Submitted by Verena Bastos (verena@uefs.br) on 2015-07-23T00:47:01Z No. of bitstreams: 1 DISSERTA??O.pdf: 4599608 bytes, checksum: 92fb1c0e332c4fafbb16e09eddfea1fd (MD5) / Made available in DSpace on 2015-07-23T00:47:01Z (GMT). No. of bitstreams: 1 DISSERTA??O.pdf: 4599608 bytes, checksum: 92fb1c0e332c4fafbb16e09eddfea1fd (MD5) Previous issue date: 2014-08-19 / In this study we stop in the analysis of the cultural territory drawing children african-Brazilian identity during the feast of St. Bartholomew, held in the city of Maragojipe, located in the Reconcavo Baiano. Our goal is to investigate how maragojipanas children african-Brazilian identity draw the cultural territory of celebration to St. Bartholomew. We understand that the city of Maragojipe has an African ancestral legacy which is part of its historical and cultural constitution. Thus, in addition to the elements of Catholic Western culture, reverberated by the official memory, maragojipano space also features symbols and myths originating in the African peoples, which are territorializam through the identities of the subjects, for example, when you celebrate the patron saint the city. The design which we refer to has its place in the field of images and is expressed via the tracing with pencil and paper, but also through photography, which extends the notion about the act of drawing and design field, showing the potential the said category. In this sense, the image and its visual graphic elements emanate as language tools they employed to reveal the cultural territory of the party. We tried to proposal prove that the children are subject who know their social realities and know about these talk. Therefore, the anchor in the methodologies of the Hermeneutics of Thompson depth (1995) and the Dialectic of Vasconcellos (1999) that while our methodological basis enabled us through interviews and workshops meet the children look the city of Maragojipe, its history cultural, existing symbolic forms in your space and one of the cultural territories of the feast of St. Bartholomew. / Neste estudo nos detemos na an?lise do desenho do territ?rio cultural de crian?as de identidade afro-brasileira durante a festa de S?o Bartolomeu, que acontece na cidade de Maragojipe, situada no Rec?ncavo Baiano. O nosso objetivo ? investigar como as crian?as maragojipanas com identidade afro-brasileira desenham o territ?rio cultural do festejo a S?o Bartolomeu. Compreendemos que a cidade de Maragojipe possui um legado ancestral africano o qual faz parte da sua constitui??o hist?rica e cultural. Dessa forma, para al?m dos elementos da cultura ocidental cat?lica, reverberados pela mem?ria oficial, o espa?o maragojipano apresenta tamb?m s?mbolos e mitos origin?rios dos povos africanos, os quais se territorializam atrav?s das identidades dos sujeitos, por exemplo, no momento de festejar o santo padroeiro da cidade. O desenho ao qual nos referimos tem o seu lugar no campo das imagens e ? expresso via o tra?ado com l?pis e papel, como tamb?m atrav?s da fotografia, o que estende a no??o acerca do ato de desenhar e do campo do desenho, evidenciando a potencialidade da referida categoria. Neste sentido, a imagem e seus elementos gr?fico visuais emanam como ferramentas de linguagem utilizadas pelas crian?as para revelarem o territ?rio cultural da festa. Buscamos em nossa proposta evidenciar que as crian?as s?o sujeito sociais que conhecem suas realidades e sobre estas sabem falar. Para tanto, nos ancoramos nas metodologias da Hermen?utica da Profundidade de Thompson (1995) e na Dial?tica de Vasconcellos (1999) que, enquanto nossas bases metodol?gicas nos possibilitaram por meio de entrevistas e oficinas conhecer pelo olhar das crian?as a cidade de Maragojipe, sua hist?ria cultural, as formas simb?licas existentes em seu espa?o e um dos territ?rios culturais da festa de S?o Bartolomeu.