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The musical compositions known collectively as the French cantata have remained relatively unknown since their popularity waned in the middle of the 18th century. In order to establish a foundation for their systematic study and to bring them to the attention of a wider audience, this survey and catalog have been prepared. The cultural mileu in which the cantatas were written, their formal structure, and principles related to their performance have been presented along with pertinent biographical and bibliographical information.

Includes index / 3 v. (1185 leaves) : music ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / Thesis (Ph.D.)--University of Adelaide, 1984

Orientador: Emerson Luiz de Biaggi / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-26T15:09:14Z (GMT). No. of bitstreams: 1 Khattar_AlbertSavino_M.pdf: 35481142 bytes, checksum: 30bc95a83eabe06894751c98c804b86f (MD5) Previous issue date: 2014 / Resumo: A presente dissertação trata da história e desenvolvimento da tuba, ilustrando suas principais modificações. Fornece o primeiro relato histórico da tuba no Brasil, além de abranger o repertório brasileiro originalmente composto para tuba como instrumento solista, independente da instrumentação, de obras para tuba solo a obras para tuba e orquestra. Constam, neste trabalho, um catálogo desse repertório e sugestões interpretativas, pertinentes à técnica tubística, de três obras selecionadas / Abstract: This dissertation deals with the history and development of the tuba, illustrating its main modifications. Provides the first historical account of the tuba in Brazil, besides covering the Brazilian repertoire originally composed for tuba as a solo instrument, regardless of the instrumentation, from works for tuba solo to works for tuba and orchestra. We also include in this work, a catalog of this repertoire and interpretive suggestions, relevant to the tuba technique, of three selected works / Mestrado / Praticas Interpretativas / Mestre em Música