Made available in DSpace on 2016-07-27T13:53:42Z (GMT). No. of bitstreams: 1 MARIEUNICE PEREIRA CAMPOS DOS SANTOS.pdf: 1149300 bytes, checksum: b5d127cc6eb841de91e1aaf6d9041e36 (MD5) Previous issue date: 2015-10-08 / This dissertation aims to reflect on the research related to educational policies for integration of technology in basic education. Try to understand this policy and understand them from the historical phenomena of society in the economic system. From an epistemological look of technique and technology, it is clear that both were included in the capital accumulation process, as one of the labor restructuring process means and later brought consequences for education. Thus, this research aimed to apprehend the contradictions on information technology policy in school education, associated with development policy in Brazil from the 1960 to 1980 no Brazil, a historical and dialectical perspective. The research is of bibliographical nature and qualitative approach. It was developed from the mapping of the academic productions available on the Digital Library of Theses and Dissertations, in which we sought to know the saying research on Brazilian public policies for inclusion of technology in basic education. The study showed the emphasis of the research to the treatment of educational, technical and operational deployment and implementation of policies for improvement of educational outcomes, as well as the emphasis on teacher training. It was noticed the absence of discussions about the political meaning related to the use of ICTs as a development of the capital interests in entering the school as part of productivity. / Esta dissertação objetiva refletir sobre as pesquisas relacionadas a políticas educacionais para inserção das tecnologias na educação básica. Busca-se compreender essa política a partir dos fenômenos históricos da sociedade no sistema econômico. A partir de um olhar epistemológico da técnica e da tecnologia, percebese que ambas foram inseridas no processo de acumulação do capital, como um dos meios do processo de reestruturação do trabalho e posteriormente trouxe desdobramentos para a educação Assim, esta pesquisa buscou apreender as contradições sobre a política de informática na educação escolar, associada a política de desenvolvimento no Brasil a partir da década de 1960 a 1980, numa perspectiva histórico e dialética. A pesquisa é de cunho bibliográfico e abordagem qualitativa. Foi desenvolvida a partir do mapeamento das produções acadêmicas disponíveis na Biblioteca Digital de Teses e Dissertações, em que buscou-se conhecer os que dizem as pesquisas sobre políticas públicas brasileiras para inserção das tecnologias na educação básica. O estudo demonstrou a ênfase das pesquisas ao trato das questões pedagógicas, técnicas e operacionais, de implantação e implementação das políticas para melhorias dos resultados educacionais, assim como, a ênfase à formação de professores. Percebeu-se a ausência de discussões sobre o sentido político relacionado ao uso das TICs como desdobramento dos interesses do capital em inserir a escola no âmbito da produtividade.

Submitted by Vanessa Nunes (vnunes) on 2015-05-06T17:59:55Z No. of bitstreams: 1 FranciscoCoelho.pdf: 5852706 bytes, checksum: 6359deb9e3b6550eddc13b3645fa67c2 (MD5) / Made available in DSpace on 2015-05-06T17:59:55Z (GMT). No. of bitstreams: 1 FranciscoCoelho.pdf: 5852706 bytes, checksum: 6359deb9e3b6550eddc13b3645fa67c2 (MD5) Previous issue date: 2013 / Nenhuma / Este trabalho se insere no contexto da seguinte linha da pesquisa: Educação, Desenvolvimento e Tecnologias, do Programa de Pós-Graduação em Educação da Universidade do Vale do Rio dos Sinos (UNISINOS), e teve como objetivo compreender se e de que forma as tecnologias digitais contribuem para uma formação profissional emancipadora de alunos do curso de Eletrônica do Instituto Federal de Educação, Ciência e Tecnologia do Piauí - Campus Teresina Central. Com esse propósito, a investigação abordou conceitos como: Técnica e Tecnologia, Educação Profissional, Competência e Emancipação. O estudo desses conceitos e da aplicação deles no desenvolvimento da pesquisa foi possível através do diálogo com autores como: Harvey (1992), Kuenzer (1997), Schwartz (2007), Duarte (2008), Grinspun (2009), Castells (2011), Frigotto (1995), Cunha (2002), Lima Filho (2007), Sancho (2006), Lopes (2010), Pinto (2005) e Santos (2006). Para delinear a metodologia utilizada, busquei sustentação nas teorias de Chizzotti (2006), Minayo (2011), Malheiros (2011) e Gil (2008). A pesquisa é de natureza exploratória e envolve a análise qualitativa de dados através de um estudo de caso, compreendendo os procedimentos de revisão bibliográfica, análise documental, pesquisa narrativa, questionário e entrevista. Utilizam-se, na análise documental, documentos institucionais relacionados à formação profissional e ao curso de Eletrônica e, nas entrevistas semiestruturadas, alunos do último módulo do referido Curso. A partir de reflexões compreensivas, foi possível constatar que as tecnologias digitais, desde que utilizadas adequadamente dentro dos ambientes educacionais, podem efetivamente contribuir para uma formação profissional emancipadora e que, no contexto virtual colaborativo, os conhecimentos e a utilização dessas tecnologias por parte dos alunos, mesmo de forma dissociada do currículo institucional, favorecem uma maior participação deles na construção do conhecimento / This work is in the context of the next line of research: Education, Development and Technology, from the Graduate Program in Education of Vale do Rio dos Sinos University (UNISINOS), and it aimed to understand whether and how digital technologies contribute to an emancipatory vocational training for students of Electronics from the Federal Institute of Education, Science and Technology of Piauí - Teresina Central Campus. For this purpose, the research addressed concepts such as: Technique and Technology, Vocational Education, Competence and Emancipation. The study of these concepts and their application in the development of the research was made possible through dialogue with authors such as Harvey (1992), Kuenzer (1997), Schwartz (2007) , Duarte (2008), Grinspun (2009), Castells (2011), Frigotto (1995), Cunha (2002), Lima Filho (2007), Sancho (2006), Lopes (2010), Pinto (2005) and Santos (2006). To outline the methodology used, I have sought support in the theories of Chizzotti (2006), Minayo (2011), Malheiros (2011) and Gil (2008). The research is exploratory in nature and it involves qualitative data analysis through a case study, comprising the steps of literature review, document analysis, narrative research, questionnaire and interview. They are used in document analysis, institutional documents related to vocational including the Electronics course and, in semi-structured interviews, students of the last module of this course. From comprehensive reflections, it was established that digital technologies, if used properly within educational environments, can effectively contribute to an emancipatory vocational training, and in collaborative virtual context, knowledge and use of these technologies by students, even dissociated form of institutional curriculum can foster greater participation of them in the construction of knowledge.

Made available in DSpace on 2016-12-08T16:35:13Z (GMT). No. of bitstreams: 1 Sandro99838.pdf: 791384 bytes, checksum: a390b3c49116bf0ed0d172c0e8317074 (MD5) Previous issue date: 2011-02-22 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The purpose of this research is to examine the concept of technology expressed in the professional profile of completion by analyzing the legal documents and pedagogic project of course of three technology college courses in institution of higher education in the city of Florianópolis, SC. Initially we present a theoretical discussion of concept of technology from the perspective of Álvaro Vieira Pinto and Andrew Feenberg. Afterwards we present a historical review of technology college courses in Brazil and Santa Catarina state. In this process we sought to strengthen the dialogue with researchers in the field of Education and Labor and Public Policies, including: Bastos (1991), Ciavatta (2010), Cunha (2005), Frigotto (2005), Lima Filho (1999), Peterossi (1980) and Rocha (2009). The methodology adopted in this study was the descriptive research with a qualitative approach. Data collection was performed at government sites for the legal documents and directly at the institution of higher education for the pedagogic projects of course. The technique chosen for the document review was the content analysis. The conceptual and historical foundation provided the support necessary to examine the concept of technology expressed in two opinions and a resolution formally recorded by the National Council of Education and pedagogic projects of course of three institutions of higher education in Florianópolis, SC. This study revealed that in all documents reviewed, prevailed conceptions of technology related mainly to a set of techniques and to synonym of the technique. Both instrumental and deterministic views are characterized in the legal documents and in the pedagogic projects of institutions of higher education. The results showed that the pedagogic projects take from legal documents not only the elements of the standard, but particularly the conceptual foundations of technology / O propósito da pesquisa é examinar o conceito de tecnologia que se exprime no traçado dos perfis profissionais de conclusão mediante a análise do ordenamento jurídico e dos projetos pedagógicos de curso de três cursos superiores de tecnologia em instituições educacionais de Florianópolis-SC. Apresenta-se inicialmente uma discussão teórica acerca do conceito de tecnologia a partir da perspectiva de Álvaro Vieira Pinto e Andrew Feenberg. Oferece-se posteriormente uma retrospectiva histórica dos cursos superiores de tecnologia no Brasil e no estado de Santa Catarina. Nesse movimento procurou-se estreitar o diálogo com pesquisadores da área Educação e Trabalho e Políticas Públicas, dentre os quais: Bastos (1991), Ciavatta (2010), Cunha (2005), Frigotto (2005), Lima Filho (1999), Peterossi (1980) e Rocha (2009). O procedimento metodológico adotado privilegiou a pesquisa descritiva com abordagem qualitativa. A coleta de dados foi realizada em sites governamentais para os documentos legais e diretamente nas instituições educacionais para os projetos pedagógicos de curso. A técnica escolhida para o exame documental foi a análise de conteúdo. O alicerce conceitual-histórico evidenciado forneceu o suporte necessário para o exame do conceito de tecnologia expresso em dois pareceres e uma resolução exarados pelo Conselho Nacional de Educação e nos projetos pedagógicos de curso de três instituições de educação superior em Florianópolis-SC. O estudo permitiu verificar, em todos os documentos analisados, a prevalência de concepções de tecnologia relacionadas principalmente ao conjunto de técnicas e à sinonímia da técnica. As visões instrumental e determinista estão caracterizadas tanto no ordenamento jurídico quanto nos documentos das instituições de educação superior. Os resultados evidenciaram que os projetos pedagógicos de curso apropriam do ordenamento jurídico não somente os elementos da norma, mas particularmente os fundamentos conceituais de tecnologia

Im Zentrum der vorliegenden Arbeit steht die Untersuchung der Temperamalerei in München zwischen 1850 und 1914. Die Temperamalerei entwickelte sich in diesem Zeitraum zu einem maltechnischen Trend, dem sich Vertreter unterschiedlichster Kunstrichtungen anschlossen. Die vorliegende Untersuchung ergänzt bisherige Studien zu diesem Themengebiet, die sich vorwiegend auf die Auswertung von Schriftquellen stützten, durch einen interdisziplinären Forschungsansatz, der erstmals kunsttechnologische Untersuchungen von Gemälden mit einer umfassenden Auswertung der Quellen kombiniert. Im Fokus steht die individuelle maltechnische Entwicklung von vier Künstlern, die zu den einflussreichsten Protagonisten der Münchner Kunstszene gehörten: Arnold Böcklin (1827–1901), Franz von Stuck (1863–1928), Franz von Lenbach (1836–1904) sowie Wassily Kandinsky (1866–1944). Es wird beleuchtet, wie diese äußerst unterschiedlichen Künstlerpersönlichkeiten die Temperamalerei erlernten, welche Vorbilder sie hatten und wie sie ihr maltechnisches Wissen untereinander weitergaben. Ferner wird untersucht, welchen Stellenwert die Maltechnik in ihrer Malerei einnahm und inwiefern ein Zusammenhang von Bildinhalt, formaler Gestaltung und maltechnischer Umsetzung besteht. Die Untersuchung zeigt auch die zeittypische, breite Palette der Malmaterialien und ihre Kombinationen im Bildaufbau auf: Diverse selbst hergestellte Temperafarben und kommerzielle Tempera-Tubenfarbenprodukte kamen wahlweise in einer schichtenweisen Malerei oder als Primamalerei zur Anwendung. Daraus resultiert ein breites Spektrum unterschiedlicher Erscheinungsbilder, die von einer im klassischen Sinn Tempera-ansichtigen Malerei mit strichelndem Farbauftrag bis zu einer nass-in-nass modellierten Primamalerei reichen, welche üblicherweise mit der Ölmalerei in Verbindung gebracht wird. Folglich erweiterten sich im Vergleich zu klassischen Ölmalerei mithilfe der Temperafarben die individuellen, maltechnischen Ausdrucksmöglichkeiten der Künstler. Dies ist neben einer verbesserten Haltbarkeit der Gemälde und einer rationelleren Arbeitsweise der wesentliche Grund für die Faszination, die die Temperamalerei auf die untersuchten Künstler ausübte. / This study focusses on the investigation of tempera easel painting techniques in Munich between 1850 and 1914. During this period, tempera painting evolved to a trend that was joined by various artists of different art movements. This investigation complements previous studies on this topic, which mainly relied on the analysis of written sources, with an interdisciplinary approach that combines art technological examinations and a comprehensive evaluation of the written sources. The main focus is to investigate the individual painting techniques of four important protagonists of the Munich art scene at that time: Arnold Böcklin (1827–1901), Franz von Stuck (1863–1928), Franz von Lenbach (1836–1904) and Wassily Kandinsky (1866–1944). The study outlines how they learned to paint in tempera, which models they had and how they passed on their practical knowledge. Furthermore, it shows up the wide range of painting materials and the various possibilities of their application: The artists could choose between various self-made tempera paints and commercially available tempera paint tubes, which they applied either alla prima or in layers. This results in a wide range of different paint appearances, ranging from a tempera-like appearance in the classical sense up to a wet-on-wet modelled alla prima painting, which is conventionally associated with the visual appearance of oil painting. Consequently, tempera painting helped them to extend their individual means of expression compared to traditional oil painting, which is – in addition to an improved durability and a more rational way of painting – the main reason for their fascination of the tempera painting technique.