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1	The Donya of the Iranian diasporic popular culture : from Tehrangeles to Malmo Kalbasi-Ashtari, Negar 26 October 2010 (has links) Since the 1979 revolution the Iranian popular culture, specifically the popular music, has turned into a peculiar landscape complicated by politics, regulations, technology and the border-crossing of resources. The Islamic Republic’s initial ban on popular music caused a massive exodus of artists and producers out of the country and eventually to Los Angeles. There, the popular music industry’s resources and talents reunited and resumed their production. At the same time, inside Iran, the absence of a popular culture (Iranian or otherwise) created a vacuum in the public sphere that the government-endorsed mystic art-house cinema and traditional music could not fill. The Iranian public turned to its now-exiled pop artists and despite the ban, the cassettes and videotapes of the Los Angeles productions flooded the black markets. Thereafter, when describing music, the terms diasporic and popular became synonymous for Iranians. The present study examines the relevance of the Iranian diasporic popular culture to the construction of the Iranian youth identity and identifies global satellite age trends from within the diaspora that subvert or revise the hegemonic order of Tehrangeles popular culture. / text Iranian diaspora Tehrangeles Iranian popular culture Diasporic popular cultures
2	Íránská diaspora v USA / Iranian Diaspora in the United States Havlů, Veronika January 2012 (has links) This dissertation seeks to explore the social reality of Iranians living in the United States. The main objective is to find out how Iranians (Iranian Americans) maintain, construct and perceive their Iranian identity and to identify factors that could intervene in this process. Another aim is to examine intra-diasporic social relations, social interactions with American society and stance towards Iran. To fulfill the purpose of this dissertation, a qualitative research method was applied. The selected qualitative data consisted of thirty-one in-depth interviews with Iranians in New York City and Los Angeles. The results of the research indicated a strong sense of Iranian pride among all respondents, regardless their religious, inner ethnic or generational affiliation. This pride stems from ancient Iranian cultural heritage (and from Pahlavi era that adopted ancient symbolism into its ideological repertoire) and is still kept alive through pre-Islamic symbols and religiously indifferent traditions. It is obvious that the "pure Iranian identity" belongs to the first generation Iranians only, while the 1.5 and second generations, in their self-concept, proved to be rather hyphenated or torn between three spaces (typically young Iranian Jews). Research revealed their identity is oftentimes chosen,...
3	Agency Between Narratives: Women, Faith, and Sociability in Irangeles Rezaeisahraei, Afsaneh 02 September 2020 (has links) No description available. Womens Studies Religion Minority and Ethnic Groups Middle Eastern Studies Gender Folklore Cultural Anthropology agency sociability vernacular religion anthropology of Islam feminist folklore ritual philanthropy Muslim women Middle East anthropology relational agency relative agency Islamic agency Irangeles Tehrangeles Iranian-American Iran

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