facets of the life of Formosa’s many classes and types of people. Rather, it will be an endeavor, briefly, to outline the history of Formosa, and thus identify the place and power of Formosa as it related to the whole field of contemporary history. No doubt for many years to come, Formosa will continue to be an important factor in the affairs of the Far East.

No description available.

Thesis advisor: Kenji Hayao / National marriage equality: the legalization of same-sex marriage and recognition that same-sex pairings are to be granted the same privileges under the state as straight pairings, is widely recognized as a turning point for a country’s acceptance of queer identities at all levels of society. More than thirty countries around the world have legalized same-sex marriage, most of them being advanced industrial democracies. Given such hegemony, one may expect that being an advanced industrial democracy is one of the strongest indicators as to whether a country has instituted same-sex marriage. Yet, out of the three Asian countries which meet the criteria: South Korea, Taiwan, and Japan, only Taiwan has instituted marriage equality. The timing of progress in East Asia, particularly in Japan, still presents a puzzle to scholars given dominant understandings of queer culture and politics. Through comparative examination of the social and political structures in Taiwan and Japan as they relate to queer rights and expression, I seek to prove that robust democratic institutions and practices are the main factor in securing marriage equality rather than socio-cultural attitudes, judicial processes, or mass political movements. To this point, robust institutions and practices can be defined as those which actively imbue a citizen with more voting power or the amount of political power an individual is granted by the state to determine government policies that affect their life and those of their community. Healthy competition between political parties occurs as a result, meaning issues pertaining to minority communities are much more likely to be part of party platforms. As such, governments are more likely to actively push for social reform and are otherwise disincentivized from alienating minority groups. / Thesis (MA) — Boston College, 2023. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: Political Science.

Most of the empirical research on later life well-being in Taiwan has focused on demographic, structural factors and resources flow, and tended to ignore the meaning and beliefs older Taiwanese assign to aging and the consequences. In light of dramatic social transformation and the changing nature of elderly support, the empirical test of the values and beliefs about later life and their effects may provide a significant viewpoint in understanding why some older adults in Taiwan are healthier and live longer than others. This project employs a national representative data drawn from the Survey of Health and Living Status of the Elderly in Taiwan in year 1996 and 1999. Beliefs about aging are conceptualized into several constructs and each is linked to three dimensions of health outcomes: physical health, mental health and mortality. In addition, I tested whether engagement in healthy habits, supportive social relationships, and greater involvement in social activities account for the associations. Results suggest that general higher levels of positive beliefs about aging are predictive of improved health and longevity over time. When I divide general beliefs into positive and negative domains, I find that positive beliefs improve health largely through life style factors. While, compared to positive beliefs, negative beliefs seem to exert stronger effects on health through pathways well beyond an individual's lifestyle. That is, pessimistic views on aging may be more detrimental to health because domains related to negative beliefs (e.g., "boredom and uselessness" and "financial insecurity") directly challenge an individual's desires to search for a sense of meaning, purpose and security later in life. Taken together, this study shows that positive beliefs about aging shape proactive behaviors and translate limited resources into opportunities, eventually leading to better health outcomes. In contrast, viewing aging in an unfavorable way may limit an individual's pursuit for a better life, and, in turn, impact health and well-being, regardless the actual resources possessed by the individuals. Therefore, this study suggests despite physically intact, generally active, and supportive relationships, the individual's subjective perception of aging is another important determinant in securing a healthy later life among elderly Taiwanese. / text

This dissertation investigates Taiwan's role in the twists and turns in its relationship with China from 1987 to 2004. It employs the methods of both case studies and the VAR (vector autoregression) time-series analysis to assess the impact of the following four factors on Taiwan's actions toward China: (1) the democratic transition in Taiwan, (2) Taiwan's electoral politics, (3) cross-Strait economic exchanges, and (4) U.S. Taiwan Policy. The research conclusions are as follows. First, President Lee Teng-hui's rational calculation in the late 1980s guided him to launch domestic political reforms while continuing former President Chiang Chingkuo's liberalization of Taiwan's China policy. Consequently, Taiwan's democratic transition was accompanied by the appearance of a peaceful policy toward China. Second, in order to win votes from the electorate, which increasingly embraced a Taiwanese identity after the mid-1990s, Taiwanese politicians tended to launch aggressive electoral campaigns against China. Accordingly, domestic elections turned out to be a conducive factor for Taiwan's conflictual actions toward China. Third, politicians' electoral consideration also overrode Taiwanese businessmen's preference for crossStrait stability. As a result, cross-Strait economic interdependence was unable to restrain Taiwan from taking aggressive policies toward China. Fourth, because Taiwanese politicians tended not to give in to U.S. pressures during Taiwan's elections, the U.S. could not successfully stop Taiwan's provocative actions toward China as elections neared in Taiwan. It was only when Taiwanese leaders sought to strengthen U.S.-Taiwan relations after election seasons ended that the U.S. could induce Taiwan to act cooperatively toward China. / text

This thesis engages with Taiwanese history by offering a reading of Hou Hsiaohsien???s A City of Sadness (1989), making reference to the film???s historical dimensions, cultural representations and gender issues in the period 1945 to 1949. In addition, Hou???s cinematography is detailed with comparison to Yasujiro Ozu and the influences of Japanese colonisation. Hou???s immense contribution to Taiwanese film consists principally in a Taiwanese trilogy that traces Taiwan???s history in the 20th century. In The Puppet Master (1993) Hou details the era of Japanese colonisation from 1895 to the restoration of Taiwan by the Kuomintang in 1945. Later, A City of Sadness focuses on the fate of the Lin family from 1945 to 1949, which epitomises people???s life in Taiwan during the initial stages of Kuomintang domination. Finally, Good Men, Good Women (1995) highlights two different eras in Taiwan: the political movement in the 1950s and the pop culture in the 1990s. The thesis uses illustrations from all three films to explore Hou???s historical, cultural and gender representations. In order to understand Hou???s ideology and beliefs in greater depth, I also review his autobiographical film, A Time to Live, and A Time to Die (1985). This thesis examines Taiwan???s indigenous culture and the impact of Japanese and Chinese cultural practices in A City of Sadness through the post-colonial theories of Perry Anderson, Homi Bhabha, and Chris Berry. I draw on their theories of cultural hegemony and my empiricism to investigate Hou???s representation of the political situation in Taiwan. Finally, the thesis evaluates gender issues in A City of Sadness, with reference to Julia Kristeva???s notion of ???feminine time??? and the debate between Emilie Yeh and Mizou concerning ???whether women can really enter history???. In evaluating A City of Sadness I argue that Hou Hsiao-hsien???s use of a family???s microhistory to parallel the national macro-history of the February 28th Incident opens an important historical window through which the audience may re-encounter and reflect on Taiwan???s past, and think positively about its future.

This thesis engages with Taiwanese history by offering a reading of Hou Hsiaohsien???s A City of Sadness (1989), making reference to the film???s historical dimensions, cultural representations and gender issues in the period 1945 to 1949. In addition, Hou???s cinematography is detailed with comparison to Yasujiro Ozu and the influences of Japanese colonisation. Hou???s immense contribution to Taiwanese film consists principally in a Taiwanese trilogy that traces Taiwan???s history in the 20th century. In The Puppet Master (1993) Hou details the era of Japanese colonisation from 1895 to the restoration of Taiwan by the Kuomintang in 1945. Later, A City of Sadness focuses on the fate of the Lin family from 1945 to 1949, which epitomises people???s life in Taiwan during the initial stages of Kuomintang domination. Finally, Good Men, Good Women (1995) highlights two different eras in Taiwan: the political movement in the 1950s and the pop culture in the 1990s. The thesis uses illustrations from all three films to explore Hou???s historical, cultural and gender representations. In order to understand Hou???s ideology and beliefs in greater depth, I also review his autobiographical film, A Time to Live, and A Time to Die (1985). This thesis examines Taiwan???s indigenous culture and the impact of Japanese and Chinese cultural practices in A City of Sadness through the post-colonial theories of Perry Anderson, Homi Bhabha, and Chris Berry. I draw on their theories of cultural hegemony and my empiricism to investigate Hou???s representation of the political situation in Taiwan. Finally, the thesis evaluates gender issues in A City of Sadness, with reference to Julia Kristeva???s notion of ???feminine time??? and the debate between Emilie Yeh and Mizou concerning ???whether women can really enter history???. In evaluating A City of Sadness I argue that Hou Hsiao-hsien???s use of a family???s microhistory to parallel the national macro-history of the February 28th Incident opens an important historical window through which the audience may re-encounter and reflect on Taiwan???s past, and think positively about its future.

This thesis engages with Taiwanese history by offering a reading of Hou Hsiaohsien???s A City of Sadness (1989), making reference to the film???s historical dimensions, cultural representations and gender issues in the period 1945 to 1949. In addition, Hou???s cinematography is detailed with comparison to Yasujiro Ozu and the influences of Japanese colonisation. Hou???s immense contribution to Taiwanese film consists principally in a Taiwanese trilogy that traces Taiwan???s history in the 20th century. In The Puppet Master (1993) Hou details the era of Japanese colonisation from 1895 to the restoration of Taiwan by the Kuomintang in 1945. Later, A City of Sadness focuses on the fate of the Lin family from 1945 to 1949, which epitomises people???s life in Taiwan during the initial stages of Kuomintang domination. Finally, Good Men, Good Women (1995) highlights two different eras in Taiwan: the political movement in the 1950s and the pop culture in the 1990s. The thesis uses illustrations from all three films to explore Hou???s historical, cultural and gender representations. In order to understand Hou???s ideology and beliefs in greater depth, I also review his autobiographical film, A Time to Live, and A Time to Die (1985). This thesis examines Taiwan???s indigenous culture and the impact of Japanese and Chinese cultural practices in A City of Sadness through the post-colonial theories of Perry Anderson, Homi Bhabha, and Chris Berry. I draw on their theories of cultural hegemony and my empiricism to investigate Hou???s representation of the political situation in Taiwan. Finally, the thesis evaluates gender issues in A City of Sadness, with reference to Julia Kristeva???s notion of ???feminine time??? and the debate between Emilie Yeh and Mizou concerning ???whether women can really enter history???. In evaluating A City of Sadness I argue that Hou Hsiao-hsien???s use of a family???s microhistory to parallel the national macro-history of the February 28th Incident opens an important historical window through which the audience may re-encounter and reflect on Taiwan???s past, and think positively about its future.

This thesis engages with Taiwanese history by offering a reading of Hou Hsiaohsien???s A City of Sadness (1989), making reference to the film???s historical dimensions, cultural representations and gender issues in the period 1945 to 1949. In addition, Hou???s cinematography is detailed with comparison to Yasujiro Ozu and the influences of Japanese colonisation. Hou???s immense contribution to Taiwanese film consists principally in a Taiwanese trilogy that traces Taiwan???s history in the 20th century. In The Puppet Master (1993) Hou details the era of Japanese colonisation from 1895 to the restoration of Taiwan by the Kuomintang in 1945. Later, A City of Sadness focuses on the fate of the Lin family from 1945 to 1949, which epitomises people???s life in Taiwan during the initial stages of Kuomintang domination. Finally, Good Men, Good Women (1995) highlights two different eras in Taiwan: the political movement in the 1950s and the pop culture in the 1990s. The thesis uses illustrations from all three films to explore Hou???s historical, cultural and gender representations. In order to understand Hou???s ideology and beliefs in greater depth, I also review his autobiographical film, A Time to Live, and A Time to Die (1985). This thesis examines Taiwan???s indigenous culture and the impact of Japanese and Chinese cultural practices in A City of Sadness through the post-colonial theories of Perry Anderson, Homi Bhabha, and Chris Berry. I draw on their theories of cultural hegemony and my empiricism to investigate Hou???s representation of the political situation in Taiwan. Finally, the thesis evaluates gender issues in A City of Sadness, with reference to Julia Kristeva???s notion of ???feminine time??? and the debate between Emilie Yeh and Mizou concerning ???whether women can really enter history???. In evaluating A City of Sadness I argue that Hou Hsiao-hsien???s use of a family???s microhistory to parallel the national macro-history of the February 28th Incident opens an important historical window through which the audience may re-encounter and reflect on Taiwan???s past, and think positively about its future.