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Diasporic weavings of identity : orientalist (re)articulations of Persianness amongst Persian carpet merchants /Eskandani, Shadi. January 2004 (has links)
Thesis (M.A.)--York University, 2004. Graduate Programme in Social Anthropology. / Typescript. Includes bibliographical references (leaves 134-144). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: LINK NOT YET AVAILABLE.
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Evaluation of the potential environmental toxic effects of a nylon fibers additive /Degen, Marcia J. January 1985 (has links)
Thesis (M.S.)--Virginia Polytechnic Institute and State University, 1985. / Vita. Abstract. Includes bibliographical references (leaves 135-141). Also available via the Internet.
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The products of biodegradation of selected carpet dyes and dyeing auxiliariesRobertson, James Richard January 1978 (has links)
No description available.
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The development of a computerized dye beckHenderson, James Marcus January 1971 (has links)
No description available.
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Manufacturing of glass mat reinforced thermoplastics from carpet wasteZhang, Yi 12 1900 (has links)
No description available.
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A mass and energy data collection system to support environmental and economic assessment of a coating line in carpet manufacturingDuncan, Scott Joseph 05 1900 (has links)
No description available.
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Image analysis of carpet tuftingBasnandan, Anneil 05 1900 (has links)
No description available.
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Development of emission factors for the finishing process of carpet manufacturingBissram, Ravindra 08 1900 (has links)
No description available.
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Rattvisematta / Justice RugCheyne, Bethany Rose January 2018 (has links)
No description available.
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Dressing the church : Exploring alternative expression of hand woven rugs in relation to Christian symbolism and the church room.Lagberg, Saga January 2021 (has links)
This work places itself within the field of hand woven textile design. The project presents three examples of an exploration on alternative expression and areas of application in hand woven rugs in relation to Christian symbolism and the church room. The idea takes ground from the church being both a historical and active place, that adapts and evolves together with society. By researching Christian color symbolism and symbols the frame of the work is decided, along with an evaluation of a technical pre-study. The project uses the warp as a design challenge in several ways; as a color design element, as a fringe and testing versatile possibilities of one warp creating different expressions. Dressing the church is a work that wants to contribute to widening the field of church textiles; adding expressive color, alternative materials and finishing.
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