This thesis Issues of translation of the novel Chronos of Taras Antypovych focuses on the indication and analysis of various difficult lexical phenomena in the science-fiction novel of contemporary Ukrainian writer Taras Antypovych. Among the specific features of his novel we could name such as almost complete absence of facts, plenty of neologisms, a lot of self-described names, and frequent mixing of different functional styles. The first part of work deals with the characteristic and detailed analysis of the novel Chronos, the second part is both theoretical and practical one that could be considered as the central part of the work. Such phenomena as neologisms, slang and argot, language games, vulgarisms, own names, "surzhik", phraseological units, interjections, and the words derived from them are considered here as one that may appear problematic in the translation from Ukrainian into Czech. The theoretical explanation is accompanied by examples from the text of the novel which I translated into Czech and supported with comments. The main aim of the work was to clarify the translation process and to present one or more solutions to the problems indicated above. Key words: Taras Antypovych, Chronos, Ukrainian literature, translation, translation theory

Nous nous sommes donné pour objectif d'étudier les questions posées par la traduction littéraire en B à partir du coréen effectuée en binôme par un traducteur coréen et un cotraducteur spécialiste de la langue d'arrivée, et d'en préciser les conditions de réussite.En matière littéraire du coréen vers le français, ce couplage vise à pallier l'absence de traducteurs français capables de travailler seuls.L'opération traduisante étant effectuée par des traducteurs coréens travaillant en B, l'exigence formelle de la traduction littéraire implique l'intervention d'un réviseur français.De plus en plus d'œuvres coréennes sont traduites selon cette modalité et publiées en France. Nous avons analysé les différentes étapes du processus, de la compréhension à la réexpression, à la lumière e la théorie interprétative de la traduction en tentant de montrer pourquoi le concept clé de la déverbalisation légitime la cotraduction, l'activité traduisante étant une opération de texte à texte, non de langue à langue. La première partie de notre recherche est consacrée à l'étude du cadre théorique (définition des notions auxquelles nous recourons, description de la théorie interprétative) et pratique (aperçu de l'état présent de la traduction française des textes littéraires coréens). Dans la deuxième partie, nous avons analysé des exemples de traduction en montrant le cheminement des échanges entre le traducteur et le cotraducteur, et en précisant la nature du guidage donné par le premier au second ainsi que la nature de la contribution de ce dernier. Nous aboutissons à la conclusion qu'une pratique souvent considérée seulement comme un pis-aller peut prétendre à produire des textes d'une réelle qualité littéraire dès lors que la technique mise en œuvre respecte les conditions que nous tentons de définir ici. / Our aim was to study the issue of literary translation when it is carried into the B language of the translator (here from Korean to French) with the assistance of a co-translator native speaker of the target language and to point out the conditions of success. In the field of literary translation from Korean into French, this kind of team-work aims at overcoming the lack of French translators able to produce literary standard translations by themselves. When the translation is done by a Korean translator working into his B language, a thorough work of editing and rewriting is required due to the formal requirements of literary writing. An increasing number of Korean novels and short stories are translated by such a dual team and published in France.We analyze the different steps of the process of translation, from understanding to reformulation in the light of the Interpretive Theory of Translation, trying to show why the key concept of “de-verbalization” makes co-translation justifiable, translation being defined as an operation from text to text not from language to language.The first part of our research is devoted to the theoretical aspects of our study (definition of some key notions, mainly of the Interpretive Theory of Translation) and its practical aspects (general survey of translated Korean literary works into French). In the second part, we analyze a large number of our translation samples with the objective of showing the sort of dialog the translator and her co-translator entertain, and underlining the nature of guidance proposed by the first one to second one and the contribution of the last one.Our conclusion is that, thanks to this dual-team process, often wrongly considered as a lesser evil, we are able to produce quality literary translation provided that the method implemented takes into account the conditions we describe here.

Cette thèse a pour but l’analyse du discours de l’essai poétique et des moyens qui permettent sa traduction du français à l’italien. Elle s’articule en trois phases: - étude de l’essai poétique dans une perspective diachronique (son histoire et sa constitution en genre littéraire) et synchronique (sa forme) ;- analyse de ce qui rend l’essai poétique, tant du point de vue de l’auteur que du point de vue du lecteur ;- examen de la notion de traduction pragmatique et de traduction littéraire telles qu’elles sont proposées par la Théorie Interprétative de la traduction et l‘application de cette dernière aux traductions de deux essais de Predrag Matvejevitch. La démarche est moins prescriptive que descriptive : c’est la compréhension des mécanismes qui président à la construction et à la communication du sens qui est privilégiée. C’est de cette manière que l’on pourra percevoir les possibilités expressives du discours de l’essai et pénétrer un peu dans ce prodige qu’est la communication interlinguistique réalisée par le traducteur. / The purpose of my research is to study the poetical essay and the processes and conceptual tools specifically involved in the translation from French to Italian. The dissertation consists of three parts:- A study of the “poetical essay” from both a diachronic perspective (its historical emergence and success as an autonomous literary genre) and a synchronic standpoint (its form); - An analysis of what makes the essay “poetical” both from the author’s and the reader’s viewpoint.- An examination of the notions of “pragmatic translation” and “literary translation” as formulated in the Interpretive Theory of Translation and the application of the latter to the study of two selected poetical essays by Predrag Matvejević.My research is more concerned with description than with prescription. It primarily aims at understanding the mechanisms of construction and transmission of meaning. Hence it will be possible to grasp the expressive potentialities of the poetical essay, and to delve into the quintessence of inter-linguistic communication, as it takes place in translation.

(in English): The diploma thesis focuses on translating children's literature: literary works of K. I. Chukovsky in selected Czech translations and its specifics. Amongst these specifics we can mention the dual address, censoring during Soviet Union, adaptations, the questions of illustrations in translating children's literature and utmost importance of phonetic and rhythmic structures in Chukovsky's literary works. Last two specifics must be in harmony with text itself due to the reader's age category (preschool and school-age children). Specifics of children's literature as well as theory and strategies in translating children's literature are applied on selected Czech translations. The translation analysis will be carried out on following works: Телефон and Муха-Цокотуха. The analytic part of given diploma thesis focuses to what extent the translators took into consideration stated specifics. Both analyzed works has been selected thanks to their most characteristic elements on which we can demonstrate the author's style and then compare them with translations. The analytic part is by this mean focused on demonstration and expression of individual translation problems and their solutions. The results of given analysis are then presented in the conclusion and they are put into correlation with...

1 ABSTRACT The goal of this diploma thesis is a complex analysis of the translation of the novel stillborn written by Michael Stavarič, translated into Czech by Radka Denemarková as Mrtvorozená Eliška Frankensteinová. The theoretical part presents the concept of translation norms (a starting point for reconstructing the translation method chosen), Skopos theory, the theory of metatexts, phenomena pertaining to self-translation (the new concept of "self-non-translation", i.e. the decision of an author-translator not to translate their own work) and Popovič's (1975, 1983) "typology of stylistic shifts and changes in translation" as a basic tool for the subsequent micro-textual contrastive analysis of selected parts of the translation. In the empirical part, the author and his work are briefly introduced, the thesis then provides a narratological analysis of the original; in the following part the translator and her work are introduced. This is followed by a description of the translation's reception in the Czech cultural environment based on an analysis of the available literary reviews ("epitexts") of the translation; these results are compared with the results of the analysis of the German literary reviews of the original. Additional information came from interviews with the author and the translator. A...