Ever since the military takeover of 1952, the post-monarchic political system of Egypt has been dependent upon a variety of mechanisms and structures to establish and further consolidate its powerbase. Among those, an intertwined web of what could be described as ‘patronage politics’ emerged as one of the main foundations of these tools and was utilized by the regime to establish the fundamentals of its rule. Throughout the post-1952 era, political patrons and respective clients were existent in Egyptian politics, shaping, to a great extent, the policies implemented by Egypt's rulers at the apex of the political system, as well as the tactics orchestrated by the populace within the middle and lower echelons of the polity. This study aims at analyzing the factors that ensured the durability of patronage networks within the Egyptian polity, primarily focusing on the sort of social structural reconfiguration that has been taking place in the popular communities of Egypt in the beginning of the 21st Century. Dissecting the area of Misr Al Qadima as an exemplar case study of Cairo’s popular quarters, the research mainly focuses on examining the role of the lesser notables, those middle patrons and clients that exist on the lower levels of the Egyptian polity within the ranks of the National Democratic Party and the Muslim Brotherhood. Henceforth, the sociopolitical agency of these lesser notabilities shall constitute the prime concern of the writing and, in doing so; this research also attempts to draw some linkage between the micro-level features of the popular polities of Cairo and the macro-level realities of the Egyptian polity at large, in the contemporary period.

The Qatari-funded channel, Al-Jazeera Arabic (AJA) has been subject to criticism as being in favour of the Muslim Brotherhood (MB) in Egypt. The approach taken by AJA Satellite Television to represent the MB, the Mubarak regime and other political actors in Egypt, during its coverage of four key electoral moments - before and after the 2011‘revolution’- is reviewed in this research. Critical Discourse Analysis (CDA) is applied to study the constructive effects of AJA’s language in an interpretive way (Parker & Burman, 1993). The effect of the language used by two predominant AJA TV programmes, Without Borders بلا حدود and Opposite Direction الاتجاه المعاكس has been investigated and a number of current and former AJA journalists have been interviewed. Van Dijk’s Ideological Square and Pier Robinson’s Framing Model, in conjunction with Chouliaraki’s Three Rhetorical Strategies (Verbal Mode, Agency and Time Space) have been used as analysis tools to study the process of AJA’s representation of different political ideologies: the MB’s Islamic ideology and the Mubarak regime’s secular ideology. Van Dijk’s Ideological Square helps to identify the boundaries between ‘us’ (the good) and ‘them’ (the bad), and to classify people according to their support of specific ideology against another - the ‘in-group’ or the ‘outgroup’. AJA positively framed the Islamic MB movement on the basis that the group and its members were democratic, Islamic and victims, whereas it negatively framed the Mubarak regime and the Military Council in Egypt as repressive, secular and villains. The assigned role of different actors (including; the Egyptian people and opposition parties) in AJA TV programmes changed from one electoral moment to another. While the Mubarak regime, its supporters and the Military Council were represented as the ‘out-group’ at all times, the role allocated to the Egyptian people and the opposition shifted between the ‘in-group’ and the ‘out-group’, depending on the political mood they held towards the MB.