Spelling suggestions: "subject:"temple""
101 |
I santuari rurali nella Calabria greca /Genovese, Guglielmo. January 1999 (has links)
Texte remanié de: Th. doct.--Histoire--Università degli studi di Pisa, 1994. / Bibliogr. p. 13-21.
|
102 |
Redevelopment of Miu Fat Buddhist Monastery /Lau, Hoo-cheong. January 1994 (has links)
Thesis (M. Arch.)--University of Hong Kong, 1994. / Includes special report study. Includes bibliographical references.
|
103 |
Building as an incomplete urban topography: apublic terrain at Wong Tai Sin TempleNg, Chung-kwan, Wallace., 吳仲君. January 2000 (has links)
published_or_final_version / Architecture / Master / Master of Architecture
|
104 |
The thousand buddha motif : a visual chant in buddhist cave-temples along the silk roadPepper, France A. (France Allison) January 1995 (has links)
As early as the fifth century C.E., the thousand buddha motif had become a prevalent feature in the art of many cave-temples in Gansu, China. Past scholarship concentrated on tracing the textual sources of the motif and with relating it to the practices associated with the devotion to the three thousand buddhas of the three ages. Past research has not considered how the thousand buddhas may have been a reflection of a wider range of religious practices and popular beliefs nor has it explored the motif's artistic origin. / By demonstrating that the earliest examples of the two-dimensional painted form of the thousand buddhas came from Gansu and that the motif was related to an iconographic and architectural design that existed between several Gansu cave-temple sites, this study proposes that the thousand buddha motif was a Gansu cave-temple art innovation that influenced cave-temple decor in areas west of Gansu. In addition, possible reasons for the prevalence of the motif are suggested by considering that it may have reflected the relationship between the thousand buddhas and meditative practices as well as the acts of chanting and circumambulation.
|
105 |
The chronology of Mahāyāna Buddhist architecture and painting at AjantāBegley, W. E. January 1966 (has links)
Thesis--University of Pennsylvania. / Includes bibliographical references and index.
|
106 |
Redevelopment of Miu Fat Buddhist MonasteryLau, Hoo-cheong. January 1994 (has links)
Thesis (M.Arch.)--University of Hong Kong, 1994. / Includes special report study. Includes bibliographical references. Also available in print.
|
107 |
The architecture of the monasteries of Anurādhapura : (the evolution of Sinhalese architecture - ancient to early medieval period)Bandaranayake, Senake January 1972 (has links)
No description available.
|
108 |
Les relations administratives entre le clergé indigène et les autorités en Égypte romaine d'Auguste à Constantin / The administrative relations between the administration and the indigenous clergy in roman Egypt from Augustus to ConstantineMesserer, Carmen 26 April 2013 (has links)
La victoire en 30 avant J.-C. d'Octave sur Cléopâtre fit passer l'Égypte sous domination romaine et bouleversa la situation du clergé indigène, qui représentait l'élite sociale des villes et villages. Ses membres légitimaient le pouvoir en place en exécutant les rituels divins au nom du roi pour empêcher le monde de sombrer dans le chaos. Les chercheurs ont souvent présenté le pouvoir romain comme opprimant le clergé soupçonné de pouvoir contester son autorité. C'est le point de départ de la thèse, qui compte trois chapitres. Le premier traite du contrôle de l'administration sur l' accès au clergé. L'étude des règles à respecter par chaque membre constitue le deuxième chapitre. Enfin, l'attitude des Romains vis-à-vis de la religion égyptienne est étudiée. En conclusion, les autorités avaient besoin d'un clergé loyal, et celui-ci d'un souverain qui soit l'intermédiaire entre les hommes et les dieux. Comme les deux entités se soutenaient l'une l'autre, elles ont cohabité pacifiquement. / The consequences of the victory of Augustus 30 BC over Cleopatra, was that Egypt became a roman province and that the clergy's situation changed. It was a part of the social elite of the towns and villages. Its members legitimated their power because they performed divine rituals in the name of the king in order to prevent the world from going down in the chaos. Researchers have often presented a roman power which oppresses the clergy, suspected to contest its authority. That was the starting point of the PHD, which has three chapters. The first one deals with the administration's control on the access to the clergy. The rules every member of the group has to respect is treated in the second one. The attitude of the Romans to the Egyptian religion is the subject of the last chapter. The authorities needed a loyal clergy, whereas this one needed a sovereign as an intermediary between men and gods. Since the two groups needed each other, they co-existed peacefully.
|
109 |
The thousand buddha motif : a visual chant in buddhist cave-temples along the silk roadPepper, France A. (France Allison) January 1995 (has links)
No description available.
|
110 |
Shiva's divine play art and literature at a South Indian Temple /Holt, Amy-Ruth. January 2007 (has links)
Thesis (Ph. D.)--Ohio State University, 2007.
|
Page generated in 0.041 seconds