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1	Creating the Role of Dabby Bryant in Timberlake Wertenbaker's Our Country's Good Patrick, Tiffany 20 January 2006 (has links) The purpose of this thesis is to create the character of Dabby Bryant in Timberlake Wertenbaker's Our Country's Good, which was selected for the third production in the University of New Orleans' 2004-2005 theatre season. The steps involved in creating Dabby Bryant's character involve using specific methods as outlined by the Acting Program of UNO as well as the text A Practical Handbook for the Actor by Melissa Bruder, et. al. I also utilized specific instructions from the director of the production, David Hoover, also my major professor. I also had to use the novel The Playmaker by Thomas Keneally as this is the text from which the Wertenbaker play is taken. The process also includes the journal kept during the rehearsal process and performance run as well as scene scores created as a blueprint for the creation of the character. Thomas Keneally Character Acting Performance Theatre
2	Ancestral Narratives in History and Fiction: Transforming Identities Habel, Chad Sean, chad.habel@gmail.com January 2006 (has links) This thesis is an exploration of ancestral narratives in the fiction of Thomas Keneally and Christopher Koch. Initially, ancestry in literature creates an historical relationship which articulates the link between the past and the present. In this sense ancestry functions as a type of cultural memory where various issues of inheritance can be negotiated. However, the real value of ancestral narratives lies in their power to aid in the construction of both personal and communal identities. They have the potential to transform these identities, to transgress natural boundaries and to reshape conventional identities in the light of historical experience. For Keneally, ancestral narratives depict national forbears who narrate the nation into being. His earlier fictions present ancestors of the nation within a mythic and symbolic framework to outline Australian national identity. This identity is static, oppositional, and characterized by the delineation of boundaries which set nations apart from one another. However, Keneallys more recent work transforms this conventional construction of national identity. It depicts an Irish-Australian diasporic identity which is hyphenated and transgressive: it transcends the conventional notion of nations as separate entities pitted against one another. In this way Keneallys ancestral narratives enact the potential for transforming identity through ancestral narrative. On the other hand, Kochs work is primarily concerned with the intergenerational trauma causes by losing or forgetting ones ancestral narrative. His novels are concerned with male gender identity and the fragmentation which characterizes a self-destructive idea of maleness. While Keneallys characters recover their lost ancestries in an effort to reshape their idea of what it is to be Australian, Kochs main protagonist lives in ignorance of his ancestors life. He is thus unable to take the opportunity to transform his masculinity due to the pervasive cultural amnesia surrounding his family history and its role in Tasmanias past. While Keneally and Koch depict different outcomes in their fictional ancestral narratives they are both deeply concerned with the potential to transform national and gender identities through ancestry. Chad Sean Habel Flinders University Robert Phiddian Richard Hosking John McLaren Peter Pierce ancestry ancestral ancestors genealogy genealogical literature cultural memory amnesia history social history family history historical fiction adventure fiction Australian Studies Cultural Studies fiction novels historical novels Australia Ireland Irish-Australian migration diaspora roots rhizomes Thomas Keneally Bring Larks and Heroes The Playmaker Bettany's Book Schindler's Ark Our Republic Homebush Boy Christopher Koch Out of Ireland Highways to a War Boys in the Island Crossing the Gap The Doubleman Across the Sea Wall convicts Tasmania the Stain identity identification nation nationalism national identity gender gender identity masculinity male male-ness transformation reconciliation post-colonial post-colonialism anti-colonial literary criticism

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Creating the Role of Dabby Bryant in Timberlake Wertenbaker's Our Country's Good

Ancestral Narratives in History and Fiction: Transforming Identities