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Toward a predominantly male analysis of the annoyance/rage continuum in intimate heterosexual relationshipsJoffe, Marc Gavin 06 1900 (has links)
This thesis operates, unashamedly, from the premise that every act of criticism
involves a self-reflexive gesture of one's own concerns and ideological imprintings. For this
reason Chapter One establishes the writer's own involvement - both autobiographical and
theoretical - in notions of male rage and the 'working through' of these concerns.
Chapter Two conducts an overview of male rage and the extant systemic literature on the
subject. It sets out the various positions on the subject and posits the importance of gender
(over generation) in the praxis of therapy. Furthermore, it explores the possibility that the
male is equally, but differently, troubled by the hegemonic forces of patriarchy as is the
woman. Without diminishing the legitimacy of the woman's experience in the face of male rage,
the argument is forwarded that the male is caught in a similar struggle but without the feminine
articulatory resources. This chapter details the lack of male power in the face of his supposed
muscular omnipotence.
Seminal analytic approaches to the question of gender are raised in Chapter Three. Working through
Freud, Klein, Lacan and Masters and Johnson an attempt is made to plot the 'evolution' of
the feminine and the masculine. Central to this debate is the bi-polarization of gender relations
within the same sex (biology/construction) and without (phallic/vaginal, clitoral, passive/active).
What emerges is that femininity is bi-focal and that the woman has more resources at
her disposal that hitherto acknowledged. While the woman is always double - as both clitoral and
vaginal, as lover and mother- it appears that male sexuality is far more precarious than generally
perceived. It is this dis-ease on the part of the male that translates itself into envy and, with
it, the need to denigrate and belittle woman as the object of that envy.
In Chapter 4 an attempt is made to overlap the seemingly divergent fields of analytic and systemic
methodologies via the involvement of the therapist in the eco-system of analysis. The substantial
role of the therapist -- and the coercive forces placed on him/her by the couple -- is used to
modify Elkaim's model and to introduce the need for a telling of the particular stories that concentrate on the
unique narratives of the warring couple rather than the patriarchal regime under which these
stories are constrained.
Before encountering these narratives an essay is made at establishing a methodology of sorts.
Newton's scientific formulations are used in order to question the binary opposition that has been,
historically, established between quantitative (male) and qualitative (female) methodologies. In
the process of questioning this binary opposition it becomes clear that any form of objectifying
approach constitutes a refuge from the messiness that is intrinsic to the therapeutic process. The
experimental methodology that is posited is precisely one that engages in the narratives of male violence - four extracts are
considered, each exposing different articulations of male violence.
The question of female subjectivity (and the attendant power of the sorority) is returned to in
light of these stories. Central to this section is the notion that male subjectivity is far more
convoluted - perhaps more that the feminine counterpart - than initially conceived. The original
identification with the (m)other forever displaces him in that the later identification with the
father remains distant and contrived. For the purposes of maintaining the dialogic nature of this
work, a feminist appraisal of the rage narratives concludes the thesis. Don Quixote is used, by way
of an Epilogue, to offer three representations of male subjectivity and to look towards alternative subject positions for the male under patriarchy. / Psychology / D.Litt. et Phil. (Psychology)
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Toward a predominantly male analysis of the annoyance/rage continuum in intimate heterosexual relationshipsJoffe, Marc Gavin 06 1900 (has links)
This thesis operates, unashamedly, from the premise that every act of criticism
involves a self-reflexive gesture of one's own concerns and ideological imprintings. For this
reason Chapter One establishes the writer's own involvement - both autobiographical and
theoretical - in notions of male rage and the 'working through' of these concerns.
Chapter Two conducts an overview of male rage and the extant systemic literature on the
subject. It sets out the various positions on the subject and posits the importance of gender
(over generation) in the praxis of therapy. Furthermore, it explores the possibility that the
male is equally, but differently, troubled by the hegemonic forces of patriarchy as is the
woman. Without diminishing the legitimacy of the woman's experience in the face of male rage,
the argument is forwarded that the male is caught in a similar struggle but without the feminine
articulatory resources. This chapter details the lack of male power in the face of his supposed
muscular omnipotence.
Seminal analytic approaches to the question of gender are raised in Chapter Three. Working through
Freud, Klein, Lacan and Masters and Johnson an attempt is made to plot the 'evolution' of
the feminine and the masculine. Central to this debate is the bi-polarization of gender relations
within the same sex (biology/construction) and without (phallic/vaginal, clitoral, passive/active).
What emerges is that femininity is bi-focal and that the woman has more resources at
her disposal that hitherto acknowledged. While the woman is always double - as both clitoral and
vaginal, as lover and mother- it appears that male sexuality is far more precarious than generally
perceived. It is this dis-ease on the part of the male that translates itself into envy and, with
it, the need to denigrate and belittle woman as the object of that envy.
In Chapter 4 an attempt is made to overlap the seemingly divergent fields of analytic and systemic
methodologies via the involvement of the therapist in the eco-system of analysis. The substantial
role of the therapist -- and the coercive forces placed on him/her by the couple -- is used to
modify Elkaim's model and to introduce the need for a telling of the particular stories that concentrate on the
unique narratives of the warring couple rather than the patriarchal regime under which these
stories are constrained.
Before encountering these narratives an essay is made at establishing a methodology of sorts.
Newton's scientific formulations are used in order to question the binary opposition that has been,
historically, established between quantitative (male) and qualitative (female) methodologies. In
the process of questioning this binary opposition it becomes clear that any form of objectifying
approach constitutes a refuge from the messiness that is intrinsic to the therapeutic process. The
experimental methodology that is posited is precisely one that engages in the narratives of male violence - four extracts are
considered, each exposing different articulations of male violence.
The question of female subjectivity (and the attendant power of the sorority) is returned to in
light of these stories. Central to this section is the notion that male subjectivity is far more
convoluted - perhaps more that the feminine counterpart - than initially conceived. The original
identification with the (m)other forever displaces him in that the later identification with the
father remains distant and contrived. For the purposes of maintaining the dialogic nature of this
work, a feminist appraisal of the rage narratives concludes the thesis. Don Quixote is used, by way
of an Epilogue, to offer three representations of male subjectivity and to look towards alternative subject positions for the male under patriarchy. / Psychology / D.Litt. et Phil. (Psychology)
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Ancestral Narratives in History and Fiction: Transforming IdentitiesHabel, Chad Sean, chad.habel@gmail.com January 2006 (has links)
This thesis is an exploration of ancestral narratives in the fiction of Thomas Keneally and Christopher Koch. Initially, ancestry in literature creates an historical relationship which articulates the link between the past and the present. In this sense ancestry functions as a type of cultural memory where various issues of inheritance can be negotiated. However, the real value of ancestral narratives lies in their power to aid in the construction of both personal and communal identities. They have the potential to transform these identities, to transgress natural boundaries and to reshape conventional identities in the light of historical experience.
For Keneally, ancestral narratives depict national forbears who narrate the nation into being. His earlier fictions present ancestors of the nation within a mythic and symbolic framework to outline Australian national identity. This identity is static, oppositional, and characterized by the delineation of boundaries which set nations apart from one another. However, Keneallys more recent work transforms this conventional construction of national identity. It depicts an Irish-Australian diasporic identity which is hyphenated and transgressive: it transcends the conventional notion of nations as separate entities pitted against one another. In this way Keneallys ancestral narratives enact the potential for transforming identity through ancestral narrative.
On the other hand, Kochs work is primarily concerned with the intergenerational trauma causes by losing or forgetting ones ancestral narrative. His novels are concerned with male gender identity and the fragmentation which characterizes a self-destructive idea of maleness. While Keneallys characters recover their lost ancestries in an effort to reshape their idea of what it is to be Australian, Kochs main protagonist lives in ignorance of his ancestors life. He is thus unable to take the opportunity to transform his masculinity due to the pervasive cultural amnesia surrounding his family history and its role in Tasmanias past.
While Keneally and Koch depict different outcomes in their fictional ancestral narratives they are both deeply concerned with the potential to transform national and gender identities through ancestry.
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