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A production book for A streetcar named DesireWilson, Rodney M. January 1966 (has links)
LD2668 .T4 1966 W752 / Master of Science
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A production book for The waltz of the toreadorsNorris, Betty L. January 1966 (has links)
Call number: LD2668 .T4 1966 N853 / Master of Science
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A DIRECTOR'S PRE-PRODUCTION ANALYSIS OF BERTOLT BRECHT'S "THE CAUCASIAN CHALK CIRCLE.".Faiznorouzi, Mohammad Reza. January 1984 (has links)
No description available.
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Directorial Roles: a Study in Theatrical CommunicationDeVore, Brenda K. 08 1900 (has links)
This study examines the process of theatrical direction as a communication system. Its components are described in terms of their function as elements of a communication process. The communication activities within the theatrical process are analyzed by means of four categories of theatrical communication networks: conceptual, aesthetic, observational, and social. Theories of communication have been surveyed and then applied to the theatrical process. Particular attention is paid to role functions of the director within the social and the aesthetic networks. The conclusion reached in the study is that the effectiveness of the communication networks used in theatrical directing is determined by the functional roles and the leadership styles adopted by the director as he participates in these networks.
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Performing "Camp, Vamp & Femme Fatale": Revisiting, Reinventing & Retelling the Lives of Post-Death, Retro-Gothic WomenRuane, Richard T. 12 1900 (has links)
This thesis examines the production process for "Camp, Vamp and Femme Fatale," performed at the University of North Texas in April of 1997. The first chapter applies Henry Jenkins's theory of textual poaching to the authors' and cast's reappropriation of cultural narratives about female vampires. The chapter goes on to survey the narrative, cinematic and critical work on women as vampires. As many of the texts were developed as part of the fantasy role-playing game Vampire: The Masquerade, this chapter also surveys how fantasy role-playing develops unpublished texts that can make fruitful ground for performance studies. The second chapter examines the rehearsal and production process in comparison to the work of Glenda Dickerson and other feminist directors.
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Characterisation in contemporary opera and music theatreCarlile, Solfa January 2016 (has links)
This doctoral research comprises a practitioner-based reflective enquiry to bridge the gap between theory and practice and enhance my compositional output. In tandem with the composition of my chamber opera, The Exile, I have undertaken research into characterisation within the context of opera and musical theatre, with a focus on both the delineation of individual characters and the context in which they appear. Parameters of the work are discussed in comparison with canonic works of both opera and music theatre. Contemporary uses of leitmotif, representation of speech and folk music within operatic works are acknowledged and their influence on the composition is presented along with musical examples. The conventional composer-librettist partnership is discussed, along with suggestions for how respective roles for composer and librettist have evolved in recent times. An insight into the collaborative compositional process is presented in the final chapter, as my work with librettist Gillian Pencavel is discussed. The Exile is an original work informed by this research and is a contribution to the repertoire as well as an investigation into many compositional techniques presented in this thesis.
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The dramatic criticism of Edgar Allan PoeWard, Janice Lea, 1941- January 1966 (has links)
No description available.
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An actor's approach to the character of Richard IIIKendrick, Henry Max, 1942- January 1972 (has links)
No description available.
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An art director's project, unifying the technical aspects for a two play Shakespearean festival, Othello and Much ado about nothingSchwanke, Jack H. January 1965 (has links)
No description available.
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A group approach to Jean-Paul Sartre's adaptation of Euripedes' The Trojan womenLewis, William, 1938- January 1974 (has links)
No description available.
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