The video game industry grows bigger and bigger with each year and this growth does not seem to slow down anytime soon. With that, it's important for society and video game developers to know how this media affects the players playing the game as it's already a very big industry, with large numbers of players playing video games every day. Game designers have, and are using information horizons to influence the players in different ways, an example of this is making the player play more cautiously. There have also been previous studies that have shown that music has an impact on a player's behavior and performance while playing a video game, making players more stressed and aggressive being a conclusion for some studies. With this in mind, this study delves deeper into how music in conjunction with information horizons affects a player, playing a video game. This was done by using a controlled experiment in conjunction with a first-person shooter game, the goal of the game being clearing out a linear level of turrets using an automatic rifle. One group of test subjects played a version of the game consisting of high-tension music and information horizon in play, with another group of test subjects playing the same game without these effects in play. Data was collected in the background from each test subject's playthrough and this data was then analyzed and compared between both groups. From the data gathered it seems that music made the players play faster and more aggressively, with the information horizons effect being diminished by the music's overpowering effect. This is in line with numerous previous studies that have gotten similar end results from the effects of music in video games, with an existing research gap with regards to information horizon making the effects of the information horizon unclear.  The end results showed that group 1, playing the version of the game with high tension music and information horizon in play, had fired their weapons more, been less accurate with their shots, destroyed turrets slower, had more deaths, and played faster. These results indicate increased stress levels and aggressiveness with group 1’s test subjects.

Video games are being studied today more than ever before. The engagement that they generate with the user, if harnessed, is thought to have applications across numerous other fields. Educators especially wish to implement elements of gaming into supplemental activities to help further interest students in the learning process. Many claim that this is because classroom’s today are in direct contradiction with the real home life of students. Student’s today were born into the fast paced world of the digital realm, frequently multi-tasking between watching television, playing games, doing homework, and socializing. As educators begin to create game like experiences to drive student engagement they will seek to create interactions that foster the psychological phenomena of flow, presence, and engagement. Each of these three processes helps play a key role in what makes video games the attention-grabbing medium that they are. When creating games it would be beneficial to know which type of game mechanics reinforce these phenomena the most. The goal of this study is to investigate, Super Meat Boy and Limbo, two very similar games with very different mechanical representations and see which game is more engaging in these three areas. Twentynine participants played one of the two games for forty-five minutes, completed three separate measurements, and were observed throughout the process. The results were analyzed and found one game to indeed be more engaging than the other.

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This research empirically investigated the Video Game Experience Measure (VGEM), which captures general aspects of video game experience in a five-factor model, tapping factors such as frequency and intensity of gameplay, and self-reported confidence in specific game-related skills as well as more general self-efficacy. The VGEM captures facets of video game experience that have been represented in prior research, and which have individually been found to relate to players’ gameplay performance. These factors of individuals’ video game experience have been found to introduce notable variance in game-based experimentation, but the extent to which each aspect impacts performance has been sparsely researched. This study used well-established basic cognitive research tasks to investigate whether the VGEM is able to discriminate between individuals’ prior experience along different factors or dimensions of video gameplay, and whether the measure is able to account for variance in cognitive task performance on three cognitive tasks, including Fitts’ Law task, a measure of hand-eye coordination and reaction time, Task-Switching and Mixing task, a measure of cognitive flexibility, and Stroop task, a measure of attention and cognitive inhibition. Additionally, demographic factors such as sex and age are investigated as they relate to cognitive task performance. This study’s participants were undergraduate students at the University of Central Florida who volunteered to participate through the UCF Psychology SONA system recruitment system in exchange for course credit, the final dataset contained 295 participants. Results showed that the Video Game Experience Measure factors explained a significant proportion of the variance in cognitive task performance in this sample and were generally more predictive of performance than demographic factors. Findings from this research demonstrate that the Video Game Experience Measure may be used to more accurately account for variance in novel game-based task performance in experimental study samples, provide insight into factors related to aspects of video game experience, and elucidate differences between, in addition to non-players, types of players that emerge from combinations of demographic, motivational, and experiential factors.

Libero is a 2D video game that aims to explore the concepts of dealing with personal issues such as insomnia and anxiety. It is a 2D stealth puzzle game that takes influence from older dungeon-crawlers and rogue-likes from the 1990s as well as inspiration from modern games designed for mobile platforms such as iOS and Android phones. The game experiments with new 2D normal mapping technologies for a unique take on pixel art. / Master of Fine Arts / <i>Libero</i> is a 2D video game that aims to explore the concepts of dealing with personal issues such as insomnia and anxiety. It is a 2D stealth puzzle game that takes influence from older dungeon-crawlers and rogue-likes from the 1990s as well as inspiration from modern games designed for mobile platforms such as iOS and Android phones. <i>Libero</i> is designed to be playable in short bursts and requires you to avoid enemies in each level to make it through to the end. It is a small puzzle game for all ages. The enemies in the game represent different emotions we feel that we cannot easily confront head on. The game experiments with new 2D normal mapping technologies for a unique take on pixel art.

The diploma thesis entitled "The position of video game industry among the creative industries in the Czech Republic" brings up a complex view on the Czech video game market. It has been created based on data acquired from numerous local and international scientific studies and also using interviews with selected representatives of the Czech video game market. It has turned out that the Czech video game industry builds up its economical position step by step. Its year-on-year turnover grows and thus gradually counts up to even larger portion of the return of cultural and creative industries. This happens spontaneously, without systematic support from the national or local governments. However, such a support is common in other European countries. Interested parties that play a part in the Czech video game market would be (according to conducted interviews) very interested in this kind of support, mainly in form of tax relief and the promotion of local developers abroad (which would also bring foreign investors into the country). Thus, the claim that the implementation of institutional support of Czech video game would solve its two most acute problems, is valid. All addressed representatives (coming from different segments of video game market) have confirmed that these two issues are the lack of financial and marketing support. In case these barriers of market development are removed, the process of growth of the Czech video game market as a strong member of the industry would speed up significantly. All abovementioned facts, along with other aspects of the problematics, are reflected in SOAR analysis that brings the thesis to an end.