The essays presented here for submission for the degree of PhD by publication were published between 1998 and 2006 and (with one exception) consist of sole-authored studies in cultural history focused on the development of tourist culture in the period 1800-1914. Cultural history as a field of academic study is a rich area for interdisciplinary research and these case studies draw on a wide range of disciplines — anthropology, cultural geography, the history of medicine, visual culture, media and literature for theoretical and methodological support. Together, they constitute a coherent examination of the material and cultural factors influencing the development and expansion of tourist culture across the European continent and an exploration of its role in the formation of the social and cultural identities of people and places in the period 1800-1914, in different contexts and from different perspectives. The essays fall into two main groups. The first focuses on material and cultural factors influencing the growth of tourism in central Europe: its relationship to the development of urban culture and nationalism in the region and to the discourses and practices relating to health and leisure that supported the spa trade. A particular concern is the contribution of a developing tourist culture to the formation of cultural identities within the Habsburg Monarchy in an era of growing nationalism. For the state, tourism represented an opportunity to counteract its growing weakness by capitalising on the imperial image (a key element in touristic images of Vienna), to bolster the image of the Monarchy abroad and attract valuable foreign currency. At the same time the growth of tourism contributed to that weakness by reinforcing perceptions of cultural distinctiveness in areas influenced by growing national and regional self-consciousness. The second group of essays focuses on the production of tourists and the creation of a market for different types of tourism through an examination of the discourses influencing tourist motivations and behaviours, the experience and performance of place and the broader question of how and why tourists were attracted to particular places. A theme running through both sets of essays is that of the way that the spread of tourist culture, geographically and socially, contributed to the formation of cultural identities as particular social groups incorporated tourist practices into their lifestyles, and the places they visited acquired distinctive tourist images. Key factors in this process were the media and cultural industries responsible for the production and dissemination of travel-related forms of literature and visual culture. These industries helped to shape tourism as an economic and social institution by influencing the way in which particular places were produced for tourists and the manner in which they were perceived, experienced and performed as, for example, in case of the relationship between the British and different parts of continental Europe.

This research fills a gap in seventeenth century English social history. In studies of the early modem period, women are generally situated within the formal structures of marriage and the family, where their relationship to the masculine is the defining feature of their position. This thesis examines women's relationships with other women operating outside the expected range of relationships and look at groupings that were not based around the formal social structure of the time. It demonstrates that women in early modern England created and used networks which provided functions beyond their maternal and familial obligations. It also shows that these networks had an impact on wider society, inspiring strong reactions from both supporters and detractors. This study provides a functional, descriptive and developmental analysis of women's networks and locates their sphere of influence within early modem society. It asks questions about the different types of women's networks that existed in the early modem period, how they were organised and what environmental conditions helped to create them. It looks at the individuals who made up the networks and what effect age, social and marital status and religion had on the form and nature of these networks. It examines the impact of the networks on the women and what effect opposition had on them and on their networks. The research also questions whether women were conscious of their networks; if they were able to recognise their potential power and ability to influence events in their communities. The period considered by the thesis includes significant developments in the organisation of women's networks and it therefore also examines why a number of them chose to become formally organised and officially recognised during the seventeenth century.

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This thesis discusses the development of design history in Britain from the 1970s to 2012, arguing that it is a clear example of a network of relationships, intersections of ideas, approaches and intellectual influences that are representative of the complexity of current academic practice. This study engages with discourses and debates concerning attempts to define academic recognition in a subject area that resists drawing boundaries and is by its very nature multidisciplinary. The period with which this study is concerned is characterised by considerable change in society, the approach to education and academic endeavour, and the consumption of histories. All of these changes have significance for the formation and development of design history, in addition to its contribution to academic practice and its impact beyond narrow scholarly circles. This thesis acknowledges that the overlapping and interweaving of threads of knowledge, methodology, approaches and paradigms is a feature of contemporary academic practice, and applies the concept of communities of practice to discussion of the multiple types of scholarship that have constituted design history. In doing this no claim is made for design history as a distinct academic discipline but rather it is discussed as a much broader academic network. Additionally, the thesis offers an evaluation of the role of this network, including the Design History Society as a distinct community of practice, in the context of developments in education, academic changes, museums and publishing. This leads to a consideration of the various arenas in which the products of design history are consumed thus demonstrating the importance and impact of the network outside academia.

This thesis looks at design practice as a method of investigating the relationship between design and identity in interwar Britain; in particular it considers design from the perspective of practice, not solely as the final object or the story of the maker. For it is in the process of making that the varied aspects of design as it is practiced are configured to create the greatest impact on everyday life. This research proposes that the quest to construct one’s identity, in particular a feminine identity, can be demonstrated by the making of goods and objects through the traditionally feminine practice of sewing and needlework, specifically those made at home. It argues that home sewing, as an understudied everyday practice, was intrinsically bound up with ideas of who women were, how they imagined themselves, and how their feminine identities were represented. Between the wars, home-sewing was an integral daily practice for middle-class women that left indelible memories of not only the items made, but of specific types of sewing and design practice, who it was made for and how it was used. It also explores these specific practices during a period of enormous change- culturally, technologically and politically – and particularly important for this study are the themes of femininity and domesticity, as well as the boundaries of private and public life in relation to modernity. Methodologically it focuses on sewing practices by utilizing mass media, specific objects and oral histories to elucidate this. This thesis considers the breadth and extent of home sewing as an everyday practice aligning individual narratives, original source material and theoretical analysis.

Our daily online conversations with friends, family, colleagues, and strangers weave an intricate network of interactions. From these networked discussions emerge themes and topics that transcend the scope of any individual conversation. In turn, these themes direct the discourse of the network and continue to ebb and flow as the interactions between individuals shape the topics themselves. This rich loop between interpersonal conversations and overarching topics is a wonderful example of a complex system: the themes of a discussion are more than just the sum of its parts. Some of the most socially relevant topics emerging from these online conversations are those pertaining to racial justice issues. Since the shooting of Black teenager Michael Brown by White police officer Darren Wilson in Ferguson, Missouri, the protest hashtag #BlackLivesMatter has amplified critiques of extrajudicial shootings of Black Americans. In response to #BlackLivesMatter, other online users have adopted #AllLivesMatter, a counter-protest hashtag whose content argues that equal attention should be given to all lives regardless of race. Together these contentious hashtags each shape clashing narratives that echo previous civil rights battles and illustrate ongoing racial tension between police officers and Black Americans. These narratives have taken place on a massive scale with millions of online posts and articles debating the sentiments of "black lives matter" and "all lives matter." Since no one person could possibly read everything written in this debate, comprehensively understanding these conversations and their underlying networks requires us to leverage tools from data science, machine learning, and natural language processing. In Chapter 2, we utilize methodology from network science to measure to what extent #BlackLivesMatter and #AllLivesMatter are "slacktivist" movements, and the effect this has on the diversity of topics discussed within these hashtags. In Chapter 3, we precisely quantify the ways in which the discourse of #BlackLivesMatter and #AllLivesMatter diverge through the application of information-theoretic techniques, validating our results at the topic level from Chapter 2. These entropy-based approaches provide the foundation for powerful automated analysis of textual data, and we explore more generally how they can be used to construct a human-in-the-loop topic model in Chapter 4. Our work demonstrates that there is rich potential for weaving together social science domain knowledge with computational tools in the study of language, networks, and social movements.

This article considers emergence in the context of systems of systems, examining the earlier proposed tri-layered architecture in some depth. In contrast with healthcare reform, a social media phenomenon, the emergence of topics in the Twitter user community, is shown not to satisfy a critical condition of the architecture. Nevertheless, detection of topic emergence is shown to offer insights into the design of Emergence Behavior Observers.

Intellectual property has gained more attention in recent decades because innovations have become one of the most important resources. This paper implements a probabilistic topic model using nonnegative matrix factorization (NMF) to discover some of the key elements in computer patent, as the industry grew from 1990 to 2009. This paper proposes a new “shrinking model” based on NMF and also performs a close examination of some variations of the base model. Note that rather than studying the strategy to pick the optimized number of topics (“rank”), this paper is particularly interested in which factorization (including different kinds of initiation) methods are able to construct “topics” with the best quality given the predetermined rank. Performing NMF to the description text of patent features, we observe key topics emerge such as “platform” and “display” with strong presence across all years but we also see other short-lived significant topics such as “power” and “heat” which signify the saturation of the industry.

Samuel Bourne (1834-1912), one of the most prestigious Victorian English commercial photographers to have worked in British India, is best known for his photographs of the Himalayas. Bourne's work features in general studies of photography of the period; his representations of the Indian landscape have been the object of studies and several exhibitions. Bourne was in India initially from 1863 to 1870 thereby establishing his career as a professional photographer. Soon after his arrival he started a business with the experienced photographer Charles Shepherd. Within a few years, the firm of Bourne & Shepherd became recognised as being a directing influence over British-Indian photography. The photographs were taken either in studio or on location, and included individual and group portraits of both the British and Indians, topographical images in which peoples were incidental, as well as a range of representations of Indian life, customs and types. These images were informed by, and in turn contributed to, an expanding body of photographic practice that mixed, to varying degrees, authenticity and aesthetic style. Whilst Bourne's work was significant and influential in the representation of Indian peoples, no substantial study has been undertaken until now. The aim of this thesis is to redress this imbalance. The central focus highlights the specific character of the images portraying Indian people. This specificity was determined by a combination of technical and 'authorial' factors, by the audience to which they were addressed — ranging from the general public in Britain to the family circle of wealthy Indians — by commercial considerations, and by current and evolving notions of authority, race and gender. The first two chapters seek to frame Bourne's work by first examining the political and cultural context of photography in India during the mid-nineteenth century, then by focusing on the context of the photographer's own production. The following three chapters are concerned with the study of the photographs themselves regarding what they depict and the questions they raise such as gender, racial identities and imperialism. The last chapter is an attempt to assess the significance of these photographs by comparing them with the work of Lala Deen Dayal, and highlighting different perspectives on Bourne's work regarding British India and Western societies. Placed in the context of the development of photography as a medium of record and representation, this thesis aims to show that Bourne's work is a significant historical source for understanding British cultural presence in post-Mutiny India.

Working within the field of nineteenth century transatlantic history this thesis takes as its starting point British attempts to engage with the American Civil War. It emphasizes the historiographical oversights within the current scholarship on this topic which have tended to downplay the significance of antebellum British commentators in constructing an image of the United States for their readers which was highly regionalized, and which have failed to recognize the antebellum heritage of the tropes deployed during the Civil War to describe the Union and Confederacy. Drawing on the accounts of over fifty British pre-war commentators and supplemented by the political press, monthly magazines and personal correspondence, in addition to significant amounts of Civil War propaganda this thesis contends that the understanding of the British literate classes of the conflict was part of a continuum. It equally emphasizes that by measuring the reception of texts among the literate public it is possible to ascertain the levels of British understanding of different aspects of the American nation and its sections in this period. It aims to demonstrate that any attempt to understand the conflict in a British context must adequately reflect the long-standing image of the United States as being characterized by discrete regions with particular social, cultural, economic and political identities. At the same time, it makes clear that pre-war discussions of the United States as a nation did not preclude the use of sectional identities; in fact the tropes of the pre-war United States themselves came to be highly sectionalized during the conflict. This thesis, therefore, places the American Civil War in both a transatlantic framework and emphasizes the extensive chronological span of British engagements with American sectionalism in order to explain the occasionally counter-intuitive and often confusing attitude of the British towards the conflict.