This paper concerning the regional architectural term known as the Tjust Empire style analyses manor houses built in the Tjust area by the east coast of Småland in the period 1810-1860. The term Tjust Empire style was invented in 1937 by PhD. Manne Hofrén in his dissertation on architecture in Kalmar län in the period 1650-1850. The aim of the paper is firstly to determine whether there is a distinct difference between the regional Tjust Empire style in architecture and the common Swedish empire style or as its Swedish equivalent is known; the Karl Johan style. Secondly, the paper strives to analyse why and how the Empire style became so popular in the area during this period, focusing on architecture as a means to express social identity and status. My disposition is grounded in an ethnological viewpoint on architecture where culture is seen as created by and part of human existence. In order to give my analysis substance two case studies have been done of two manor houses in the area; Casimirsborg and Blekhem, in order to compare these with architecture representative of the Swedish Empire/Karl Johan style. The manor houses have been chosen partly because they represent the architectural style of the period well and partly due to them being accessible. As material concerning the construction of the two buildings, such as plans and sketches is sparse the opportunity to examine and analyse them at the spot has been invaluable. When I have been able to, I have used plans and fire insurance documents available. For a general view of the architecture during the period I have had to rely on material already written concerning the architecture of the time, the patrons, their architects and master builders. This has shown that the Tjust Empire style is in fact very closely tied to the common Swedish Empire or Karl Johan style and that it directly strives to commit to it. I have also been able to show that the the reason for the Tjust Empire style being so popular in the area in the period lies in a unique economic and social situation at the time; as well as, a relationship between the patrons and their favoured architects.

The father and son architectural firm of T.J. Tolan & Son and later Brentwood S. Tolan designed seven county courthouses in Indiana, more than any other architectural firm but one. The Tolan firm also designed courthouses throughout the Midwest. Little is known about these architects, except that neither was formally trained. However, the Tolans designed high caliber courthouses that are viewed as some of the best in the state. Using primary and secondary sources, this thesis is an assessment of the courthouses constructed in Indiana by the architectural firm T.J. Tolan & Son and by Brentwood S. Tolan in the context of courthouses constructed in Indiana from the same period. / Department of Architecture

The thesis is aimed at the subject of classicism in a broader sense of this term and is based on the classicism period architecture in the Czech Republic. The introductory chapter intends to briefly and independently define and clarify the terms classical, classicism and neoclassicism, deal with the shaping of the classical canon in Europe and outline the evolution of classical features in the history of the Czech architecture in the European context. In separate chapters the thesis systematically follows the matters of classicism in the first half of the 19th century, in the periods of pure and late historicism and early and paramount modernism. Special attention has been paid to the matters of classicism in the Czech thoughts on art in the interwar period and during the German occupation. Having analysed the classicism-style tendencies in the socialist realism architecture the thesis identifies basic classicism-style aspirations in the 2nd half of the 20th century and in the beginning of the 21st century. The final chapter is dedicated to the identification of the main overall specifics of classicism in the Czech architecture based on a list of examples.