The doctoral thesis called "Five Plays of Karel Čapek:Primary Research" deals with drama works of one of the most outstanding and extraordinary personalities in the Czech theatre and culture. So why "primary research"? Because something like that is badly missing in his context - and therefore the interpratation of his work has been influenced by various interventions during its existence : above all the interrupted staging tradition, biased, and thus incomplete, perception by literary theorists, ignoring or simplifying by theatre theorists and even practitoners.

This diploma thesis deals with the theme of Mozart's opera The Marriage of Figaro, focusing on the role of the Countess and her contextualisation into the work of W. A. Mozart. The fundamental objective of this thesis is to analyze Mozart's work in the broader context of the composer's life story, the plot of the opera and interpretative concept of the role of Countess by three selected protagonists. A secondary aim of the thesis highlights the importance of Mozart's operas in music history. The introductory part covers the life of Mozart, followed by an overview and analysis of the formation of his operas. The main part is the analysis of The Marriage of Figaro and the Countess role in various concepts. Conclusion of the thesis confirms the hypothesis of Mozart importance for the neo-classical opera.

The masters thesis focuses on the work of Erwin Schulhoff influenced by jazz and contemporary popular music, describing all of his works since 1914 until his death. The author studied all of the available work, including autographs. He presents results of his research with plenty of sheet music illustration, interpreting each composition in the context of Czech and international music. In the last chapters he introduces his own transformations of Schullhofs composition.

This thesis deals with using general methodical principles while teaching to play the clarinet and to sing particular compositions – the song cycle by Louis Spohr “Sechs deustsche Lieder fur eine Singstimme, Klarinette und Klavier op. 103“ and the song by Franz Schubert “Der Hirt auf dem Felsen D (965)“. The work is divided into five chapters. The first chapter briefly mentions the historical background of birth of the compositions with a special regard to the changes in the musical life in the 19th century and the personal lives of both composers. The second chapter, Personality of the performer, observes important aspects which no performer should ever forget about while studying a chamber piece of work, such as mental preparation, the issue of memory, but also the right choice of repertoire with respect to the characteristics of the soprano voice, for which both compositions were written. Other aspects include posture on the stage, breath support, intonation, sound consistence and making use of all the aspects while performing the song by F. Schubert as well as the song cycle by L. Spohr. Other two chapters are dedicated to both compositions, the third being focused on L. Spohr´s “Sechs deustsche Lieder fur eine Singstimme, Klarinette und Klavier op. 103“ and the fourth focusing on Franz Schubert´s “Der Hirt auf dem Felsen D (965)“. The circumstan-ces of birth of both compositions are described, loose translation of the texts is provided as well as performer´s experience with the particular songs. The last (fifth) chapter, Historical faithfulness of interpretation, is a short contemplation over the fact to what extent a performer is able to depict the original idea of the author by means of contemporary technical possibilities. The thesis describes personal opinions, experience, feelings and problems which its writer encountered while studying the clarinet and singing parts of the compositions.

SEIBERTOVÁ, Zuzana: Zdeňek Lukáš's Vocal Work a Personal Interpretation of the Cycle Prosté písně, op. 112. ( Disertation ) / Zuzana Seibertová. - Academy of Performing Arts in Prague. School of Music; Department of Voice and Opera Direction. - Dissertation Mentor: MgA. Martin Bárta. Prague: HAMU, 2014. The dissertation introduces the reader to the 20th century Czech composer Zdeňek Lukáš, familiarizing the reader with his compositions for voice and providing the author's own interpretation of the song cycle Prosté písně. The first chapters provide information on the composer's life, the development of his compositional style, and, most importantly, the author's compositions themselves, which had a significant impact on the 20th century Czech music scene. The following chapters are dedicated to individual songs of the song cycle Prosté písně, focusing on its interpretation, the relationship between the text and the music, and the union of three components of the cycle - voice, flute, and piano. In her analysis of the individual songs, the author draws on her personal experience interpreting the cycle. Keywords: Zdeněk Lukáš. Vocal repertoire. Choral repertoire. Song cycle. Song.

The intention of this thesis, processed form of the project was to evaluate the effect of the different system for creating recipes compound feed for poultry performance, feed efficiency and economy of production of animal products for specific breeders. The work is based on a detailed review of the literature processed, directly related to the study of topics such as fundamentals to determine the methodological approach and meet specified targets and confirm or refute hypotheses. A follow-up evaluation of inputs and their own project. It is based on a detailed analysis of three-year results from three farms in the Czech Republic, which supplies feed mixtures, according to their wishes, both conventional and addressable - tailored, enterprise PRIMAGRA, a.s. Criteria under consideration were in different years: efficiency index fattening broiler chickens, achieved weight, feed conversion, deaths, the price of feed mixture. In the final part of the study summarizes gained knowledge, which can be summed up as follows: performance of individual buildings surveyed farms had fluctuating character. Slaughter weight had a positive development in only one of these three companies, by the remaining two happened its total reduction. For enterprises A and B using conventional feed were among the batches for all investigated criteria measured different values. In contrast, in the company C utilizing feed addressable were examined by criteria, the results of individual batches more balanced. Percentage mortality in the period in agricultural enterprises decreased. Furthermore, the hypotheses examined claims made to that effect. H1 hypothesis was confirmed. It can say that for farmers the use of direct mixture effective in the long run and brings him more stable and more profitable than the use of conventional feed mixture. H2 hypothesis was not confirmed or denied. The reason for this ambiguous conclusion was that there are many other factors that determine whether use of the nutrient mixtures poorer farmers will or will not bring the same effect as a mixture richer in nutrients. H3 hypothesis was not confirmed, because in a situation where they are available cheap synthetic amino acids not necessary to the formulas represented many components, as in the early days of development of the feed industry.

Cílem diplomové práce je vytvořit návrh marketingového mixu pro nejvhodnější strategii vedoucí ke zvýšení počtu zákazníků společnosti MND neboli Moravské naftové doly. Společnost MND prodává a dodává zákazníkům plyn a elektrickou energii. Práce bude obsahovat dvě části. V první části bude obsažena literární rešerše, která bude popsána pomocí prostudování odborné literatury z oblasti marketingu. Praktická část bude zaměřena na společnost Moravské naftové doly, kde bude charakterizována a posuzována pomocí vědních metod například analýza sekundárních dat, dedukční metoda a také pomocí metody empirického poznání. Praktická část bude také obsahovat Porterův model pěti sil, STEP analýzu a SWOT analýzu, která hodnotí příležitosti a ohrožení. SWOT analýza bude vycházet z analýzy konkurenceschopnosti pro zjištění silných a slabých stránek společnosti.

Tato diplomová práce představuje mé umělecké zpracování a vizuální interpretaci dramatického textu Země mnoha jmen Josef čapka. Práce obsahuje umělecký i historický přístup autora a divadelní svět na začátku dvacátého století, obzvláště období První republiky Československa, dále pak vyjádření mých uměleckých zásad, referencí a analýzu hry a postav skrze tento filtr.

This thesis analyses several plays of postmodern Czech naturalistic rural drama. By using comprehensive analysis and numerous examples, the work deals with the key question why traditional realistic dramas based on the mimetic principles are so attractive for the nonconformist and provocative authors, generally known as postmodernists.The work introduces the term postmodernism as a new philosophical way of seeing Euro-American civilization but also as an artistic style, which gives these thoughts an aesthetical basis in the context of Czech and also world history and culture. To get the essential knowledge of the topic, the main principles of realistic and naturalistic poetics are introduced. The work is trying to find an answer to the question ask above by analysing seven plays of postmodern Czech naturalistic rural drama. The analysis is based on experience of spectators and readers and also numerous examples from postmodern literature, film, fine art and music. The key factor of this analysis is the conflict of archetypal human essence and today often discussed absence of transpersonal order, which affects humans even against their will. The interpreted texts work with the topics of human struggle with love, faith, responsibility and compassion, which seem to be very attractive for the postmodern artists. These kinds of texts can give us an evidence of the epoch we live in. Whether the personal freedom ruined human faith in some greater sense or the sexual revolution actually buried the metaphysical essence of love. As an author, I came to the conclusion, that discussed plays demonstrates a postmodern human as a schizophrenic being, denying under the influence of general moral status existence of universally valid order, in spite of seeking this order in its soul desperately. Introducing my own concept of “the great second”, I try to defend my conviction, that in this exhausting struggle, the art can be for human desired, purifying and fulfilling power

This thesis with the sumptuous working title Film Cooperative, Version 2.0 is the result of my two-year background research for the purpose of establishing a cooperative entity. I proceed from the generally positive perception of present cooperativism abroad but I apply my research on the specific situation in the Czech Republic. Although it is marked by a rich cooperative history during the so called “First Republic,” the current approach to the cooperativist model is rather negative particularly due to the adverse role that collectivization played in the second half of the 20th century. Therefore I focus on cases from the Czech context, both from the past and present. Since film cooperativism has not yet taken roots in our country, we would be its pioneers. In my work I therefore look for past and present models from other sectors that could help stimulate it. I conclude my thesis by inspiration from alternative models of thinking about the world where finance is not the driving model but a carrier into a better world.